Lingnan University Digital Commons @ Lingnan University Theses & Dissertations Department of Cultural Studies 2014 重 讀 八 九 十 年 代 的 恐 怖 喜 劇 : 殭 屍 電 影 與 香 港 後 殖 民 Yee Man, Mandy LIU Follow this and additional works at: http://commons.ln.edu.hk/cs_etd Part of the Critical and Cultural Studies Commons Recommended Citation 廖 綺 雯 (2014) 重 讀 八 九 十 年 代 的 恐 怖 喜 劇 : 殭 屍 電 影 與 香 港 後 殖 民 ( 碩 士 論 文, 香 港 嶺 南 大 學 ) 檢 自 http://commons.ln.edu.hk/cs_etd/20 This Thesis is brought to you for free and open access by the Department of Cultural Studies at Digital Commons @ Lingnan University. It has been accepted for inclusion in Theses & Dissertations by an authorized administrator of Digital Commons @ Lingnan University.
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iv - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 1 1.1 - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 1 1.2 - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 2 1.2.1 - - - - - - - - - - - - - - - - - - - - - - - - - - - 3 1.2.2 - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 7 1.3 - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 10 14 2.1 - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 14 2.2 - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 18 2.3 - - - - - - - - - - - 20 2.3.1 - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 2.3.2 - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 21 24 2.4 - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 28 - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 30 3.1 - - - - - - - - - - 31 3.2 - - - - - - - - - - - - - 35 3.2.1 - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 36 i
3.2.2 - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 37 3.3 - - - - - - - - - - - - - - - - - - - - - - - - 39 3.4 ---------------------------------------------------------------------------- 40 - - - - - - - - - - - - - - 41 4.1 - - - - - - - - - - - - - - - - - - - - - - - - 43 4.2 - - - - - - - - - - - - - - - - - - - - - - - 45 4.2.1 - - - - - - - - - - - - - - - - 46 4.2.2 47 4.3- - - - - - - - - - - - - - 50 4.3.1 - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 51 4.3.2 - - - - - - - - - - - - - - - - - - - - - - - 52 4.4 - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 54 - - - - - - - - - - - - - - 55 5.1 - - - - - - - - - - - - - - - - - - - - - - - 58 5.1.1 - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 59 5.2 - - - - - - - - - - - - - - - - - - - - 61 5.2.1- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 62 5.2.2- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 64 5.2.3 - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 64 5.3 - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 66 - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 67 6.1 - - - - - - - - - - - - - - - - - - - - - - - - - - 67 ii
6.2 - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 69 6.3 - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 70 80 72 30-70 - - - - - - - - - - - - - - - - - - - - - - - - - - 73 80-90 - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 74 - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 75 iii
Prof. Meaghan Morris Prof. Rolien Hoyng Gietty, Jay, Muriel, Roberto, Tobi, Ted, Evey, Guoyuan, Anneke, Tung-yi Mikee. Crossover,Lorie, Shadow,Hung iv
1.1 1985 14 1989 (Phantoms Of The Hong Kong Cinema) (genre/sub-genre) Ian Hunter Dale Hudson 1 (1949-) (1978) 2 ( ) [] c201235 3 19898 4
VS. 1.2 1 2 3 5 Ian Hunter1974 Dale Hudson(1989)OK ( 1990) (1990) VS. 6 198924 7 2012274 8 1995294-303 9 198917 10 198916
1.2.1 Roy Ward Baker 1974) (1980) 11 30-70 12 198975 13 2012 12 7 <https://www.youtube.com/watch?v=gjcvzky1870 > 14 (1985) (1987) (1993 )
Ian Hunter Dale Hudson Hunter (Hammer Production) (Shaw Brothers) (Roy Ward Baker)(Dracula) Van Helsing(Peter Cushing ) Hunter Van Helsing (inferiority) Hunter Van HelsingBram Stoker (vampire hunter) Van Helsing (orientalist) Van Helsing Hunter 15 (1987) (1988) ( 1990) (1990)OK (1990) (1990) (1998) (1990)(1990) (1992) (1993) 16 95 96(1952-1997)( ) ( )97 4498 93 96( ) ( ) 17 2002 (2003) 2 (2004) (2010) (2013)
