1 2 Bayard Veiller The Trial of Mary Dugan ( ) : (AntonWolff 1931 ) ( 1944 ) 3 (Bayard Veiller) 30 4 IBDB Intern

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1 14 Journal of Theater Studies DOI: /JOTS 劇本的改編衍生與對照 * 以女優奈々子的審判為中心前言 * -1-

2 1 2 Bayard Veiller The Trial of Mary Dugan ( ) : (AntonWolff 1931 ) ( 1944 ) 3 (Bayard Veiller) 30 4 IBDB Internet Broadway Database ( ) The Trial of Mary Dugan

3 6 一女優奈々子的審判與瑪莉杜根的審判 6 7 Frank Rahill, The World of Melodrama (University Park: The Pennsylvania State University, 1967), pp show girl Mary Dugan Edgar Rice Jimmy Dugan Edward West Frank Rahill

4 8 9 MGM all-talking dramatic film The West Australian 10 Z Norman Z. McLeod Jimmy Black courtroom drama 11 William Almon Wolffe 12 Steve Barrow Ayn Rand Night of January 8 Der Prozess Mary Dugan: Ein Stück in 3 Akten (Rudolph Lothar 1928) El proceso de Mary Duggan: drama judicial en tres audiencias (Antonio FernándezLepina 1929) Le proce s de Mary Dugan : pie ces en trois actes (Horace de Carbuccia 1929) 9 Bayard Veiller Bayard Veiller Becky Gardiner 10 Hoyts Regent Theatre, The Trial of Mary Dugan, The West Australian (24 March, 1930). [accessed 12 May, 2014]. 11 Bosley Crowther, The Trial of Mary Dugan, New York Times Review (6 March, 1941). [accessed 5 May, 2014]. 12 William Almon Wolff, The Trial Of Mary Dugan: from the Play by Bayard Veiller (Garden City, New York: Doubleday Doran & Company, 1928) Grosset and Dunlap Heinemann 1949 Pocket Books 13 Ayn Rand The Fountainhead 1943 Atlas Shrugged

Mary Duggan: drama judicial en tres audiencias (Antonio FernándezLepina 1929) Le proce s de Mary Dugan : pie ces en trois actes (Horace de Carbuccia 1929) 9 Bayard Veiller Bayard Veiller Becky

5 16 th 14 Wakayama Aino Wakayama Nanako 浅

10 10 浅 14 1931 14-42 15 2 1932 1-70 16 1939

6 Bayard Veiller 二誰的審判? 女優奈々子的審判分析 kenetsuk/shousai.php

7 reversal -7-

9 20 20 説 II

10 三女優奈々子的審判與其他作品之比較 Penthouse Legend E.E. E.E. Clive Woman of Trial Barbara Bedford A.H. A.H. Woods 21 Bjorn Faulkner Karen Andre Ivar Kreuger Ayn Rand, Introduction in Night of January 16th. [accessed 20 June, 2014]

A.H. Woods 21 Bjorn Faulkner Karen Andre Ivar Kreuger 1880-1932 22 21 Ayn Rand,

11 Nancy Lee John Graham Whitfield Lawrence Regan

12 ) Leo Tolstoy Resurrection

13 (2003 ) works/yaeko10/03.html

14 DIGITAL MEME

15 四複數型奈々子臺灣新劇中的奈々子 ~

18 結語

19 43 /

20 劇本的改編衍生與對照以女優奈々子的審判為中心 Bayard Veiller The Trial of Mary Dugan 關鍵字 : 小林宗吉女優奈々子的審判瑪莉杜根的審判劉吶鷗星光新劇團 -20-

21 The Adaptation and Development of a Script: A Study of The Trial of Actress Nanako Kun-liang CHIU Professor, Department of Theatre Arts, Taipei National University of the Arts The popularity of a theater topic is shown not only in the continuous translation and adaptation of theater works on the topic; it can also be recognized through the coexistence of original works that were created in distinct contexts but share similar content. Authors in different creative milieus may compose stories whose respective readings show both similarity and distinctiveness from each other. We may also discern that the similarity among these stories is not necessarily derived from the adaptation of an original work. As a result, two types of interpretive viewpoints are necessary for an understanding of the creative process through which the commonality among theater works can be recognized: (1) the adaptation of an original text and its derivative works; (2) the coincident selection of similar theater topics by individual authors. This article demonstrates the usefulness of the first viewpoint by analyzing the content and adaptation of Sokichi Kobayashi s The Trial of Actress Nanako. Kobayashi published The Trial of Actress Nanako in 1939 as a translation of The Trial of Mary Dugan by the American writer Bayard Veiller ( ), which was presented as a musical show at Broadway, New York in The Trial of Actress Nanako was widely adapted by troupes of modern theater in Taiwan before and after the WWII and throughout the 1950s. The present research further explains the usefulness of the second viewpoint by showing the coincident selection of similar topics and elements of theater among The Trial of Actress Nanako and other literary and performing works at the time. Specifically, I discuss the formation and popularity of The Trial of Actress Nanako in Japan in the 1930s. In addition, I examine two major approaches which troupes of modern theater in Taiwan commonly employed to adapt The Trial of Actress Nanako in their performance: (1) zuo huo xi, i.e. actors improvised in accordance with the conditions available in the performing context; (2) tou xi, i.e., actors created their own version of a story that shares similar plots with the versions of others, and appropriated expressive forms that they had learned while watching others performances. Moreover, I analyze the character setting and the modes of interactions among characters commonly portrayed in The Trial of Actress Nanako and in a novel published in the 1890s, a theater presented in the mid-1910s, and a silent as well as a sound motion film screened in the 1930s. In so doing I show the ways in which I -21-

22 applied the present two interpretive viewpoints to analyze the formation and meanings of the commonality among theater works. Keywords: Sokichi Kobayashi The Trial of Mary Dugan The Trial of Actress Nanako Liu Na ou Xing-guang Modern Theater Troupe -22-

23 徵引書目 II 2006 DIGITAL MEME ~ 鴎 Crowther, Bosley. The Trial of Mary Dugan. New York Times Review (6 March, 1941). nytimes.com/movies/movie/114438/the-trial-of-mary-dugan/overview [accessed 5 May, 2014]. Hoyts Regent Theatre. The Trial of Mary Dugan. The West Australian (24 March, 1930). trove.nla.gov.au/ndp/del/article/ [accessed 12 May, 2014]. Rahill, Frank. The World of Melodrama. University Park: The Pennsylvania State University, Rand, Ayn. Night of January 16 th. [accessed 20 June, 2014]. Wolff, William Almon. The Trial of Mary Dugan: from the Play by Bayard Veiller. Garden City, New York: Doubleday Doran & Company,

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幼兒戲劇教學策略之個案研究

幼兒戲劇教學策略之個案研究幼兒教保研究期刊 2012 第 9 期 61 幼兒戲劇教學策略之個案研究劉倚君新竹市高峰幼兒園幼教教師劉淑英國立新竹教育大學幼兒教育學系副教授摘要本研究旨在探究幼兒戲劇教師在幼稚園中進行戲劇活動的教學策略, 以質性研究方