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1 加拿大, 蒙特利尔,Quartier Des Spectacles 大楼 / difica 建筑师 :Ædifica 地点 : 加拿大蒙特利尔竣工年份 :2012 摄影 : Courtesy of AEdifica

3 2012 年 2 月 6 日, 人们期待已久的 Quartier des Spectacles 旗舰店 2-22 终于开幕了, 由 Ædifica 和 Gilles Huot 建筑师事务所设计这座六层建筑的设计目标是达到 LEED-NC 环境标准, 有望成为蒙特利尔的文化地标它位于圣凯瑟琳街和圣洛朗大道的交叉口, 是圣洛朗大道振兴项目的中心项目除了建筑创新的双层墙体, 另一个能立即吸引人的设计就是建筑呈一定角度的内缩式入口作为对之前矗立在这里的建筑的回应, 这样的设计缓解了入口区域产生的密集的人行交通问题, 尤其是在节日期间建筑木质外围护结构的独特立面上开有看似随意设置的洞口外围护结构有一层透明的玻璃保护壳体, 就像是第二层表皮这些材料叠加形成的空间将用于展示多种多媒体装置窗户的分布反映了室内的活动 : 上面楼层为展览室, 有可控的照明, 巨大的洞口能给工作区带来充足的自然光线流动性与交通流线的设计概念影响了建筑, 在建筑与路人之间形成了一种对话夏季, 一部分外围护结构可以从圣凯瑟琳街上缩回, 改变建筑的物理界限这种变化的印象也体现在了室内的元素中, 如大厅的一个洞口连接下面三层的通道能俯瞰一层的设有窗户的夹层四层和

4 五层之间一部具有雕塑感的楼梯 ( 使用者可以选择走楼梯也可以选择坐电梯 ) 这些元素服务于日常活动, 鼓励个人与周围环境之间的互动这座建筑为 2025 蒙特利尔想象建筑活动而设计安格斯发展公司留出 75% 的空间用于组织文化活动, 以此来保证建筑的文化使命 CIBL 社区广播 La Vitrine Artexte Vox 和 Regroupement des centresd artistesautogérés du Québec 等机构都设计了自己的空间, 从而反映了他们自己的需求法国餐厅 Le St. Cyr 设置在一层, 将来在六层设置的酒吧的室外露台将为人们提供观赏周围美丽景色的地点

原文 : Architects: <a href="http://www.aedifica.

com">courtesy of AEdifica</a> On February 6 came the long-anticipated inauguration of the 2-22, the new

7 原文 : Architects: <a href=" Location: Montréal, Canada Completion: 2012 Photographs: <a href=" of AEdifica</a> On February 6 came the long-anticipated inauguration of the 2-22, the new flagship building of the Quartier des Spectacles designed by Ædifica and Gilles HuotArchitectes. Designed to meet LEED-NC environmental standards, this six-storey

building promises to become a Montréal cultural landmark, being located at the intersection of St. Catherine St. and St. Laurent Blvd., the nerve centre of the St. Laurent Blvd. revitalization project.

8 building promises to become a Montréal cultural landmark, being located at the intersection of St. Catherine St. and St. Laurent Blvd., the nerve centre of the St. Laurent Blvd. revitalization project. In addition to its innovative double wall, what strikes you immediately about the building is its recessed, angular entrance. An echo of buildings that stood at this intersection in earlier times, this design frees up the sidewalk for the dense pedestrian traffic this area generates, particularly during festivals. The unique façade is marked by seemingly random openings in the building s wooden envelope. The envelope is protected by a shell of transparent glass, like a second skin; the space created by superimposing these materials will be used for a variety of multimedia installations. The distribution of windows reflects the activities going on inside: the exhibition rooms in the upper levels enjoy controlled lighting, while large openings flood work environments with natural light. Ideas of fluidity and circulation influenced the architecture and create a dialogue between the building and passers-by. In summer, a portion of the envelope retracts at the level of St. Catherine St., altering the building s physical limits. The impression of exchange is echoed in the interior, with elements such as an opening that originates in the lobby and passes through the first three floors, the windowed mezzanine overlooking the ground floor, and a sculptural staircase, between the third and fourth floors, which occupants can choose over the elevator. These elements, central to daily activities, encourage interaction between individuals and their environment. The building was designed as part of Imagining-Building Montréal The Angus Development Corporation ensured its cultural vocation by allocating 75% of the space to cultural organizations. CIBL community radio, La Vitrine, Artexte, Vox and the Regroupement des centresd artistesautogérés du Québec also helped to design their space so it would reflect their needs. The French restaurant Le St. Cyr occupies the ground floor, while a future bar with outdoor terrace on the

9 fifth floor will offer striking viewpoints of the surrounding area.

122 Projects Domus China 104 December 2015 建筑并不属于个人 / ARCHITECTURE DOES NOT BELONG TO INDIVIDUALS 法国 AS 建筑工作室将建筑和城市规划定义为 : 与社

122 Projects Domus China 104 December 2015 建筑并不属于个人 / ARCHITECTURE DOES NOT BELONG TO INDIVIDUALS 法国 AS 建筑工作室将建筑和城市规划定义为 : 与社会密切关联的艺术, 同时也是建设人类生活的构架, 而这一切