國立成功大學數位論文

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建峥项
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1 The Bodily Images of Transgessing the Social System: Hou Jun Ming s Sou Shen Ji and Chen Jie-Ren s Hun Po Bao Luan

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4 Abstract After the government declared that the martial law had ended, Taiwanese art became to get rid of the burden of politics and tradion and start to wear a gorgeous face gradually. New visual aesthetics which break tradional/academic representations of human bodies have gradually come into extistence.this thesis pays attention to the change, and fouses on two convulsive series of works: Hou Jun-Ming s Sou Shen Ji and Chen Jie-Ren s Hun Po Bao Luan. It will deeply discuss the relationship between Taiwanese art and social atmosphere by interpreting the specific bodily images of the two series of works. The main point of writing this thesis is mainly transgression. It attempts to analyze how Sou Shen Ji and Hun Po Bao Luan bear the artists recations, critical thoughts and re-interpretation against the traditional society and national power in social open atmosphere. Furthermore, I think that these two series of works have the Bataillean transgression aesthetics no matter how their forms and contents are heterogeneous. Morever, I also want to indicate these bodily images of these two series of works have grotesque characteristics, and try to analyze politics meanings of these grotesque bodily images. Lastly, I also seek to figure out how these works reflect the artists anxiety and desire by referring to some articles and interviews of artists intertextualily. In conclusion, I will explain the synchronic meanings of these bodily images in Taiwanese art. Key Words: Hou Jun-Ming, Chen Jie-Ren, bodily images, transgression, abjection, grotesque bodies, carnival, ritual, allegory, anxiety, gaze, trauma, masochism 3

this thesis pays attention to the change, and fouses on two convulsive series of works: Hou Jun-Ming s Sou Shen Ji and Chen Jie-Ren s Hun Po Bao Luan.

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7 x108cm x108cm Georges Bataille, The Tears of Eros x300cm x300cm x300cm x300cm x300cm htm x108cm x108cm x108cm x108cm x108cm 6

19 1999 225x300cm 20 http://www.puli.com.tw/wushi/wusir 1.

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13 George Bataille cm II I ~

15 1993 extremism

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21 transgression Michel Foucault Julia Kristeva abject Hal Foster 20

22 Mikhail Bakhtin the grotesque body iconology anxiety 21

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24 Georg Wilhelm Friedrich Hegel heterogeneous inner experience

25 bourgeois low 49 Mary Douglas dirty pollution Peter Stallybrass and Allon White, Conclusion, in The Politics and Postics of Transgression, London: The University of Cambridge, 1986, p Mary Douglas, Purity and Danger: An Analysis of Concepts of Pollution and Taboo, London: Routledge and Kegan Paul Ltd., 1966, p

26 abjection abject super-ego ego 53 Babara Creed

27 border 54 manque 55 ambiguity 56 symbolic order 54 Babara Creed, Kristeva, Femininity, Abjection, in The Monstrous-Feminine: Film,Feminism, Psychoanalysis, London and New York: Routledge, 1993, pp

28 Peter Stallybrass and Allon White, Conclusion, p

31 29 3 signifier signified 61 Roland Barthes Terry Eagleton

33 65 Carroll Smith-Rosenberg 66 Victor Turner

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36 I 6 II 7 I 75 Carpeaux Pékin qui s en va, Paris, 1913, Dumas Traité de psychologe, Paris, Clair Margat

37 76 II I

38 78 meta-critics I II III I II III II III III

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41 the grotesque body carnival

42 Mikhail Bakhtin, The Grotesque Image of the Body, in Rabelais and His World, trans. Helene Iswolsky, Bloomington: Indiana University Press, 1984, p

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55 4 109 Claire Margat Janus

56 allegory 111 Walter Benjamin Trauerspiel the ruin 110 Claire Margat

57 112 Karl Borinski Domenico Ghirlandaio ars inveniedi Craig Owens 115 Peter Burger Walter Benjamin, The Origin of Germantragic Drama, New York: Verso, 1985, p Walter Benjamin, The Origin of Germantragic Drama,

58 Michel Foucault, Dicipline and Punish: The Birth of The Prison, Harmondsworth: Penguin, 1979, p Michel Foucault, Dicipline and Punish: The Birth of The Prison, p

60 panopticon

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64 130 libido 1926 ego

65 realistic anxiety signal 131 panic traumatic state Burness E. Moore, M. D. and Berbard D. Fine, M. D., eds. Psychoanalytic Termsa and Concepts, New York: Yale University Press, 1990, pp Burness E. Moore, M. D. and Berbard D. Fine, M. D., eds. Psychoanalytic Terms and Concepts, p

68 liminality 140 Van Gennep the rites of passage separation transition incorporation

