一 省署時期的臺灣戲劇及戲劇特刊

14 Journal of Theater Studies 2014 7 51-72 DOI: 10.6257/JOTS.2014.14051 一個戲劇的公共輿論空間 * 戰後初期臺灣報紙的戲劇特刊分析 前言 * 101-2410-H-034-032-MY22013 6 7-51-

一 省署時期的臺灣戲劇及戲劇特刊 1 2 3 4 1 1945-1949 151 2006 3 190-200 235-237 2 1945-1949 2007 41-64 1945.11-1947.3 165 2009 9 5-45 3 1946 9 27 1946 9 28 4 2003 126-127 -52-

5 6 7 1883-1950 8 5 2014 5 10 6 12 2013 7 121-164 7 1937-1945 2010 193-194 8 8 1996 8 90-53-

9 二 戰後初期臺灣報紙副刊之戲劇特刊內容 一 黑暗的坑 雷雨 9 1995 20-21 -54-

10 11 1946 11 4 12 1946 11 4 13 11 28 1946 11 27 14 76-77 1946 11 25 10 11 1910-1996 12 13 85 14 1922- -55-

2012 86 15 二 靈魂的鏡子 守財奴 16 17 15 1946 11 27 16 35 11 1908-1997 17 1946 12 17-56-

95 18 19 1889-1962 三 海派劇風 四姐妹 20 21 18 1946 12 19 19 1946 12 19 20 1999 373-375 21 1942 4 9-28 2012 334-57-

22 四 創格完人 鄭成功 23 24 1940 25 26 99 27 1907-1997 1921-1988 27 1946 12 31 22 1946 12 19 23 1945-1949 65-79 24 1991 169-174 25 1943 26 1946 12 18-58-

28 105 29 30 28 29 1946 12 31 30 1946 12 31-59-

五 族群團結 國家至上 31 32 119 33 三 這些人與文 戰後初期報紙戲劇特刊分析 31 1947 1 4 32 35 12 5 6.1 74 33 1947 1 19-60-

34 35 36 37 38 39 一 作者幾為外省文化人 34 8 1996 8 89-93 97 1946 26-33 35 35 5 5 36 35 8 6 70 70 37 35 2 20 38 35 12 1 1957 39 29 1946 12 28 30-61-

40 1911-1996 41 1922-2011 42 1916-1966 43 1919-1988 44 40 2002 129 41 86 339 42 119 1945-1949 2008 241 43 200 9 2005 292 44 137-39 1952 1991 127-129 -62-

45 1918-46 47 1916-1985 48 49 50 1922-1998 1903-1990 二 劇本 演出介紹多於劇場批評 51 45 1946 11 4 27 1946 11 4 46 1946 12 19 47 291 48 2006 49 1946 12 20 50 60 51 1946 12 31-63-

52 53 三 反應 改造現實的主導原則 1920-1952 52 1946 12 31 53 5 3 3 1954 12 78-83 -64-

54 55 54 2 3 1947 3 1 111 55 1947 1 17-65-

56 57 58 59 結語 56 1946 11 27 57 1946 12 19 58 60 16-17 59 1937-1945 178-66-

60 60 1945-1949 143-67-

一個戲劇的公共輿論空間 戰後初期臺灣報紙的戲劇特刊分析 關鍵字 : 臺灣戰後初期戲劇特刊話劇新中國劇社 -68-

Public Opinions about a Drama Analysis of Special Issues Devoted to Dramas in Taiwan s Newspapers in the Early Postwar Period Ya-hsiang HSU Professor, Department of Theater Arts, Chinese Culture University During the anti-japanese war, with the prosperous development of modern dramas, dramatic criticism was important content of art and cultural supplements in newspapers of the home front. In addition, the special issues devoted to dramas in supplements were not only the features of dramatic criticism during the war, but also furnished a special window on dramatic criticism. In the early postwar period, Taiwan s newspaper industry had temporarily thrived and flourished because of the free political atmosphere during peace negotiations between the Kuomintang (KMT) and the Communist Party prior to the Chinese civil war. Due to the influence of national ideology, realistic material conditions, journalists of other provinces and their professional thinking models, Taiwan s official and civilian-run newspapers also duplicated the model of art and cultural supplements in Chinese newspapers during the war against Japan, to introduce readers to Chinese plays and other dramas performed in Taiwan through the special issues featuring dramas in art and cultural supplements of Peace Daily, China Daily News, Self-Strengthening Post and Liberty Daily. This not only urged Taiwanese readers to understand and evaluate dramas of their homeland, but also infused specific meanings and values into their texts and performances, which made public opinion an important channel for cultural identity, meeting the demands of the times and politics, as well as of the circulation of dramas. This study found that five Chinese modern dramas, published in the special issues for dramas in newspapers in the early postwar period, had three features: the authors of the dramas were mostly intellectuals coming from Mainland China, the introduction of plays or performances was more than dramatic criticism, and their guiding principles reflected and reformed reality. The special issues devoted to dramas that were short-lived yet frequently published presented the power of the new government to promote Chinese modern dramas in Taiwan, and the support of the press to intensively propagandize and form the image of modern dramas. In addition, as the authors of modern dramas were mostly intellectuals from Mainland China, the space of public opinion could be relatively elaborated. Moreover, it was another prevalent phenomenon that newspapers -69-

with different backgrounds such as party-run, military-run or civilian-run paid more attention to local drama performances because of their proximity to the locations of newspaper offices. Keywords: Taiwan early postwar period pecial issues devoted to dramas modern drama the New-China Troupe -70-

徵引書目 2003 1991 3 3 1954 12 74-89 8 1996 8 88-97 96 9 18-22 2006 2012 1995 1991 1945.11-1947.3 165 2009 9 5-45 12 2013 7 121-164 2014 5 10 1945-1949 2008 1945-1949 151 2006 3 185-252 1945-1949 2007 1937-1945 2010 1946 2002 1999 2005 1999-71-

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