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2 Res. Bull. Fac. Educ. Welf. Sci., Oita Univ Wolfgang Amadeus Mozart, Le nozze di Figaro Porgi amor Giovanni Paisiello, Il barbiere di Siviglia Giusto ciel 2 Pierre-Augustin Caron de Beaumarchais, Le mariage de Figaro 1784 Le barbier de Séville )

3 14 Lorenzo Da Ponte, ) : ) Heartz 1990 Lippmann I 2 4) II

4 Porgi, amor, qualche ristoro Al mio duolo, a miei sospiri: O mi rendi il mio tesoro, O mi lascia almen morir. 4 5) 1 1 Apollo et Hyacinth 1 Oebarus Coro 2 Apollo et Hyacinth 8 Duett Meria Oebarus 3 Mitridate, re di Ponto 21 Cavatina Aspasia 4 Ascanio in Alba 23 Aria Silvia 5 Ascanio in Alba 30 Coro Coro 6 Lucio Silla 6 Arioso Giunia Coro 7 La finta giardiniera 9a Cavatina Serpetta 9b Nardo 8 Il re pastore 13 Aria Alessandro 9 Idomeneo 22 Aria Arbace 10 Idomeneo 26 Cavatina Idomeneo Coro

5 ) ) 8) ) ) )

6 Bastien und Bastienne 1 Aria Bastienne 1 2 Bastien und Bastienne 8 Aria Bastien 1 3 La finta semplice 6 Aria Rosina 1 4 Mitridate, re di Ponto 8 Cavata Mitridate 1 5 La finta giardiniera 6 Aria Contino 1 6 Il re pastore 1 Aminta 1 7 Die Entführung aus dem Serail 1 Aria Belmonte ) ) )

7 ) : ) 1 2 1

8 ) A tto 2 do scena I 2 I 1992: ) ) ) 2

9 :

10 ) ) :

11 ) 2 24) 2 1) ) ) Larghetto 4) 8 3

12 cf. Hunter 2008: 12 Webster 1991 aria d affetto 5) Agnus Dei, qui tollis peccata mundi; miserere nobis 1 6) 5 7) ) 9) 17 10) 2 11) 12) ) 5 14) 2 1

13 24 15) 16) 17) 18) ) ) 2009: 103ff 21) 2009: 26ff 22) 2009: ) ) G. Paisiello, Il Barbiere di Siviglia, Concentus Musicus, Bd. XI, Laaber-Verlag, W. A. Mozart, Le nozze di Figaro, Neue Ausgabe sämtlicher Werke, II-5-16, Bärenreiter, Le nozze di Figaro, in The Librettos of Mozart's Operas, Vol.3, Garland, 1992, pp W. A. Mozart, Le nozze di Figaro, Facsimile of the Autograph Score, The Packard Humanities Institute, Carter, Tim W. A. Mozart: Le nozze di Figaro, Cambridge: Cambridge University Press. Heartz, Daniel. (edited, with contributing essays, by Thomas Bauman) 1990 Mozart s Operas, Berkeley / Los Angeles / London: University of California Press. Hunter, Mary Mozart's Operas: a Companion, New Haven: Yale University Press.

14 Karl-Heinz Köhler, Mozarts Kompositionsweise: Beobachtung am Figaro-Autograph, in Mozart- Jahrbuch 1967, S Lippmann, Friedrich Paisiello und Mozart in der Opera Buffa, in Analecta Musicologica, 31, Webster, James The Analysis of Mozart s Arias, in Cliff Eisen (ed.), Mozart Studies. Oxford: Clarendon Press, Two Cavatinas for Rosina A Consideration on the Influence of Paisiello on Mozart MATSUDA, Satoshi Abstract In this paper, I considered how Mozart was influenced by Paisiello s Il barbiere di Siviglia (1782) in composing Le nozze di Figaro (1786), especially in Countess s cavatina Porgi amor. Musical similarities between this aria and Rosina s cavatina Giusto ciel in Paisiello s opera have been well known, but their relationship goes beyond it. Both of the cavatinas are sung by Rosina (who appears in Figaro as the Countess) in the analogous situations which are not contained in the original French comedies by Beaumarchais. We can imagine from these cavatinas that Paisiello s inventiveness stimulated Mozart to create a new type of aria. Key words Mozart, Da Ponte, Le nozze di Figaro, Paisiello, Il barbiere di Siviglia

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