69 144 liminal

71 150 Susan Rubin Suleiman Susan Rubin Suleiman, Transgression and the Avant-Garde: Bataille s Histoire de L oeil, in On Bataille: Critical Essays, eds. Leslie Anne Boldt-Irons, New York: State University of New York, 1975, p

72 Susan Rubin Suleiman, Pornography, Trangression, and the Avant-Garde: Bataille s Story of the Eye, in The Poetics of Gender, New York: Columbia University Press, 1986, p Georges Bataille, The Tears of Eros, trans. Peter Connor, San Francisco: City Lights Books, 1989, p

73 Claire Margat

74 Jacques Lacan excesssive Hal Foster, The Return of the Real: The Avant-Garde at the End of the Century, London, Cambridge: The MIT Press, 1996, p

75 gaze screen 74

76 image 160 schemata I 6 II 7 I Jacques Lacan, The Four Fundamental Concepts of Psycho-Analysis, eds. Jacques- Alain Miller, trans. Alan Sheridan, New York: W. W. Norton Company, 1981, pp Hal Foster, The Return of the Real: The Avant-Garde at the End of the Century, p

78 Eros Thanatos masochism Burness E. Moore, M. D. and Berbard D. Fine, M. D. ed. Psychoanalytic Terms and Concepts, p

79 sadism perversion 167 Gilles Deleuze organism bound erotoganic 168 clinical entity 169 Gaylyn Studlar erotoganic feminine moral Burness E. Moore, M. D. and Berbard D. Fine, M. D. ed. Psychoanalytic Terms and Concepts, p Gaylyn Studlar, In the Realm of Pleasure: Von Sternberg, Dietrich, and the Masochistic Aesthetic, New York: Columbia University Press, 1992, pp Gilles Deleuze, Masochism: An Interpretation of Coldness and Cruelty, New York: George Braziller, 1971, p Gilles Deleuze, Masochism: An Interpretation of Coldness and Cruelty, p Gaylyn Studlar, Masochism and the Perverse Pleasure of the Cinema, in Feminism and Film, eds. E. Ann Kaplan, New York: Oxford University Press, p

81 sacrifice

82 Michael Ray Weingrad, Benjamin or Bataille: Transgression, Redemption, and the Origins of Postmodern Thought, University of Washington, 1999, p. 192, 193. P. H. D. thesis

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85 179 repetition

86 - Leopold von Sacher- Masoch 180 (pleasure principal) Gilles Deleuze, Masochism: An Interpretation of Coldness and Cruelty, p Gilles Deleuze, Masochism: An Interpretation of Coldness and Cruelty, p

87 Black Sun melancholia

88 black mood 187 depression symptom Julia Kristeva, Black Sun: Depression and Melancholia, trans. Leon S. Roudiez, New York: Columbia University Press, 1989, p Julia Kristeva, Black Sun: Depression and Melancholia, p

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90 Deconstruction Art

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93 Terry Eagleton 82 Mar Le Bot C. (Jeffrey C. Alexander),. (Steven Seidman)

94 Bataille, Georges, The Tears of Eros, trans. Peter Connor, San Francisco: City Lights 93

95 Books, Benjamin, Walter, The Origin of Germantragic Drama, New York: Verso, Foucault, Michel, Dicipline and Punish: The Birth of The Prison, Harmondsworth: Penguin, Foster, Hal, The Return of the Real: The Avant-Garde at the End of the Century, London, Cambridge: The MIT Press. Jefferson, Ann, Body Matters: Self and Other in Bakhtin, Sartre and Barthes, in Bakhtin and Culture Theory, eds. Ken Hirschkop and David Shepherd, Manchester and New York: Manchester University Press, 1989, pp Kristeva, Julia, Black Sun: Depression and Melancholia, trans. Leon S. Roudiez, New York: Columbia University Press. Lacan, Jacques, The Four Fundamental Concepts of Psycho-Analysis, eds. Jacques- Alain Miller, trans. Alan Sheridan, New York: W. W. Norton & Company, M. D., Burness E. Moore, and M. D., Berbard D. Fine, eds. Psychoanalytic Termsa and Concepts, New York: Yale University Press, Mikhail, Bakhtin, Rabelais and His World, trans. Helene Iswolsky, Bloomington: Indiana University Press, Nochlin, Linda, The Body in Pieces: The Fragment as a metaphor of modernity, New York: Thames and Hudson, Stallybrass, Peter, and Allon White, The Politics and Poetics of Transgression, London: The University of Cambridge,

96 Suleiman, Susan Rubin, Transgression and the Avant-Garde: Bataille s Histoire de L oeil, in On Bataille: Critical Essays, eds. Leslie Anne Boldt-Irons, New York: State University of New York, 1975, p ~

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嗅覺、習氣與衛生政體：三０年代的中國的都市空間與身體消費

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