1966
93 2 1966 2003 THE RESEARCH OF CHANG HSIAO-FENG'S LYRICAL ESSAYS 1966 2003 8911213 172 LAN PEI CHEN Hsu Hsin yi Keywords CHANG, HSIAO-FENG Modern Prose Lyrical Taiwanese Literature
Abstract CHANG, HSIAO-FENG who was famous for her essays in the mid and late 1960s has enjoyed an excellent reputation for her works and has been well-known author of a number of books for her wide-ranging artistic creation field. Especially, the achievement of her lyrical essays is remarkable with both qualities of rationality and sensibility, the style of the work is most changeful; she has many works which are imaginative and flexible language utilization; the materials of her works are diverse and the essence of her thought is rich in humane concerns. Her works not only can derive the advantages from the classic traditional cultures but also present the appearance of modern literature. In addition to the tender and sensitiveness, as a woman writer, her writing is of lightheartedness and vigor. A unique style of her essays assures her unique status in Taiwanese literary circles. The thesis sets out to study those lyrical essays which had ever been published from 1966 to 2003. First of all, we will provide an objective look at the external factors such as the experience of the writer, the characteristics of literature, and the conditions of her lyrical essays creation in order to gain a more comprehensive understanding on the features of her works. At last, we sum up and clear out the plentiful content of her works which is full of the effects of the artistic achievements
on her literary skills. Hoping that the unique meaning and value of CHANG, HSIAO-FENG's lyrical essays in Taiwan literary circles can be identified. This thesis consists of five chapters: Chapter One is Introduction which presents the motives, objectives, the review of the previous studies, the definition of lyrical essays, and the establishment of the research scope as well as the research method. Chapter Two is the general discussion of CHANG, HSIAO-FENG and her lyrical essays. We will focus on an all-dimensional discussion of her life experience and divide her life into three stages to indicate that how the life experience influence her works and to explore her own endeavors in engaging in both of creation and editing and the results. This is the preparation for discussing her works. Secondly, we explore the concept of literature. We describe her idea and principle on the literature and creation relating to the discussion of her works as the foundation of cross reference. Moreover, this paper tries to give a general overview of her essay topics and the change of the styles of works at different stages. Chapter Three. Evolution of her works. We review and summarize the content of lyrical essays at different stages. This thesis aims to explore and analyze from three aspects to present the status of her emotions and a broad perspectives on human concerns of CHANG, HSIAO-FENG. Chapter Four. Artistic Skills. We review her lyrical essays and put her great achievements on the artistic skills in order synthetically. With the investigations from four aspects, we sense the outstanding artistic achievements on the skills of the lyrical essays. Chapter Five is Conclusion. The author briefly summarizes the critics and suggestions in previous studies from chapter one to four. We place the meaning and value of CHANG, HSIAO-FENG s essays in the objective and fair positioning. The writer brings out the suggestive guideline for the research workers in the future.
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1966 2003 5 1970 6 7 5 92 9 6 1970 1989 78 16 7 1998 150 2
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1966 2003 13 sense of immediacy 14 57 66 13 14 92 10 4
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18 19 18 88 45 51 19 92 6 7
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1966 2003 10 3 154 87 154 59 3 89 4 166 276 279
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154 181 182 7 266 267 137 7 37 88 6 19 23 13
1966 2003 8 9 10 235 11 8 96 98 9 67 8 12 14 10 37 88 6 19 23 11 235 14
155 215 12 13 14 12 66 6 36 59 83 13 89 12 182 102 105 14 78 9 15
1966 2003 204 205 15 26 72 9 15 23 29 15 89 4 166 276 279 16
