4 Journal of Theater Studies 2009 7 45-74 懷 舊 的 共 同 體 與 再 合 成 的 自 我 : 1 金 枝 演 社 與 臺 灣 春 風 歌 劇 團 的 新 胡 撇 仔 戲 Teri J. SILVIO Bert O. States 2 1 Narration and Genre Ann Gold Ilana Gershon Jane Goodman NSC95-2412-H-001-030 2 Bert. O. States, Great Reckonings in Little Rooms: On the Phenomenology of Theater (Berkeley: University of California Press, 1985), p.40. Theater is the medium, par excellence, that consumes the real in its realest forms: man [sic], his language, his rooms and cities, his weapons and tools, his other arts, animals, fire, and water even, finally, theater itself. Its permanent spectacle is the parade of objects and processes in transit from environment to imagery. -45-

3 4 3 148 2005 6 14-18 4 7-42 155 2007 3 79-110 -46-

金 枝 演 社 1944-2009 5 30 Jerzy Grotowski 1990 1990 5 52 1997 3 60-63 56 2005 56-57 -47-

6 1993 2004 1997 Robert Wilson 1996 12 6 2007 4 19-48-

1996 2007 2001 2003 2004 2006 Part 2 2007 Part 2 拼 貼 與 時 空 觀 7 7 31 1 2002 6 159 162-49-

8 1940-70 8 20-28 Teri Silvio, First as Farce, Then as Tragedy: Popular Allegory and National Analogy in Contemporary Taiwanese Opera, Taiwan Journal of Anthropology 3.2 (December 2005): 45-77. -50-

SM 1950 1970 9 2006 TACO TACO 9 2008 5 30-51-

1950 1970 TORO 10 1950-1970 創 造 懷 舊 的 角 色 10 Part 2 2007 8 20-21 -52-

11 20-40 30 40 ˇ ˇ 12 11 51 1997 2 55 12 2006 http://www.goldenbough.com.tw/flower/02_intro.html. -53-

13 14 1950 1970 13 2008 2 28 14 Jingmin Part 2 2007 8 17 http://joinjingmin. blogspot.com/2007/08/part-2.html. -54-

15 Baby TACO 16 20 30 20 20 Cute Stupid! Sexy Sexy Sexy 15 2008 5 5 16 2008 3 17-55-

Video 17 18 17 2008 3 17 18 Richard Dyer 1950-60 Richard Dyer, Monroe and Sexuality, Heavenly Bodies: Film Stars and Society (London, MacMillan Press, 1986), pp. 19-66. -56-

通 過 展 演 性 (performativity) 創 造 共 同 體 Part 2 19 20 1999 19 Part 2 16 20 2008 5 5-57-

1960 1970 1990-58-

J.L.Austin performativity 21 臺 灣 春 風 歌 劇 團 2003 1990 20 30 fannish 21 J.L. Austin, How To Do Things With Words (Oxford: Oxford University Press, 1975). -59-

22 2005 2006 23 2007 Seven Days Commedia del Arte 時 空 觀 和 角 色 : 古 老 的 後 現 代 性 vs. 懷 舊 的 現 代 性 Carlo Goldoni, 1707-1793 22 2007 3 15 23 2007 12 4-60-

24 24 Ranjit Bolt, Introduction to The Venetian Twins and Mirandolina, by Carlo Goldoni, translated by Ranjit Bolt (London: Oberon Books, 2003), p. 7. -61-

otaku 25 fujoshi BL BL (Boys Love) 1950-1990 Coser 26 25 Otaku 26 4 2007-62-

Jeff 2007 Google 12 26 http://www.wretch.cc/blog/zephyropera/4647295. -63-

BL 寫 實 並 不 自 然 ; 寫 意 並 無 疏 離 感 27 27 2008 3 2-64-

28 2008 29 BL BL 28 2006 10 26 http://www.wretch.cc/blog/ ZephyrOpera/2716823. 29 ( 2008 ) 83-91 -65-

