3 universal Patrice Pavis source culture target culture filters 4 Rustom Bharucha in-between voluntarism 5 6 Jacqueline Lo Helen Gilbert 3 Brian Singl

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1 10 Journal of Theater Studies 跨文化之後 : 從歐蘭朵到孟小冬前言 : 跨文化 Robert Wilson 1 2 interculturalism transculturalism * Orlando in Asia: Guoguang Opera Company s Collaboration with Robert Wilson and Its Outcome Association for Asian Performance D NTU

Opera Company s Collaboration with Robert Wilson and Its Outcome 2011 8 10

2 3 universal Patrice Pavis source culture target culture filters 4 Rustom Bharucha in-between voluntarism 5 6 Jacqueline Lo Helen Gilbert 3 Brian Singleton, Christopher Balme and Freddie Rokem, TRI s Cambridge Years: A Retrospect, Theatre Research International 35.3 (2010): Patrice Pavis, Theatre at the Crossroads of Culture (London: Routledge, 1992), pp multiculturalism voluntarism interculturalism is a voluntarist intervention circumscribed by the agencies of the State and the market. Rustom Bharucha, The Politics of Cultural Practice (Hanover: Wesleyan University Press, 2000), p Rustom Bharucha, Theatre and the World (London: Routledge, 1993), p

4 Patrice Pavis, Theatre at the Crossroads of Culture (London: Routledge, 1992), pp. 4-5.

3 7 8 interculturalism Richard Schechner intercultural international Culture of Choice 9 cross-cultural theatre cross cross-breed to cross someone double-cross 10 Christopher Balme 7 Jacqueline Lo and Helen Gilbert, Toward a Topography of Cross-Cultural Theatre Praxis, TDR 46.3 (2002): Patrice Pavis, Introduction: Towards a Theory of Interculturalism in Theatre? The Intercultural Performance Reader, ed. Patrice Pavis (London: Routledge, 1996), pp. 2, Richard Schechner, Interculturalism and the Culture of Choice: Richard Schechner interviewed by Patrice Pavis, The Intercultural Performance Reader, ed. Patrice Pavis (London: Routledge, 1996), pp Jacqueline Lo and Helen Gilbert, Toward a Topography of Cross-Cultural Theatre Praxis

The Intercultural Performance Reader, ed. Patrice Pavis (London: Routledge, 1996), pp. 2, 25.

4 syncretic theatre 11 interculturalism timeless the West and the rest Artaud Bertolt Brecht Peter Brook Mahabharata Ariane Mnouchkine techniques faith Christopher Balme, Introduction, Decolonizing the Stage: Theatrical Syncretism and Post- Colonial Drama (Oxford: Oxford University Press, 1999), pp Min Tian, Alienation-Effect for Whom? Brecht s (Mis)interpretation of the Classical Chinese Theatre, Asian Theatre Journal 14.2 (1997): A Collision of Cultures: Some Western Interpretations of the Indian Theatre, Asian Theatre Journal 1.1 (1984):

University Press, 1999), pp. 1-24. 12 Min Tian, Alienation-Effect for Whom?

5 The Theatre is Oriental Daphne P. Lei Waiting for Meaning Watermill Center We are waiting for Bob 15 HIT 1433 HIT hegemonic intercultural theatre brand name Hit HIT Daphne P. Lei, Waiting for Meaning: The Joint Venture of Robert Wilson, Jingju, and Taiwan, Alternative Chinese Opera in the Age of Globalization (New York: Palgrave Macmillan, 2011), pp Daphne P. Lei, Interruption, Intervention, Interculturalism: Robert Wilson s HIT Productions in Taiwan, Theatre Journal 63 (2011): HIT attitude of nonresistance sketchy script HIT -143-

6 17 一歐蘭朵 Virginia Woolf Vita Sackville-West

7 Darryl Pinckney Jutta Lampe Isabelle Huppert Miranda Richardson Robert Wilson & Hai-Ming Wei Orlando Daphne P. Lei, Waiting for Meaning: The Joint Venture of Robert Wilson, Jingju, and Taiwan, p

8 二身體之重 : 威爾森與魏海敏 Arthur Holmberg, The Theatre Of Robert Wilson (Cambridge: Cambridge University Press, 1996), p

9 27 28 inscription Daphne P. Lei, Waiting for Meaning: The Joint Venture of Robert Wilson, Jingju, and Taiwan, p

10 2=1 33?

