1 2 3 一新中國劇社來臺演出始末

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1 19 Journal of Theater Studies DOI: /JOTS * 前言 * H MY

2 1 2 3 一新中國劇社來臺演出始末

3 該校成立於 1945 年 11 月, 顧仲彝 ( ) 為首任校長, 正科分話劇電影兩科, 招收初中畢業生, 學制三年, 話劇科主任由黃佐臨擔任, 電影科由張駿祥擔任, 另設研究班, 專招高中畢業或具有戲劇實踐經驗者, 學制二年, 班主任為熊佛西 1949 年 10 月更名為上海市立戲劇專科學校該校資料可參閱閻折梧編 : 中國現代話劇教育史稿 ( 上海 : 華東師範大學出版社,1986 年 ) 和顧振輝編 : 上海戲劇學院. 民國史料匯編 ( 上海 : 上海交通大學出版社,2015 年 ) 二書

4 和平日報第 4 版,1946 年 12 月 16 日

10 48 49 二演出與迴響

11 ( 一 ) 創格完人 : 鄭成功

12 61 ( 二 ) 天上人間 : 牛郎織女

13 ( 三 ) 天未央 : 日出

14 70 ( 四 ) 臺灣首演 : 桃花扇

16 三旅臺演出的文化意義 ( 一 ) 中國話劇藝術的示範

17 82 83 ( 二 ) 與臺灣劇界的有限交流

18 ( 三 ) 劇社營運得以延續

19 , , ,

20 結語

21 關鍵字 : 新中國劇社歐陽予倩臺灣鄭成功桃花扇 -103-

22 Analysis of the New China Troupe Performance in Taiwan Ya-hsiang HSU Professor, Department of Theatre Arts, Taipei National University of the Arts To introduce China s culture, popularize Mandarin Chinese and promote drama in Taiwan at the beginning of the post-war period, the Propaganda Committee of Taiwan Provincial Administrative Executive Office invited the New China Troupe, attached to the Chinese drama predecessor Ouyang Yuqian ( ), to perform in Taiwan in November At that time, in addition to performing four major dramas- -Zheng Chenggong, Cowherd and the Weaver Girl, Sunrise and Peach Blossom Fan, the troupe also interacted with Taiwan s drama and cultural communities. However, this highly significant post-war cross-strait drama exchange ended abruptly after the February 28 Massacre, and the troupe returned home dejected and was dismantled shortly thereafter. Founded in 1941 in Guilin, Guangxi, the New China Troupe was a professional military drama troupe comprising ordinary members from the Guangxi Arts Institute, and represented left-wing political views. The troupe had close relationships with Tian Han ( ), Hong Shen ( ), Yang Hansheng ( ) and other thespians, and had given dozens of mid- and large-scale dramas, one-act plays and informal live performances in Guangxi, Hunan, Guizhou, Yunnan and other provinces both before and after victory in the Japanese War. This paper explores the many dimensions of the post-war Taiwan performances of this professional troupe, so richly representative of its era. The dimensions include the relationship between Lan Lan ( ), who invited the troupe, the troupe and the Administrative Executive Office inviting committee, the production process of the four dramas, media and public response to the performances and the impact of the performances, the interaction between the troupe and Taiwan s drama and cultural communities during its 3-month visit to Taiwan, and the significance of the Taiwan performances in the history of Taiwan s and China s drama. These dimensions are used to comprehensively construct the history of the New China Troupe, the history of China s drama and the history of cross-strait drama exchange. Keywords: the New China Troupe Ouyang Yuqian Taiwan Zheng Chenggong Peach Blossom Fan -104-

23 徵引書目

25 附錄 : 新中國劇社旅臺演出大事記

26 /

28 /6-8 3/

一省署時期的臺灣戲劇及戲劇特刊

一省署時期的臺灣戲劇及戲劇特刊 14 Journal of Theater Studies 2014 7 51-72 DOI: 10.6257/JOTS.2014.14051 一個戲劇的公共輿論空間 * 戰後初期臺灣報紙的戲劇特刊分析前言 * 101-2410-H-034-032-MY22013 6 7-51- 一省署時期的臺灣戲劇及戲劇特刊 1 2 3 4 1 1945-1949 151 2006 3 190-200 235-237

1 2 3 一 新中國劇社來臺演出始末

1 2 3 一新中國劇社來臺演出始末