117 122 156 16 218 16 70 1 30 7 9 17
1966 2003 17 79 80 17 65 9 30 73 8 12 344 350 65 12 30 247 257 18
82 81 83 84 86 18 217 19 18 62 259 264 9 61 6 2 19 213 218 19
1966 2003 217 218 223 20 21 205 55 22 23 20 82 7 9 2 106 21 79 8 254 16 26 22 37 88 6 19 23 23 20
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1966 2003 22 30 30 1999 4
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1966 2003 32 2 103 230 231 33 32 11 76 4 29 33 24
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1966 2003 26 1 36 1966 1968 1971 1973 1975 1977 1977 1979 1979 1980 1981 1982 1983 1984 1984 1988 1990 1994 1996 1997 2003 210 211 36
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1966 2003 40 41 3 40 62 6 37 6 216 232 41 65 12 30 28
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1966 2003 56 13 16 57 58 56 11 57 37 88 6 18 58 63 11 8 3 142 148 32
126 59 60 59 1 1 83 91 60 74 1 106 50 59 33
1966 2003 61 1 62 63 61 37 88 6 18 88 6 23 62 70 3 13 5 105 108 63 78 13 29 34
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1966 2003 11 12 13 11 17 92 6 15 12 72 2 167 13 86 12 10 201 146
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1966 2003 1950 39 1951 40 1952 41 1953 42 1954 43 1955 44 1956 45 148
1957 46 1958 47 1959 48 1960 49 1962 51 1964 53 1966 55 1967 56 1968 57 1969 58 149
1966 2003 1970 59 1971 60 1972 61 1950 1970 1973 62 1974 63 1975 64 1976 65 150
1977 66 1978 67 1979 68 1980 69 70 1981 70 151
1966 2003 1982 71 1983 72 73 1984 73 1985 74 152
1986 75 1987 76 1988 77 1989 78 2 1970 1989 1990 79 2 78 153
1966 2003 1991 80 1994 83 1996 85 1997 86 1999 88 2000 89 2003 92 1989 2003 2004 93 3 3 78 116 1995 6 109 118 1989 176 185 2001 350 353 13 2004 309 312 154
1 1966 1970 1980 1981 1986 2 1968 1975 1982 1987 3 1968 1968 4 1971 5 1971 1982 1987 6 1972 1972 7 1972 8 1973 9 1973 10 1974 11 1975 12 1975 13 1976 14 1976 15 1976 1 5 16 1976 2 155
1966 2003 156 17 1976 6 7 8 10 18 1976 19 1977 15 16 17 20 1977 21 1977 1977 22 1977 23 1977 1984 24 1979 25 1979 26 1979 27 1980 28 1981 29 1981 30 1981 31 1982 32 1982 33 1983 34 1983 35 1983 36 1984 37 1984 38 1985 39 1988 40 1989
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1966 2003 11 89 12 91 13 92 1989 2003 61 70 70 71 72 73 73 800 5 75 79 79 80 80 84 87 89 158
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1966 2003 15 1983 9 23 39 10 1981 3 35 37 6 1973 6 34 38 87 1980 7 97 98 http //lit.ncl.edu.tw/cgi/ncl2/recomment 66 1991 9 106 1985 1 50 59 101 104 http //lit.ncl.edu.tw/cgi/ncl2/rebiography 96 98 7 5 41 1970 70 83 12 516 1996 12 4 7 10 11 119 1994 4 37 45 254 1990 8 16 26 92 1980 12 42 44 166 2000 4 276 279 16 1985 2 212 213 23 12 76 78 15 1983 9 19 20 75 1 677 1986 1 18 21 http //lit.ncl.edu.tw/cgi/ncl2/rebiography 182 2000 12 166
102 105 148 1980 7 11 90 1978 10 167 1983 2 105 1969 3 30 32 http //lit.ncl.edu.tw/cgi/ncl2/rebiography 6 1999 6 18 20 5 1997 5 55 59 10 1984 5 30 94 98 87 1980 7 94 98 202 2 1998 1 10 97 135 1997 1 23 24 182 2000 12 26 27 36 1977 6 59 83 45 1979 12 142 145 1980 11 11 1981 3 15 1976 3 9 7 1985 5 73 75 68 1981 1 153 155 10 1984 7 20 26 78 116 1995 6 109 118 201 1997 12 10 33 7 391 1995 167
1966 2003 3 49 51 4 6 24 1994 4 103 120 8 3 1974 11 9 12 108 1994 5 66 75 5 3 51 1989 1 198 200 9 2 98 1993 7 104 107 http //lit.ncl.edu.tw/cgi/ncl2/rebiography 5 1997 5 49 54 http //lit.ncl.edu.tw/cgi/ncl2/rebiography 34 9 1965 11 22 24 15 1983 9 21 22 9 1984 6 58 60 11 6 126 1994 11 70 72 296 2000 11 49 61 183 185 http //lit.ncl.edu.tw/cgi/ncl2/rebiography 1981 1 133 142 1978 12 http //lit.ncl.edu.tw/cgi/ncl2/rebiography 15 1 1973 2 34 38 http //lit.ncl.edu.tw/cgi/ncl2/recomment 171 1982 12 http //lit.ncl.edu.tw/cgi/ncl2/recomment 168
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1966 2003 8 1985 3 15 28 1999 6 20 37 1999 6 19 1999 6 23 19 1999 11 30 2003 6 15 http //lit.ncl.edu.tw/cgi/ncl2/recomment 1993 7 7 http //lit.ncl.edu.tw/cgi/ncl2/recomment 216 1968 10 13 19 1994 10 28 37 1999 7 14 1982 3 12 1982 3 21 9 1976 11 11 8 1974 4 19 8 1975 4 19 1982 6 15 9 1979 10 1 1998 12 11 5 1982 12 17 1981 3 11 10 1981 7 1976 12 30 10 1984 11 4 10 1984 3 17 9 1972 6 2 42 2000 10 19 11 1987 4 29 11 1975 12 30 15 1997 10 14 170
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