三國演義 魯肅的形象與角色定位 吳秉勳 東海大學中國文學系兼任講師 摘 要 關鍵詞 : 三國演義 魯肅 人物形象 儒家 25
三國演義 魯肅的形象與角色定位 壹 前言 172A.D.-217 A.D. 1 1973 2 3 1982 4 2000 5 1 19771271 21021973 1022-23 31071996 12 110-115 4 1982 01 71-75 5 20063 78-79 20074 14 25 2007635-37 26
貳 正史中的魯肅及其在 三國演義 中的形象 一 三國志 對魯肅的評價 6 20071024-27 2008219-20 61267 27
三國演義 魯肅的形象與角色定位 7 8 9 71267-1268 8 1267 9 1267 28
10 11 13 101268 11 2006 7163-164 12161 131269 12 29
三國演義 魯肅的形象與角色定位 16 17 18 19 15 14 141269 151269-1270 161270 171262 18198 191269 30
217A.D. 20 21 二 魯肅在 三國演義 中的形象 22 201280-1281 211281 22 200125 31
三國演義 魯肅的形象與角色定位 23 24 1. 25 26 2320-26 2416-17 25 1987 657 26 19817 32
1321 A.D. 1323 A.D. 27 28 2759 2863 33
三國演義 魯肅的形象與角色定位 29 30 31 2973 3073-74 3178 34
32 2. 33 34 32954 33 140 24599 79 147 341272 35
三國演義 魯肅的形象與角色定位 35 36 35 36 197423 36
37 38 40 39 3726 3830-31 3931 4039-41 37
三國演義 魯肅的形象與角色定位 41 22 16 1 2 3 41 38
4 5 6 7 8 9 10 11 12 13 14 15 16 6 39
三國演義 魯肅的形象與角色定位 參 以故事情節的功能意義評魯肅 一 援故事人物的角色功能性以論述 三國演義 中的魯肅 40
42 43 44 45 73 42 (Forster,E.M.) 197459-68 43 44 45Apuleius,Lucius M.M. Bakhtin 1998306-320 41
三國演義 魯肅的形象與角色定位 46 47 48 49 ; 50 461994113 47168 48 49Roland Barhes 148-149 50 42
二 援 敘事學 觀點以評析 三國演義 中的魯肅 Andrew H.Plaks 1945 52 53 51122 52Andrew H.Plaks 1996116 53 1993345-346 51 43
三國演義 魯肅的形象與角色定位 54 56 57 58 1921 55 54 199887 55116 56 378-387 57 347 58 44
59 60 61 59 66 60 66 61 67 45
三國演義 魯肅的形象與角色定位 肆 結論 62 62 2008220 46
63 64 參考文獻 1974 1994 1977 (Forster,E.M.) 1974 M.M. Bakhtin 1998 1993 1996 2001 2000 1992 2000 631268 64199356 47
三國演義 魯肅的形象與角色定位 2001 2002 2002 2002 1983 1995 2005 1992 1992 1994 2006 1962 1996 2002 2003 1989 2006 2005 48
2008 1982 2004 2007 2007 2005 2007 2011 1021973.10 22-23 1071996 12110-115 1982 01 71-75 20063 78-79 20074 14 25 2007635-37 20071024-27 49
三國演義 魯肅的形象與角色定位 20082 19-20 1994113 50
The active image and the function meaning in plot of Lu Su in The Romance of The Three Kingdoms Wu, Bing-Xun Part-time Lecturer, Department of Chinese Literature, Tunghai University Abstract There are two purposes for this article: the first one is to portray the image of the Confucianists scholar of Lu Su and the second one is to highlight the function/meaning of plot of Lu Su in The Romance of The Three Kingdoms. Regarding to the study of The Romance of The Three Kingdoms, it is abundant to this day, however, when it comes to the image of character of The Romance of The Three Kingdoms, plenty of scholars may only care about the royal members of the Han dynasty, or pay attention to Cao Cao, Sun Quan and Zhou Yu in the book. Not any emphasis is on flat character described by Lo Guan-Chung and Lu Su is an example. Though the academic circle has already paid more and more attention to the historical position of Lu Su at that time in recent years, and is able to analyze the character value of Lu Su in the book to the heart of the matter in order to conclude a ingenious study achievement, however, objectively speaking, there are still many places required to be studied deeply. The writer thinks, in the story, Lu Su may be considered as the clown, however, if we investigate it further against the view point of the Confucianists, there is a lot of consistency towards the character description written by Lo Guan-Chung. Moreover, if we study from the layout of story plot of The Romance of The Three Kingdoms, his role orientation in this book does have an indispensable connection property. Therefore, we plan to discuss based on the traditional Confucianists thought and the story functionality. Through the investigation of the two methods, we can highlight the indispensable and active image of Lu Su in The Romance of The Three Kingdoms. Key words: The Romance of The Three Kingdoms, Lu Su, Character Image, the Confucianists 51