Hunter (cross cultural) Hudson 89 1989 1990 (mixed vampire) Hudson (Modernity as crisis) Hudson 18 Hunter Dracula is both the worst of Western culture, recurrent figure of Western fantasy and nightmare, the man of power who goes native, blending his identity with that of the Other Van Helsing represents a more acceptable face of Western influence: educative, rational and, since he is an anthropologist, alert to cultural difference Aside from providing moral support, he takes relatively little part until he stakes Dracula in he film s perfunctory final. Hunter, Ian Q. The Legend of the 7 Golden Vampires. Post-colonial Studies. Vol 3. No.1. 2000, pp.85-86. 19 Hunter Interestingly, although Legend seemed like an idiosyncratic experiment at the time, its fusion of Gothic and martial art anticipated the highly successful Hong Kong jiangshi dianying (cadaver movies) a decade later, beginning with Mr. Vampire (1985) and its sequels. Because they are not aimed at international audiences, these films were free to rework the Western myth of the vampire in conformity with local traditions. 83 20 1989 21 198924 22 HudsonOK (Lee) Lee was a mixed vampire, an ambivalent metaphor for Hong Kongers wither infected or abandoned by their colonial rulers, suggesting the ongoing negotiation and contestation within Hong Kong s crisis bodies. Dale Hudson. Modernity as Crisis: Goeng Si and Vampires in Hong Kong Cinema. Eds. John Edgar Browning, Caroline Joan (Kay) Picart. Draculas, Vampires, and Other Undead Forms: Essays on Gender, Race and Culture. Lanham, Md,: Scarecrow Press, 2009, p. 222.
(sub-ordinate)stefan Hammond Mike Wilkin VS. 23 p. 204. 24 Hammond, Stefan, Mike Wilkins. Sex and Zen and A Bullet in the Head: the Essential guide to Hong Kong s mind-bending movies. New York: Simon & Schuster, 1996, p.25. 25 1994 26 迹 1989 24 27 2008 28 1974242
Vampire Zombie Mr. VampireDoctor Vampire Goeng SiJiang Shi Vampire 1.2.2 Paul Watson 29 1974275 30 19741603 31 (vampirevampyre) (Gothic tradition) Bram Stocker(Dracula 1897) 32 (Zombie) (walking corpse) Boon, Kevin Alexander. Ontological Anxiety Made Flesh: The Zombie in Literature, Film and Culture. Eds. Niall Scott. Monsters and the Monstrous: Myths and Metaphors, Amsterdam ; New York: Rodopi, 2007, pp. 33-43. Peter Dendle. The Zombie as Barometer of Cultural Anxiety. Eds. Niall Scott. Monsters and the Monstrous: Myths and Metaphors, Amsterdam ; New York: Rodopi, 2007. pp. 45-57. 33 Watson, Paul. Genre theory and Hollywood Cinema. Eds. Jill Nelmes. Introduction to Film Studies. London: Routledge, 4 th edition 2007, p. 113.
(horror-comedy) 34 (story-telling) (national style) (transnational) (Chinese Horror films) Teo, Stephen. The Asian Cinema Experience: Styles, Spaces, Theory. Abingdon, Oxon; New York: Routledge, 2013, p.95-96. 35 (genre studies)(icon) Watson, Paul. Critical Approach to Hollywood Cinema: Authorship, Genre and Stars. Eds. Jill Nelmes. An Introduction to Film Studies. London: Routledge, 2003. p.157. (narratives)andrew TudorTudor, Andrew. Monsters and Mad Scientists: A Cultural History of the Horror Movie. London: Oxford University Press, 1989. USA: Basil Blackwell, 1989, p.81. (conflicts) Nichols, Bill. Engaging Cinema: An Introduction to Film Studies. New York: W. W. Norton & Co, 1 st edition 2010, p.248. 36 Grant, Barry Keith. Film Genre: From Iconography to Ideology. London, New York: Wallflower, 2007, p.1-3. 37 () ()( 198975-78
1985 (1980) 1978 1978 (repacking) Noël Carroll (transgression and jamming)(fear) 38 []c2012 34-36 39 1993 139 40 Li, Siu Leung. The Myth Continues. Eds. Meaghan Morris, Li Siu Leung and Chan Ching-kiu Stephen. Hong Kong Connections: Transnational Imagination In Action Cinema. Durham: Duke University Press, 2005, p. 52. 41 200279 42 Hallenbeck, Bruce G. Comedy-horror Films: A Chronological History, 1914-2008. Jefferson, N.C.: MaFarkland, 2009, p.3. 43 Carroll, Noël. Horror and Humor. The Journal of Aesthetics and Art Criticism, Vol. 57. No.2. Spring 1999, p.147.
