Abstract XiChaoChongZhengJi is one of the poetry collections which manifests Catholicism in the form of traditional Chinese poetry. Taking the approach of Study of Image, this thesis researches into the presentation and law of the self-images and those of others. Meanwhile, the thesis probes the forms and languages that characterize this collection. Finally, the thesis comes to the conclusion that the collection has been neglected in the literary history, and this situation should be corrected. Key words TianXun poem, Studying of Image, self-image, others-image, form, language.
Abstract XiChaoChongZhengJi is one of the poetry collections which manifests Catholicism in the form of traditional Chinese poetry. Taking the approach of Study of Image, this thesis researches into the presentation and law of the self-images and those of others. Meanwhile, the thesis probes the forms and languages that characterize this collection. Finally, the thesis comes to the conclusion that the collection has been neglected in the literary history, and this situation should be corrected. Key words TianXun poem, Studying of Image, self-image, others-image, form, language.
1 45 71 84 1 2 3 1 1986 P1 2 2003 P9 3
2 45 4 représentation 5 Daniel-Henri Pageaux 6 René Etiemble 7 4 1947 P137-145 5 2001 P2 6 1997 P167 7 1985 P102-103
3 45 8 1595 9 10 11 12 13 14 8 1999 P43-46 9 1989 P145 10 1989 P3 11 1989 P142 12 1989 P166 13 1989 P285 14 1989 P286
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20 22 22 89 89 1992 9 P11-12 17 45
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23 45 ROSARIUM VIRGINIS MARIAE 26 99 40 5 68 23 78 100 101 99 100 101 1993 (1)
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