11 三歐蘭朵到孟小冬 PAR

17 /

18 結論

19 Ferdinand Ortiz transculturation interculturalism Diana Taylor Transculturation sense of loss 63 agency Diana Taylor, Transculturating Transculturation, Interculturalism and Performance, ed. Bonnie Marranca and Gautam Dasgupta (New York: PAJ Publications, 1991), pp.62,

Taylor, Transculturating Transculturation, Interculturalism and Performance,

21 跨文化之後 : 從歐蘭朵到孟小冬 Robert Wilson 關鍵字 : 跨文化歐蘭朵威爾森孟小冬新編京劇 -159-

22 After the Intercultural Exchange: Guoguang Opera Company s Orlando and Meng Xiao-dong Hsiao-mei HSIEH Assistant Professor, Department of Drama and Theatre, National Taiwan University Intercultural/ transcultural as an aesthetic notion and artistic practice has been implemented in Taiwan for decades. The intercultural adaptation in Taiwan reached its peak as the internationally renowned director Robert Wilson collaborated with the Taiwanese Beijing opera diva Wei Hai-min and staged his Chinese Orlando in Taipei in The solo performance received mixed responses: While some argued that the production disclosed the incongruity of two entirely different aesthetics and discredited both the director and the actress, others maintained that a revolutionary work required a different way of seeing. Therefore, an investigation into the collaboration process is worthwhile, that is, how Robert Wilson and Guoguang Opera Company communicated with each other, how the Taiwanese playwright Wang An-qi tried to insert as much Beijing opera literary elements in an already established text as possible, and how the Beijing opera diva Wei adjusted herself to Wilson s aesthetic vision. It may not be a coincidence that in a year after the collaboration, the Guoguang production team came up with another semi-solo performance, Meng Xiao-dong. Based on the story of a Chinese theatre celebrity in the early 20th century, some dramatic aspects in Meng Xiao-dong such as the theme, language, reminiscent stream-of-consciousness narration, and the wide use of monologue seemed inspired by the experience of Orlando. Acknowledging the stake of intercultural exchange, this paper examines in what way the experience of intercultural collaboration has influenced Guoguang Opera Company, represented by its leading actress Wei Hai-min and its artistic director and playwright Wang An-qi, by comparing Orlando and Meng Xiao-dong to see how much they learned from this intercultural exchange. Keywords: Intercultural performance Orlando Robert Wilson Meng Xiao-dong New Bejing opera -160-

23 引用書目 D NTU PAR Balme, Christopher. Introduction. Decolonizing the Stage: Theatrical Syncretism and Post-Colonial Drama. Oxford: Oxford University Press, Bharucha, Rustom. A Collision of Cultures: Some Western Interpretations of the Indian Theatre. Asian Theatre Journal 1.1(1984): Theatre and the World. London: Routledge, The Politics of Cultural Practice. Hanover: Wesleyan University Press,

24 Holmberg, Arthur. The Theatre Of Robert Wilson. Cambridge: Cambridge University Press, Lei, Daphne P. Waiting for Meaning: The Joint Venture of Robert Wilson, Jingju, and Taiwan. Alternative Chinese Opera in the Age of Globalization. New York: Palgrave Macmillan, Interruption, Intervention, Interculturalism: Robert Wilson s HIT Productions in Taiwan. Theatre Journal 63(2011): Lo, Jacqueline, and Helen Gilbert. Toward a Topography of Cross-Cultural Theatre Praxis. TDR 46.3(2002): Pavis, Patrice. Theatre at the Crossroads of Culture. London: Routledge, Introduction: Towards a Theory of Interculturalism in Theatre? The Intercultural Performance Reader. Ed. Patrice Pavis. London: Routledge, Schechner, Richard. Interculturalism and the Culture of Choice: Richard Schechner interviewed by Patrice Pavis. The Intercultural Performance Reader. Ed. Patrice Pavis. London: Routledge, 1996: Singleton, Brian, Christopher Balme and Freddie Rokem. TRI s Cambridge Years: A Retrospect. Theatre Research International 35.3(2010): Taylor, Diana. Transculturating Transculturation. Interculturalism and Performance. Ed. Bonnie Marranca and Gautam Dasgupta. New York: PAJ Publications, Tian, Min. Alienation-Effect for Whom? Brecht s (Mis)interpretation of the Classical Chinese Theatre. Asian Theatre Journal 14.2(1997):

107 * 80 Katari Katari 80 Katari TAIPEI THEATRE JOURNAL 24 (2016) : School of Theatre, Taipei National University of the Arts

107 * 80 Katari Katari 80 Katari 107-132 TAIPEI THEATRE JOURNAL 24 (2016) : 107-132 School of Theatre, Taipei National University of the Arts 2016.3.29 2016.6.22 * 108 戲劇學刊 From Dialogue to Storytelling