國家圖書館典藏電子全文

Size: px

Start display at page:

Download "國家圖書館典藏電子全文"

弟鱼
7 years ago
Views:

1 Beyond the Deception of a City Without Residents A Critique of Yuan Goang-Ming s Solo Exhibition Human Disqualified

2 é 2

3 Abstract This paper intends to draw on Yuan Goang-Ming s Solo Exhibition Human Disqualified, held at the IT Park in 2001, as the object of commentary. Through a discussion of the images in Human Disqualified, I aim to analyze his concerns of ideology intertwined in the social context. Through an interpretation of the work s theme, I will point out the critical perspective of Human Disqualified. This paper will offer an analysis of these two parts: Art reveals social realities on the one hand, but also possesses autonomous anti-social critical essence on the other hand. After the 1950s, the increasing development of communication media gives rise to the overwhelming age of the visual image consumption. Visual images taken from reality construct reality. Images attached to visual images construct visual reality. Thus, we realize reality through the allusions of images radiating from visual images. In order to take Human Disqualified as a visual reality, the observer is not located outside the visual images of the work to translate its images. Conversely, the site formed by the work and its observers becomes a site of intersubjectivity. The observer enters the floating time of visual images; he is no longer an observer, but lives with the time of the visual images. Interpreting the images in his work, we discover that they have a double meaning: the first one is its surface reality, regarded as a direct translation of social ideology, and the second one is its inner critique viewed as a form of anti-social ideology. Rather than being in opposition, they depend upon each other and co-exist interactively. 3

4 4

5 5

6 6

7 7

8 8

9 9

10 10

11 11

12 12

13 13

14 14

15 15

16 16

17 object art theory

18 Alternative ideologies Janet Wolff, Art as Ideology. The Social Production of Art. New York: St. Martin s Press, 1981, pp Janet Wolff Wolff, Janet. Art as Ideology. The Social Production of Art. New York: St. Martin s Press, 1981, pp è 16 Maurice Rheims Maurice Rheims 17 18

19 ( ) ( ) ( ) 19

20 ( )14 (2002.4) ( (T.W.Adorno) ( )4 ( ) 84 T.W.Adorno, Theorie esthetique, Trad. Par M. Jimenez, Paris, Ed. Klincksieck, 1989, p.296. ) 20

21 S 5 400mb 21 21

22 22 22

23 23 23

24 DM ( ) 24

26 19 19 Joseph Nicéphone Niépce, Louis Jacques Mandé Daguerre, RCA reality visual image image reality visual image image 27 William Henry Fox Talbot Calotype 26

27 1843 Ludwig Adreas Feuerbach image thing representation appearance being Charles Baudelarire imaginaire Steven Best & Douglas Kellner Charles Baudelarire Le Public Moderne et la Photographie, Curiosities Esthetiques, Salon 1859, ed. Gamier Freses, 1962, Paris. 27

28 Le message photographique, 1961 L analogie message sans code dénotation connotation 1964 Rhétorique de l image, 1964 signifiant ( 165) (Walter Benjamin ) ( 173)

29 opacité l image est 35 polysémique

31 SNG 39 31

35 35

36 46 36

37 ( ) 37

43 intersubjectivité ( ) 43

45 Deleuze, Gilles. ( )147 ( ) Deleuze, Gilles. ( )147 ( ) Deleuze, Gilles. ( ) 147 ( ) Eagleton, Terry. ( )81 ( ) ( )161 ( ) 129 ( )97 () ( ) ( )268 ( ) ( )267 ( ) [P. Lancelloti] [S. De Rosa] ( )273 ( ) CANS ( )37 ( ) ( )233 ( ) ( ) 99 ( ) ( )91 ( ) ( )237 ( ) ( ) (43 ) 6 ( ) (12 ) (BourneC) ( ) 104 ( ) ( )254 ( ) ( )256 (1996.9) () ( )99 ( ) ( )265 ( ) ( )54 ( ) 2-3 () ( )139 ( ) ( )125 (1981.7)

46 ( )195 (1987.5) 124 () ( )143 ( ) ( )163 (1984.9) ( ) ( )70 ( ) ( )203 (1988.1) ( )50 ( ) ( )292 (1999.9) ( )14 ( ) ( )36 ( ) () ( )98 ( ) () ( )97 ( ) ( )179 (1990.4) ( )98 () ( ) ( )262 ( ) ( )97 () ( ) ( )89 (1997.7&8 ) ( )187 ( ) ( )96 () ( ) ( )301 ( ) ( )301 ( ) ( )96 () ( ) ()98 () ( ) ( )98 () ( ) ( )299 ( ) ( )27 3 (1998.9) ( )4 ( ) ( )2 ( ) ( )1 ( )

47 ( )14 ( ) ( ) ( ) ( )5 ( ) ( )11 ( ) : ( )7 ( ) ( )3 ( ) ( )15 ( ) ( )10 ( ) ( )6 ( ) ( )21 ( ) ( )49 ( ) ( )28 ( ) ( )8 ( ) ( )164 ( ) ( )11 ( ) ( )98 () ( ) ( )253 ( ) 509 ( )241 (1995.6) ( )98 () ( ) ( )281 ( ) 8-13* 2000 ( )92 ( ) ( )235 ( ) ( )151 ( ) ( )203 ( ) ( )261 ( ) ( )78 ( )46-48 ( )260 ( )89-95 (T. W. Adorno) ( )74 ( /02) () ( )256 ( )93-98 () ( )257 ( ) (T.W.Adorno) ( )4 ( ) 47

