107 * 80 Katari Katari 80 Katari 107-132 TAIPEI THEATRE JOURNAL 24 (2016) : 107-132 School of Theatre, Taipei National University of the Arts 2016.3.29 2016.6.22 *
108 戲劇學刊 From Dialogue to Storytelling : King Lear Directed by Tadashi Suzuki Yu-pin Lin* Abstract This study sees drama as a form of cultural practice, analyzing Tadashi Suzuki s King Lear to discuss how Japanese directors responded to the cultural situation in the 1980s. Using the technique of Honka Dori to adapt William Shakespeare s play, Tadashi Suzuki turns events in the play into stories of particular characters. With such techniques of the director, the narrative structure of Suzuki s King Lear has an obviously high similarity with that of Fukushiki Mugen-Noh. Tadashi Suzuki borrows the concept of Waki from Noh to hold King Lear on the stage, and with such a mise-en-scène technique, William Shakespeare s King Lear no longer presents an objective world anymore; instead, it is an onstage illusion seen through a certain subjectivity. On the stage of Tadashi Suzuki, an invisible mirror is set. Locations of characters mirror images have created dialogues between characters in the play and their reflected counterparts, and thus the stage has been made into a surreal scene. The mise-en-scène technique of reflections of the mirror not only makes this translated Western classic play a mirror image, but also alters the performance=body/language relationship among actors, characters and the audience. The final goal, and what Tadashi Suzuki is seeking through this, is the actor s corporeality which he describes as Katari, narration = Katari, deception. Such an aesthetic aspect of the director also reflects ideas of Japanese theatre in the 1980s toward the modernization of Japan and the cultural situation after WWII. Keywords: Tadashi Suzuki, postwar Japanese director, King Lear, Fukushiki Mugen- Noh, Katari * Associate Professor, Department of Theatre, Taipei National University of the Arts
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110 戲劇學刊 1985 1988 12 The Tale of Lear 147 1994 1998 2004 50 15 1984 1984 1984 1 1988 2 3 1988 1988 1988 2009 II 1988 1 辺 556 1989 6 58-63 2 辺 556 1989 6 60 3 辺 556 1989 6 63
111 5 26 4 21 21 1 2 4 29 2001
112 戲劇學刊 3 4 5
113 1 2 3 彌
114 戲劇學刊 説 説 source culture target culture 説 1 2
115 5 1984 5 1972 231
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119 1971 12 13 12 読売 1971 1 19 内 1972 13 内 1972 152
120 戲劇學刊 1 2 1910 3 1924 14 15 14 内薫 1999 7 15 内薫 1999
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125 source culture target culture 24 reality Drama source culture target culture culture modeling artistic modeling preparatory work by actors choice of a theatrical form 24 内 1972 12-13
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128 戲劇學刊 Katari Katari 1979 katari mono Utau Mono 25 Narration Utai Mono Mise-en-scène 25 1980 226
129 26 Katari Katari 27 70 Suzuki Method Konstantin Stanislavski 26 1980 227 27 1980 227-228
130 戲劇學刊 Drama Drama Drama Peter Szondi Drama Theatre Drama
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