102 9 3 243-256 摘要 30 1931 1930 322-323 1943 7 31 30 40 1895 1896
244 1 2005 1-17 1943 1933 73 2011 116 30 30 1931 1 2011 24 33
245 1937 1941 12 1930 322-323 1943 7 31 2003 28-59 1920-1925 1926-1937 1937-1978 1923-1931 1923-1931 1932 1932-1937 1937-1943 1995 1920-1931 1931-1937 1931 1937-1945 2010 82 1895 2011 30 1921-1931 1931-1937 1937-1945 1896 1910 1920 1931 1930 1943
246 1896 1923 2 13 1920 1 11 1922 1 4 20 30 2007 249 1991a 50 1991a 52 1991a 56
247 1916 1929 1942 2 1995 125 1895 1937 40 2009 2 1989 1 1998 2008 171 2002 1989 40
248 1985 1995 110 3 4 39 1906 2009 10 3 2000 171 28-37 4 1991 328 329 331
249 30 40 1991b 336 1920 2007 1993 20 30 1991a 54 1991a 55 1991a 53
250 1991b 339 1991b 345 1991b 334 1996 310 1991b 336 1991b 336 1920 19941a 56
251 1991a 56 1991a 57 1991b 343 1991b 343 1991b 343 1991b 343 1991b 343 1991b 344
252 2010 460 1991a 50 1991a 52 1991a 55 1991a 56 1994 57 1996 66 1991b 373
253 2007 2005 2008 2009 2009 3
254 20096 1-30 2009 106 86-96 1933 1 7 2001 73 2002 31-40 1996 294-331 1985 212 2007 23 1-34 1991a 1991b 1989 40 109-111 2010 460 1996 66 2000 171 28-37 1995 125 1998 2008 4 26-29 1977 2007 249 2011 1943 6 3 1979 7 7 1979 8 16 2003 28-59
255 20054 1-17 1993 1998 17 2010 : 82 1989 1 103-104 Nai-Wen Yang is a Master Student of Graduate Institute of Chinese Literature, National Chengchi University, Taipei, Taiwan 102 04 02 102 05 20 102 05 21
National Taiwan University of Science and Technology Journal of Liberal Arts and Social Sciences 2013, 9(3), 243-256 THE RETURN HOMETOWN WRITING IN THE NOVELS BY INTELLECTUALS IN JAPANESE COLONIAL PERIOD CHENG HSU-KU S GLORIOUS RETURN AND WANG CHANG-HSIUNG S TORRENTS Nai-Wen Yang Graduate Institute of Chinese Literature, National Chengchi University ABSTRACT The 1930s was the period Taiwan s literary consciousness reached maturity and was an important dividing point in the development of Taiwanese literature. Prior to this period, novels relied on newspaper publications since independent literary magazines were not available. After 1931, intellectuals involved in politics changed their course and engaged in literary creation. Local Taiwanese literary perspectives were established. In this paper, Cheng Hsu-ku s Glorious Return in 1930 published in Taiwan Hsin Min Pao No. 322-323, and Wang Chang-hsiung s Torrents included in Taiwanese Literature on July 31, 1943 are discussed. The two novels published thirteen years apart were written basing on the intellectuals who returned to their homeland in the 1930s and 1940s during the Japanese Colonial Period as the theme. In this paper, the author presents identity displacement of different eras through customs and self-image portrayal, thus affording a glimpse of the colonial period when intellectuals faced enlightenment and tradition-based repression. They were baptized by progress and civilization, but doubts about their own identities also rose. Along the way home, the intellectuals that studied in Japan revealed spiritual identity and resistance to the colonial powers. In this paper, the cultural resistance Taiwan faced during the Japanese Colonial Period was explored to reveal the homecoming intellectuals examination of feelings of being out of place. Keywords: Chen Hsu-ku, Wang Chang-hsiung, Japan Colonial Period, intellectuals