30 在 宅 男 / 腐 女 世 代 中 的 個 人 和 共 同 體 31 32 30 2007 10 14 31 32 3 2007 12 25 http://www.wretch.cc/blog/zephyropera/4642428 5 2007 12 27 http://www.wretch.cc/blog/zephyropera/4651927. -66-

reflexive humor 33 33 2008 2 26-67-

34 35 consensus 1970-90 結 論 34 2008 6 1 35 2008 6 1-68-

Samuel Beckett 1906-1989 Richard Dyer -69-

36 Frederic Jameson pastiche 1950-1970 1950-1970 36 Richard Dyer, Only Entertainment (London: Routledge, 1981), p. 18. Entertainment presents, head-on as it were, what utopia would feel like rather than how it would be organized. -70-

懷 舊 的 共 同 體 與 再 合 成 的 自 我 : 金 枝 演 社 與 臺 灣 春 風 歌 劇 團 的 新 胡 撇 仔 戲 Teri J. SILVIO, 關 鍵 詞 : 歌 仔 戲 胡 撇 仔 戲 金 枝 演 社 台 灣 春 風 歌 劇 團 懷 舊 性 別 -71-

The Nostalgic Community and the Reintegrated Individual: The New Opeila Performances of the Golden Bough Theater and the Formosa Zephyr Opera Troupe Teri J. SILVIO This article compares the new opeila performances of the Golden Bough Theater and the Formosa Zephyr Opera Troupe. New opeila does not merely recreate the style of temple festival opera, but cites particular elements of opeila s bricolage and places them within a new discursive context. This article compares how these two troupes blend temple festival opera and avant-garde theater in different ways, paying particular attention to how the actors create characters and to the relationships among the imaginary world on stage, the organization of the acting troupe, and contemporary Taiwanese society. The Golden Bough Theater is an avant-garde theater which draws on temple festival opera, while the Zephyr Troupe is a Taiwanese opera troupe which draws on avant-garde theater. Golden Bough sees opeila as a local and working class theater; the Zephyr Troupe sees opeila as a subcultural women s theater. While Golden Bough seeks to create a nostalgic world emphasizing the values of simplicity and harmony, the Zephyr Troupe seeks to integrate the ancient and post-modern and reconstruct a more holistic sense of self. For both troupes, the spirit of opeila represents a kind of freedom that is receding from the lives of contemporary middle-class Taiwanese. Key words: gezaixi opeila Golden Bough Theater Formosa Zephyr Opera Troupe nostalgia gender -72-

徵 引 書 目 148 2005 6 7-45 2006 10 26 http://www.wretch.cc/blog/ ZephyrOpera/2716823. 2008 51 1997 2 54-55 2006 9 Part 2 2007 8 3 2007 12 25 http://www.wretch.cc/blog/zephyropera/4642428. 4 2007 12 26 http://www.wretch.cc/blog/zephyropera/4647295. 5 2007 12 27 http://www.wretch.cc/blog/zephyropera/4651927. 2007 12 56 2005 56-57 31 1 2002 6 151-174 155 2007 3 79-110 52 1997 3 60-63 Jingmin: Part 2 2007 8 17 http://joinjingmin.blogspot.com/2007/08/part-2.html. Austin, J.L.. How To Do Things With Words. Oxford: Oxford University Press, 1975. Bolt, Ranjit translated. The Venetian Twins and Mirandolina. by Carlo Goldoni. London: Oberon Books, 2003. Dyer, Richard. Only Entertainment. London: Routledge, 1981.. Heavenly Bodies: Film Stars and Society. London, MacMillan Press, 1986. Silvio, Teri. First as Farce, Then as Tragedy: Popular Allegory and National Analogy in Contemporary Taiwanese Opera. Taiwan Journal of Anthropology 3.2 (December 2005): 45-77 States, Bert. O. Great Reckonings in Little Rooms: On the Phenomenology of Theater. Berkeley: University of California Press, 1985. -73-

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