(Paul de Man, -) (a plurality of significations) (Murray Krieger, -000) (Roland Barthes, -0) (The Pleasure of the Text) - Paul de Man, Blindness and I

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1 00 三國志通俗演義中的對話特質及其意義 (Mikhail Mikhailovich Bakhtin, ) (RGC) CUHK /0H M. M. Bakhtin, The Dialogic Imagination: Four Essays, ed. Michael Holquist, trans. Caryl Emerson and Michael Holquist (Austin: University of Texas Press, ), p. --

2 (Paul de Man, -) (a plurality of significations) (Murray Krieger, -000) (Roland Barthes, -0) (The Pleasure of the Text) - Paul de Man, Blindness and Insight: Essays in the Rhetoric of Contemporary Criticism, nd ed. (London: Routledge, ), p.. Murray Krieger, The Ideological Imperative: Repression and Resistance in Recent American Theory (Taipei: The Institute of European and American Studies, Academia Sinica, ), p ()

3 Yang, Winston L. Y. (Stanford University) The Use of the San- Kuo Chih as a Source of the San-Kuo-Chih Yen-I (a history in the popular style) (the Chinese historiographical tradition) Winston L. Y. Yang, The Use of the San-Kuo Chih as a Source of the San-Kuo-Chih Yen-I. (Ph.D. diss., Stanford University, ), pp., - Chang, Shelley Hsueh-lun (History and Legend: Ideas and Images in the Ming Historical Novels) (divine sovereignty) (images of self-made emperor) (archetype) Chang (ambition) Shelley Hsueh-lun Chang, History and Legend: Ideas and Images in the Ming Historical Novels (Ann Arbor: University of Michigan Press, 0), p Andrew H. Plaks, The Four Masterworks of the Ming Novel (Princeton: Princeton University Press, )

, - Chang, Shelley Hsueh-lun (History and Legend: Ideas and Images in the Ming Historical Novels) (divine sovereignty) (images of self-made emperor) (archetype) Chang (ambition) Shelley

4 13 一孫策與于吉的對話畊 a 15 0b-b --

5 岀凭 a-b 19 a 20 b 21 The New Encyclopaedia Britannica (Chicago: Encyclopaedia Britannica, ), vol., p. 22 b 23 b-a --

6 (Georg Wilhelm Friedrich Hegel, 0-) 24 b-b 25 b-a (Encyclopaedia Britannica International Chinese Edition)

7 0 二左慈與曹操的對話 30 b 31 b-b b --

8 0 37 a 38 b 39 a

9 0 44 a-b 45 0b 46 b 47 a b 50 --

10 (-) 51 a 52 a-b 53 a 54 0a 55 b-a 56 - b 甆 0-10-

11 b a

12 b a -12-

13 三兩組對話關係及其意義 0 70 a -13-

14 71 72 (B. L. Riftin) 槪 71 a-b

15 四大型對話與複調小說特徵 ( 一 ) 圍繞吳蜀聯盟的眾聲喧譁

16 a 81 0a 82 b 83 a 84 a-b 85 b 86 b-a -16-

17 a b-0a 91 a -17-

18 b 94 b 95 0a 96 0b-a 97 0 b 98 0 a-b 99 0 b a -18-

19 a-a 102 b -19-

20 ( 二 ) 仁術智的多義呈現及其相互對話 103 擡 a-a 104 0a-b -20-

21 壐 b-a

22 五敘述人的立場與小說人物對話的客觀性 108 (context) a-b -22-

23 110 ( 一 ) 輕佻果躁, 隕身致敗 a 112 a-a 113 b -23-

24 ( 二 ) 眇一目跛一足 a a 118 b -24-

25 ( 三 ) 悔向轅門射戟時 ( 四 ) 曹操雖奸雄, 又被玄德瞞過 -25-

26 筯筯 119 撃 ( 五 ) 誰似忠心映日紅 119 a-a -26-

27 畧 b a-b 123 a a-b 124 a -27-

28 125 ( 六 ) 三顧頻煩與兩朝開濟 ( 七 ) 天數茫茫與三分成夢 125 b-a -28-

29 b -29-

31 三國志通俗演義中的對話特質及其意義關鍵詞 : 三國志通俗演義羅貫中對話複調小說巴赫金 -31-

32 The Nature and Meanings of the Dialogues in The Romance of the Three Kingdoms (Sanguo zhi tongsu yanyi) ZHOU Jianyu This paper discusses how the Sanguo zhi tongsu yanyi, through its narration of various characters and events, creates opposing dialogues and contrasting ideologies, therefore showing the multi-layered meanings and interactive open structure of this novel. From the conflicts between Sun Ce and Yu Ji, Zuo Ci and Cao Cao, we see that different ideologies are present in the Yanyi. Through their opposing and interactive dialogue, the multiple meanings of the Yanyi are manifest. In the macro-dialogue that forms the polyphonic existence centered on the Wu-Shu alliance, a polyphonic characteristic is presented in the novel. The immiscibility and indissolubility of different ideologies effectively create an open structure for the Yanyi. Both the narrator and the author keep a distance from the characters in the novel, and hold differing stances towards them, thus enriching the content of the novel. Keywords: The Romance of the Three Kingdoms Luo Guanzhong dialogue polyphonic novel Mikhail M. Bakhtin -32-

33 徵引書目

34 畊 Krieger, Murray 0- Bakhtin, M. M. The Dialogic Imagination: Four Essays. Ed. Michael Holquist. Trans. Caryl Emerson and Michael Holquist. Austin: University of Texas Press,. Chang, Shelley Hsueh-lun. History and Legend: Ideas and Images in the Ming Historical Novels. Ann Arbor: University of Michigan Press, 0. De Man, Paul. Blindness and Insight: Essays in the Rhetoric of Contemporary Criticism. nd ed. London: Routledge,. Krieger, Murray. The Ideological Imperative: Repression and Resistance in Recent American Theory. Taipei: The Institute of European and American Studies, Academia Sinica,. Plaks, Andrew H. The Four Masterworks of the Ming Novel. Princeton: Princeton University Press,. Yang, Winston L.Y. The Use of the San-Kuo Chih as a Source of the San-Kuo-Chih Yen-I. Ph.D. diss., Stanford University,. -34-

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