Abstract: After the movement of invigorating the local culture, which originated in

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雕商革
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1 * ** Total War and Local Culture Discourses on the Local Culture in Taiwan, Revival of Taiwanese Culture, and Professors of the College of Liberal Arts and Law of Taipei Imperial University by LIU Shu-Chin Keywords: wartime, the organization in support of the royal monarchy, discourses on the local culture, gaichi literature, Taipei Imperial University, cultural revival Received: June 1, 2009; in revised form: April 8, * 学湾区満 NSC H MY3 ** scliu@mx.nthu.edu.tw

2 Abstract: After the movement of invigorating the local culture, which originated in

3 093 Japan, was enlarged to cover Taiwan, three streams of cultural discourses were respectively but also mutually evoked in Taiwan: the officially-made discourse on the local culture with the wartime spiritual construction of people as its primary objective, referring to the issue of shaping proper identities that would qualify people of the nation; the native discourse on the local culture mainly concerned about the subjectivity and modernity of Taiwanese culture, referring to the construction of the local subjectivity; the discourse on the gaichi culture made by the Japanese in Taiwan by taking into consideration their social circumstances and future vision, lying between the former two poles of cultural discourses. The divergent positions and patterns of discourses on the local culture in Taiwan inaugurated a space for the mediation and intervention of multiple streams of cultural power and furthermore buffered the effects of direct confrontation that might be provoked in an encounter between the cultural policy enforced by the ruling class and the local cultural circle. Cultural mobilization served as the general background of the cultural revival in Taiwan during World War II, which was the result of an interaction among the abovementioned three streams of cultural discourses. Professors of Taipei Imperial University interfered in surveys on the colonial development in the South and in researches on Taiwan, so they are involved in three kinds of the discourses and result in the impact on it. This paper attempts to explore the diverse cultural discourses in Taiwan through the following subtopics: (1) How did the various measures enforced in different phases of the movement of Japanese assimilation of the local culture influence the trend of localization in Taiwan? (2) How could the geopolitical changes aroused by military expansion and the cultural movement around the Ring of Pan-East-Asian Collective Prosperity launched by the Japanese Empire revitalize the given cultural position of a colony ranked under the imperial standards of categorization? How did the cultural elites in Taiwan appropriate the local cultural discourse in support of the royal monarchy in Japan to strive for wartime maintenance and empowerment of the local culture? (3) Under the operation of the native discourse on the local culture, what kinds of fruitful results were achieved during the wartime cultural revival in Taiwan? How did the ruling class eventually become aware of the strategies adopted by the native discourse on the local culture, which took advantage of the interstices within the official frame of cultural policies and later as a result was compelled to make amendments to its strategies in terms of the strictly modified cultural policies?

4 (4) During the period of transition from the homeland culture to the local culture in Taiwanese culture, as well as situated in a popular trend of constructing Taiwan as an academic subject of study officially espoused by the colonial government, what kind of role did professors of Taipei Imperial University perform? (5) During this period when an academic division of labor was effected under the cultural governance and the system of cultural mobilization, how did professors of the Department of Literature in Taipei Imperial University, as the lowest rank of the technical capital in the system of academic mobilization, interfere in different attitudes towards the support or governance of culture in Taiwan so as to become either the defender of cultural autonomy or the collaborator of cultural governance?

6 geopolitics

7 global localization 3 2 Rainer Tetzlaff Roland Robertson, Globalization : Social Theory and Global Culture, London : Sage, 1992.

8 glocalization 4 4 Arif Dirlik

12 湾将来

16 structure of feeling

18 湾発

20 湾発 21

21 湾湾検

24 対会

27 ambiguity

30 戦

31 Spectacle

32 戦 7 戦

35 戦争学

38 戦争変湾学湾学 ~ 湾発湾亜戦争学

39 湾総

42 VS. VS.

45 Academia

46 Academia

49 讃読

52 THE FORMOSA

53 THE CULTURES OF EMERGENCY: CULTURAL PRODUCTION IN TIMES OF TURMOIL

55 湾学

57 湾湾学

58 対団

61 151

63 153 Arif Dirlik (10) Rainer Tetzlaff (2) (2)

64 ) Spectacle ~

65 THE CULTURES OF EMERGENCY CULTURAL PRODUCTION IN TIMES OF TURMOIL Academia Academia ~ 2007

66 (7) 湾湾学対会 4(2) (1) (4) (1) (1) (3) 1989 戦讃 (3)

67 戦争学湾発湾亜戦争学湾総戦争変湾学湾学 2001 戦 7 戦 1936 読湾将来 2005 湾検湾対団 4(1) (3)

68 Roland Robertson, 1992, Globalization: Social Theory and Global Culture. London: Sage.

60 台灣社會學第九期 From Chinese Original Domicile to Taiwanese Ethnicity: An Analysis of Census Category Transformation in Taiwan Fu-chang Wang Instit

60 台灣社會學第九期 From Chinese Original Domicile to Taiwanese Ethnicity: An Analysis of Census Category Transformation in Taiwan Fu-chang Wang Instit 由中國省籍到台灣族群戶口普查籍別類屬轉變之分析王甫昌中央研究院社會學研究所這篇論文有兩個目的一是釐清台灣戶口普查中籍別類屬形成與轉變的歷史社會與政治過程二是定位籍別類屬在戰後台灣政治與社會體制中的意義與角色特別是它與當代台灣族群關係的關連針對第一個目的本文首先探究歷次戶口普查中籍別項目的統計類屬與統計方式之變化除了將籍別類屬變化區分為四個階段之外也經由歷史材料分析