4 5 6 一明清傳奇與當代崑劇

Size: px

Start display at page:

Download "4 5 6 一明清傳奇與當代崑劇 7 8 4 2013 5 2002 480-481 6 1997 239-285 2000 115-254 2002 182-260 2004 79-133 7 276 8 269-270 -82-"

驯宣
7 years ago
Views:

1 15 Journal of Theater Studies DOI: /JOTS 從張弘編劇 * 看當代崑劇與明清傳奇的對話前言 *

2 4 5 6 一明清傳奇與當代崑劇

6 chta b2.htm E

8 二著眼於當代崑劇的傳奇改編牡丹亭與桃花扇 -88-

12 三折子並列式全本新創作從白羅衫到紅樓夢

14 :

18 45 四當代新編崑劇與明代傳奇的文本互涉梁伯龍夜品女兒紅與臨川四夢湯顯祖 JuliaKristeva

23 299 五折子的挖掘與實驗崇禎觀圖與宮祭

28 1/2Q /2Q Q Kunqu 63 1/2Q /2Q Q Kunqu /2Q /2Q

29 64 65 結論

32 從張弘編劇看當代崑劇與明清傳奇的對話關鍵字 : 張弘崑劇傳奇當代崑劇石小梅 -112-

33 A Dialogue Between Contemporary Kunqu Opera and Ming-Qing Chuanqi: Considering the Case of the Playwright Zhang Hong An-chi WANG Distinguished Professor, Department of Drama and Theatre, National Taiwan University As a couple, the contemporary Kunqu Opera playwright Zhang Hong and the famous Xiaosheng (the young man s role) Shi Xiaomei have created many outstanding roles of contemporary Kunqu Opera, of which Xu Jizu of Bailuoshan (The white coat) is the most representative. This study conducted a thorough investigation of Zhang Hong s Seek for the Unseen (a collection of eight Kunqu Opera plays), to research Kunqu Opera writing, especially focusing on the dialogue between contemporary Kunqu Opera and Ming-Qing Chuanqi. This project has two reasons to put emphasis on Zhang Hong: one, his eight plays cover every type of adaptation from Chuanqi to Kunqu Opera; they could compare with all the other types of contemporary Kunqu Opera. Second, and more deeply, Zhang Hong has a clear writing consciousness. He knows exactly that he is not just a tailor of the extensive Chuanqi stories, but also uses Chuanqi to frame his Kunqu Opera writing. Chuanqi is not only a play within a play in his Kunqu Opera. He creates new plays and roles through intertextuality and interlocution, and digs out deeper emotions and refracted thoughts. The three-way conversation of traditional Chuanqi, traditional playwrights, and contemporary Zhang Hong is worth our respect and attention. The overlapping or division of Kunqu Opera and Ming-Qing Chuanqi has been analyzed in the academic field; however, treatment of the field of writing is still in chaos. Kunqu critics often turn to Chuanqi for aesthetic standards. Playwrights frequently ignore the close partnership of Kunqu Opera and Chuanqi; they just use the Banqiang style to write Kunqu Opera. But such a narrative structure along with qupai singing cannot highlight the basis of Kunqu Opera and its deep intellectual philosophy. This project is based on Zhang Hong, and then emphasizes his Kunqu Opera writing method from the dialogue between Kunqu Opera and Chuanqi. Furthermore, this study aims at his eight plays as well as at contemporary Kunqu Opera. The chaos of contemporary Kunqu Opera writing is the background, reference, term of comparison, and in addition, the motivation of this study. Three issues are related to this project: first, Zhang Hong s creative consciousness regarding Kunqu Opera, and his dialogue with Chuanqi; second, assessing the effectiveness of Zhang Hong s writing ideas; third, the significance of -113-

34 Zhang Hong in contemporary Kunqu Opera. Keywords: Zhang Hong Kunqu Opera Chuanqi contemporary Kunqu Opera Shi Xiaomei -114-

35 徵引書目 /2Q /2 Q E

Abstract Yiwei( 易緯 ) is one of the most important elements in Yi ( 易 )study of Han dynasty. It had rich meanings and close relation with other parts

Abstract Yiwei( 易緯 ) is one of the most important elements in Yi ( 易 )study of Han dynasty. It had rich meanings and close relation with other parts 中文系一四年度碩士位論文指導教授 : 陳睿宏教授鄭玄易緯注及其詮釋述評研究生 : 邵吉辰通過日期 : 一五年六月 Abstract Yiwei( 易緯 ) is one of the most important elements in Yi ( 易 )study of Han dynasty. It had rich

4 5 6 一 明 清 傳 奇 與 當 代 崑 劇

4 5 6 一明清傳奇與當代崑劇