48 84-89 ( )12 ( ) ( )14 (2002.4) ( )214 (1993.3) ( )92 ( ) ( )143 ( ) (1984.8) ( ) 167 ( ) ( )239 ( ) () ( )98 ( ) ( )101 (2001.2) () ( )191 ( ) () ( )190 (1991.3) () ( )96 ( ) ( )67 ( ) ( )237 ( ) ( )277 (1998.6) ( )1 ( ) ( )203 ( ) 158 ( )147 ( ) ( )130 ( ) ( )281 ( ) 24-34* ( )221 ( ) ( )72 ( ) (Dr. Larry Lutchmansingh) ( )43 ( ) ( )27 ( ) ( )163 ( ) ( )113 ( ) ( )201 ( )

49 ( )1 ( ) ( )201 ( ) ( )17 ( ) 4-6 ( )162 ( ) ( ) ( )220 ( ) ( )67 ( ) ( ) ( )154 ( ) ( )131 ( ) ( )113 ( ) ( ) 206 ( )123 ( ) ( ) (1990.4) ARTEC'91 ( )15 ( ) ( )301 ( ) ( )235 ( ) ( )165 (1989.2) ( )161 ( ) ( )8 ( ) 68 Baudrillard, Jean. Chapter Six: For A General Theory For a Critique of the Political Economy of the Sign. Translated with an introduction by Charles Levin, Telos Press, 1981, pp Wolff, Janet. Art as Ideology The Social Production of Art. New York: St. Martin s Press, 1981, pp Wolff, Janet. Conclusion, Cultural Producer and Cultural Product The Social Production of Art. New York: St. Martin s Press, 1981, pp Adorno, Theodor W

50 50

52 1 City Disqualified-Hsimen District cm 52

53 53

55 ELECTRA kinetic art light art cybernetic art neon art video art high technology media art and technology laser and holography electrophtography video installation computerizes art computer graphic

56 VIDEO VIDEO VIDEO Video Video Video Video Video VIDEO

57 Video art Video 65 René Berger 59 VIDEO VIDEO VIDEO

58 Peter Frank Hulmut Friedel 50 Wolf Vostell René Berger

59 High technology art Video

60 Video Video dispositif Video Bruce Nauman Bill Viola ,

62 TV Performance Laserdisc player Video (1993.6) 69 62

63 1968 Les Levine Iris 94 Synchronie Duachronie autonomy

64 Linz Ars Eletronica Karlsruhe ZKM

65 Fluxus Reality Peter Weibel II ZKM MIT Media Lab ICC ZERO 1960 GRAV 1961 FLUXUS 1966 EAT II II 49 65

66 Media Art Media Art

68 e e e e

69 Hsiao Man Video Brigitte Petit-Archambault 16 Video Video 130 Video 131 Dominik Barbier Orage Dominique Bellioir Capture/ Ecran Video 132 Thierry Kuntzel Buena Vista 133 Video Art e VIDEO VIDEO

70 /185.4 Nan Hoover, Christiaan Bastiaans 4/19 4/27 4/20 4/ West /87 I II Peter Frank Hulmut Friedel

71 139 Hulmut Friedel Peter Frank # Peter Frank

72 Growth Origin B II

73 B Kinetic image

74 FOCL For Our Consumer Loving ( ) ( ) POTS Biweekly no

75 NOVA TVBS CADesigner AutoDeskSoho! Internet Internet

77 Jerôme Sans The sky is The Limited Fluid-An Installation and Casting for Fluid Christa Sommerer & Laurent

78 Mignonneau Gregory Barsamian 177 interface conductor I Christa Sommerer Laurent Mignoneau II

79 X Ray God X PS Boxman Space Time 921 Underwear

80 Hello, Maters! 12 3 Nam June Paik Steina & Woody Vasulka Steina Gary Hill Bill Viola & Bruce Nauman & Vito Acconic & Mike Kelley & Paul McCarthy e e-paradise Childhood Revisited e e electronic ecological educational entertaining N Dia Exhibition D

81 stereo [KOP] Kingdom of Piracy Piracy

84 Brigitte Petit-Archambault Nan Hoover, Christiaan Bastiaans ~ ( ) B04 84

85 B B04 ( )Club Chain Saw Schimp ()C.C.C.C.()Z.S.L.O. Killer Bug () Con-Don () Dribdas()Basshaha() Puker & Oouchi Apart Fever() Jobi-Kobi()

86 B B B04 ( )

87 SID GHIDAWA ivity htm ( ) B ( )

88 III Sidney StuckiSurasi Kusolwong Kendell GeersPascale Marthine TayouLiza Lou Uri TzaigMeschac Gaba Claude CloskyTobias RehbergerNavin RawanchaikulErwin Wurm Kyupi KyupiHenrik Plenge Jakobsen

89 Chris ta SommererLaurent MignonneauGregory Barsamian E E P.H< E E Orange Marble Michael Buckland Geoffrey FarmerJill HendersonSally Mckay Euan MacdonaldDaniel OlsonKelly Richardson

90 E

91 ( 1970) ( )14 (2002.4) ( (T.W.Adorno) ( )4 ( ) 84 T.W.Adorno, Theorie esthetique, Trad. Par M. Jimenez, Paris, Ed. Klincksieck, 1989, p.296. ) 91

92 cultural entities ( 92

93 standardization pseudo-individualization )

94 94

95 95

96 96

97 97

98 98

99 99

100 100

101 101

从“半官方报纸”到“历史的不自觉的工具”

从“半官方报纸”到“历史的不自觉的工具” China Media Report Overseas, 11(1), 015, Liu, Media unconscious and Information Subjects Rebuilding 媒介无意识与信息主体的重构 1 刘涛重庆日报报业集团内容摘要我们生活在媒介中, 与信息机器共生收音机电视电脑