1.3 1985 44 2011 991 45 199925 46 ( ) 2007 60 47 2002242
Susan Reichl Mark Stein (laughter) Susan Reichl Mark Stein Bruce Hallenbeck (fight back) (laugh at your fear) 48 (1961) (1962)(1962)(1962) 1997156 49 Reichl, Susanne, Mark Stein. Introduction. Eds. Susanne Reichl, Mark Stein. Cheeky Fictions: Laughter and Postcolonial. Amsterdam; New York: Rodopi, 2005, p.2. 50 9 51 Hallenbeck, Bruce G. Comedy-horror Films: A Chronological History, 1914-2008. Jefferson, N.C.: MaFarkland, 2009, p.208. 52 3
(Monster Theory) Jeffery Cohen (monstrousness) (imbricated) (social and cultural context) (metaphor) (double othering structure) (representation) 53 Cohen, Jeffery. In a Time of Monsters. Monster Theory: Reading Culture. Minneapolis, Minn. : University of Minnesota Press,1996, pp.viii-ix. 54 Dale Hudson(Chinese past) ()
1 2 55 ( ) 200759-60
(self-other) 2.1
Chris Tiffin Alan Lawson (system of representation) Robert Young (legitimised) (inferior)(childlike) (feminine) Frantz FanonBlack Skin, White Mask (Psychoanalysis)Lacan (symbolic) 56 Elleke Boehmer Elleke, Boehmer. Colonial and Postcolonial Literature: Migrant Metaphors. New York: Oxford University Press, 1995, p.2. 57 McLeod, John. Beginning Postcolonialism. Manchester, New York: Manchester University Press, 2000. 58 Tiffin, Chris and Alan Lawson. Eds. De-scribing Empire: Post-colonialism and Textuality, London : Routledge, 1994, p.3. 59 Young, Robert. Post-colonialism : A Very Short Introduction. Oxford, New York: Oxford University Press, 2003,p.2. 60 200540-44
Fanon Edward Said Said (Orientalism) (uncivilised) 61 1997131 62 Fanon, Frantz. Black Skin, White Masks. Trans. Charles Lam Markmann. New York: Grove Press, 1968. 63 Said, Edward W. Orientalism. London: Vintage Book, 1979.
Nandy Spivak (absolute other) (domesticated other) 64 199547 65 Nandy, Ashis. The Intimate Enemy: Loss and Recovery of Self Under Colonialism. New Delhi: Oxford University Press, 1983. New York: Oxford University Press, 1988. pp.14-15. 2012 66 67 Gayatri Chakravorty Spivak. Three Women's Texts and a Critique of Imperialism. Critical Inquiry.Vol.12. No.1. Autumn 1985, p.253.
2.2. 68? : 靑 1998 69 1998 11 64 14 70 () 2004145-165
71 20078 72 20113-4 73 ( ) 2007 60 74 2012 75 199927
2.3 (postcoloniality) 76 (complex) Josef Breuer Colman, Andrew M. Dictionary of Psychology. New York: Oxford University Press, 2001, p.150-151. 77 1997128 78 201020 79 80 Cohen, Jeffery. Monster Culture (Seven Theses). Monster Theory: Reading Culture. Minneapolis, Minn.: University of Minnesota Press, 1996, p.4. 81 ( )
2.3.1 82 ( ) 2007 45-47 83 199591-94 84 101 85
Homi Bhabha (articulation of cultural differences) (in-between space) 86 () 1995111 87 Homi K. Bhabha. Introduction. The Location of Culture. London: Routledge, 1994, p.1-2. 88 199756
(Petit-grandiose Hong Kongism) (fixed) (postcolonial 89 199789-102 90 Szeto, Mirana May. Postmodernity as Coloniality: Contesting Cultural Imaginaries in 1990s Hong Kong. Interventions: International Journal of Postcolonial Studies. Vol 8, Iss 2, pp. 253-275. 91 1997115-125 92 1997154-157
ambivalence) 2.3.2 David Bordwell (all too extravagant, too gratuitously wild) 93 1997154-157 94 Bordwell, David. Planet Hong Kong: Popular Cinema and the Art of Entertainment. Cambridge, Mass.: Harvard University Press, 2000. 95 2003 96 2002 : 2010 97
98 25 99 2002 242-243 100 1979 101 嘢 (1990) 嘢 (1991) 嘢 III(1992) 嘢 IV (1994) 102 1984 103 201061-62
(representation) (structures of feeling) (pleasure) 104 200711 25 105 29 106
107 108 109 () 1995 210 () () 199739-43
(monstrosity) 2.4 110 2012 2013 9 8 <http://contest.filmcritics.org.hk/page.php?file=review_106>
(1881-1936) 111 198522 112 2006II-III 113 19965 114 22-43 115 1989 116 197236-42
(interdisciplinary) 3.1 (monster) (human)(monstrosity) (humanity) (appearance) (behaviour) (cultural symbol) 117 Morrison, Cary. Creature Conflict: Man, Monster and the Metaphor of Intractable Social Conflict. Eds. Paul L Yoder, Peter Mario Kreuter. Monsters and the Monstrous. [E-book]. UK: Inter-Disciplinary Press, 2nd edition 2013, p.167. 118 2008
(creature) Kate Hebblethwaite Nane CantatoreMoses Maimonides (Leviathan) Kamila Vrankova Mary Shelley Shilinka Smith Shona Hill (murder) John Cussans (boundary) (binary) Nane Cantatore Jeffery Cohen (problem) 119 20081300 120 Hebblethwaite, Kate. Invading Boundaries: Hybrids, Disease and Empire. Eds. Paul L Yoder, Peter Mario Kreuter. Monsters and the Monstrous. [E-book]. UK: Inter-Disciplinary Press, 2nd edition 2013, p.105. 121 Cantatore, Nane. The Mark of the Monster: Limits of Knowledge and Edge of the Human in Dialogue with the Unheard-Of. Eds. Niall Scott. The Role of the Monster: Myths and Metaphors of Enduring Evil. [E-book]. UK: Inter disciplinary Press, 2009, p.4. 122 Vrankova, Kamila. Frankenstein: Mary Shelley s Horror of Split Consciousness. Eds. Paul L Yoder, Peter Mario Kreuter. Monsters and the Monstrous. [E-book]. UK: Inter-Disciplinary Press, 2nd edition 2013, p.94. 123 Cussans, John. Tracking the Zombie Diasporas: From Subhuman Haiti to Posthuman Tuscon. Eds. Paul L Yoder, Peter Mario Kreuter. Monsters and the Monstrous. [E-book]. UK: Inter- Disciplinary Press, 2nd edition 2013, p.204. 124 106 125 1073
(code) (pattern) (presence) (absence) Ruth Waterhouse Cary Morrison (norms) Kyle BishopWhite Zombie (Victor Halperin, 1932) (Imperialist Hegemony) (Haiti) (total other) (imperial hegemony) 126 Cohen, Jeffery. In a Time of Monsters. Monster Theory: Reading Culture. Minneapolis, Minn. : University of Minnesota Press, 1996, p.ix-x. 127 Waterhouse, Ruth. Beowulf as Palimpsest, Eds. Jeffery Jerome Cohen. Monster Theory: Reading Culture. Minneapolis, Minn.: University of Minnesota Press, 1996, p28. 128 Morrison, Cary. Creature Conflict: Man, Monster and the Metaphor of Intractable Social Conflict. Eds. Paul L Yoder, Peter Mario Kreuter. Monsters and the Monstrous. [E-book]. UK: Inter-Disciplinary Press, 2 nd edition 2013, p.169. 129 Bishop, Kyle. The Sub-Subaltern Monster: Imperialist Hegemony and the Cinematic Voodoo Zombie. The Journal of American Culture. Iss. 2. Vol 31. May 2008. pp.141-152. 130 145 131 160
Newitz Annalee the undead Blade(Stephen Norrington 1998 ) Len Ryan Wiseman 2003 Cohen (twin desire)(fixation) (disempower) 132 Newitz, Annalee. Pretend we re Dead: Captialist Monsters in American Pop Culture. Durham: Duke University Press, 2006, pp.89-121. 133 113 134
3.2 (fantasy)rosemary Jackson (Literature of fantastic) 135 136 198916 137 Jackson, Rosemary. Fantasy: the Literature of Subversion. London: Routledge, 2000, p.2. 138 199077-85
3.2.1 Lam Yee Man (monster/hero) 139 199742 140 ( )( ) ( )
Lam 3.2.2 (Daoist) (witch/ 141 Lam Yee Man. A Different Monstrosity: A Case Study on Journey to the West. Eds. Elizabeth Nelson, Jillian Burcar & Hannah Priest. Creating Humanity, Discovering Monstrosity: Myths & Metaphors of Enduring Evil. [e-book]. UK: Inter disciplinary Press, 2010, p. 312. 142 2011174-191 1991246
wizard)(hunter) (negotiable) (witch/wizard) Elizabeth Kent (masculine others) 143 exorcist sorcerers witch wizard(exorcist) 1973Exorcist(William Friedkin) Stephen Hayes Wizard (witchcraft) witch (pagans) (witch hunt) sorcerers Hayes, Stephen. Christian Responses to Witchcraft and Sorcery. Missionalia. Vol 23, No 3, Nov 1995, pp.339-354. 144 (witchcraft) (witch)rowlands, Alison. Not the Usual Suspects? Male Witches, Witchcraft and Masculinities in Early Modern Europe. Eds. Alison Rowlands. Witchcraft and Masculinities in Early Modern Europe. New York: Palgrave Macmillan, 2009. 145 Kent, Elizabeth. Masculinity and Male Witches in Old and New England, 1593-1680. History Workshop Journal. Iss 1. Vol. 60. Oct 2005. pp. 69-92.
3.3
( ) () () 3.4
(domestication) Andrew Tudor (order-disorder-order) 叙 叙 叙 Spivak 146 Tudor, Andrew. Monsters And Mad Scientists: A Cultural History of the Horror Movie. London: Oxford University Press, 1989. USA: Basil Blackwell, 1989, p.19. 147 108
(familiarization) (Mary Louis Pratt) (normalization) Frank Grady 148 Gayatri Chakravorty Spivak. Three Women's Texts and a Critique of Imperialism. Critical Inquiry.Vol.12. No.1. Autumn 1985. pp. 243-261. 149 199899 150 (vampirevampyre) (Gothic tradition) Bram Stocker(Dracula 1897) Friedrich Murnan() 1922 Nosferatu (Nosferatu, eine Symphonie des Grauens) 1931 Tod Browning Dracula Bela Lugosi BlaskoDracula (Hammer Company)Christopher Lee 80 Anne Rice Interview with the Vampire (1994)(Twilight) Melton,Gordon. The Vampire Book: The Encyclopaedia of the Undead. Detroit: Visible Ink Press, 3rd edition 2011.
(Twilight Catherine Hardwicke 2008) Edward(Robert Pattinson) 4.1 1980 151 Frank Grady. Vampire Culture. Eds. Jeffery Cohen. Monster Theory: Reading Culture. Minneapolis, Minn. : University of Minnesota Press,1996, p. 226. 152 [ ] 20101038-41 153 Maja Brozozowska-Brywczynska (Monstrous/Cute) (alternative)maja Brozozowska-Brywczynska. Monster/Cute. Notes on the Ambivalent Nature of Cuteness. Eds. Niall Scott. Monsters and the Monstrous: Myths and Metaphors, Amsterdam, New York: Rodopi, 2007, p. 212-218.
1985
Kate Hebblethwaite (reverse invasion) 啫 4.2 154 155 Hebblethwaite, Kate. Invading Boundaries: Hybrids, Disease and Empire. Eds. Paul L Yoder, Peter Mario Kreuter. Monsters and the Monstrous. [E-book]. UK: Inter-Disciplinary Press, 2 nd edition 2013, p.106.
4.2.1 1992
4.2.2
(typical European Vampire) this so called mummy is my great, great, great, great grandfather. I ve to bring it back to my home town. It s very important for me. 156
You can t lose. We re Chinese
着 4.3 (infantilization) (childish) Dale Hudson (connection) 157 2013 8 5 2013 9 5 <http://forum.hkej.com/node/104153> 158 John Storey (folk culture) Storey, John. Inventing Popular Culture: From Folklore to Globalization. UK: Blackwell Publishing Ltd, 2003, pp. 10-15. 159 Hudson, Dale. Modernity as Crisis: Goeng Si and Vampires in Hong Kong Cinema. Eds. John Edgar Browning, Caroline Joan (Kay) and Picart. Draculas, Vampires, and Other Undead Forms: Essays on Gender, Race and Culture. Lanham, Md,: Scarecrow Press, 2009, p. 220.
Nandy 4.3.1 1986 160 Nandy, Ashis. The Intimate Enemy: Loss and Recovery of Self Under Colonialism. New Delhi: Oxford University Press, 1983. New York: Oxford University Press, 1988, p.14-15.
OK 4.3.2
161
4.4
(Incorporation) Peter Brooker 162 1997133 163 Li, Siu Leung. Kung Fu: Negotiating Nationalism and Modernity. Culture Studies. Iss 3-4. Vol 15. 2001. pp.515-542. 164 J annie Jobling Le Guin(A Wizard of Earthsea) (magical power) (masculinity) Jobling, J annie. Metaphysics and Transcendence. Earthsea: Only in silence the word. Fantastic Spiritualities: Monsters, Heroes and the Contemporary Religious Imagination. London; New York: T&T Clark, 2010, pp.84-102.
(punk) Raymond Williams (hegemony) (masculinity (femininity) 嘢 (1990) 瞹 165 (mode of articulation) Lii, Ding-Tzann. A colonized empire: Reflections on the expansion of Hong Kong films in Asian countries. Eds. Chen, Kuan Hsing, Hsiu-Ling Kuo, Hans Hang and Hsu Ming-Chu, Trajectories: Inter-Asia Cultural Studies. London: Routledge, 1998, p. 112. 166 Brooker, Peter. Cultural Theory : A Glossary. New York : Arnold, 1999,p.136., 2003214 167 200292 168 2011180
(symbolic) Shilinka Smith Shona Hil Cecil Chabot (Cree) (Cannibalism) witiko 169 2012 2013 9 8 <http://contest.filmcritics.org.hk/page.php?file=review_106> 170 199742 171 Smith, Shilinka, Shona Hill. Monstrous Murderers: Historical Execution Narratives. Eds. Elizabeth Nelson, Jillian Burcar & Hannah Priest. Creating Humanity, Discovering Monstrosity: Myths & Metaphors of Enduring Evil [e-book]. UK: Inter disciplinary Press, 2010, p.17-25.
5.1 172 Chabot, Cecil. Witiko Possession & Starvation Cannibalism among the James Bay Cree: Monstrosity or Madness?. Eds. Elizabeth Nelson, Jillian Burcar & Hannah Priest. Creating Humanity, Discovering Monstrosity: Myths & Metaphors of Enduring Evil[e-book], Inter disciplinary Press, p.3-15.
5.1.1 173 ( 1989) ( 1992)
help me
the sun is very shine ( ) you talking too much, you tongue will lose skin 5.2
1989 5.2.1 174 2013 2013 9 5 < http://www.lawpun.com/?mod=icolumn&cmd=showcas&caid=369>
175
(Maria Cordero ) 5.2.2 5.2.3 懐 176 (2002) (2013) (2010)
5.3
6.1 (contextualize)
VS.
6.2
(2003) (2006-2007)(2009-2010) (2012-2013) 6.3
80 () 1980 (Encounter the Spooky Kind) 1985 (Mr. Vampire) 1986 2 (Mr. Vampire 2) (New Mr. Vampire) 1988 (Mr. Vampire saga IV) 1989 (Vampire vs. vampire) 1991 (The Ultimate Vampire) (Crazy Safari) 1992 (The Musical Vampire) (Mr. Vampire 1992)
30-70 1936 1939 1954 1957 1958 1959 1962 1963 1974 ( The Legend of the 7 Golden Vampires) Roy Ward Baker 1979 ( The Shadow Boxing)
80-90
2011 1998 1995 1994 2004 1989 2003 2002 靑 1998 1974 1997 1997 2005 1999 2006 1997 2012
2007 2007 硏 1995 1995 1997 1972 1997 2008 2011 2012 1995 2002 1985 2010 1989 1993 2010
1989 1996 1997 1997 2003 2008 1995 2012 2012 1989 1995 1991 Bhabha, Homi K. The Location of Culture. London, New York: Routledge, 1994. Brooker, Peter. Cultural Theory: A Glossary. New York: Arnold, 1999. Bordwell, David. Planet Hong Kong: Popular Cinema and the Art of Entertainment. Cambridge, Mass.: Harvard University Press, 2000. Boon, Kevin Alexander. Ontological Anxiety Made Flesh: The Zombie in Literature, Film and Culture. Eds. Niall Scott. Monsters and the Monstrous: Myths and Metaphors, Amsterdam ; New York: Rodopi, 2007. Cantatore, Nane. The Mark of the Monster: Limits of Knowledge and Edge of the
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