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帐辩胥
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1 4 Journal of Theater Studies 懷舊的共同體與再合成的自我 : 1 金枝演社與臺灣春風歌劇團的新胡撇仔戲 Teri J. SILVIO Bert O. States 2 1 Narration and Genre Ann Gold Ilana Gershon Jane Goodman NSC H Bert. O. States, Great Reckonings in Little Rooms: On the Phenomenology of Theater (Berkeley: University of California Press, 1985), p.40. Theater is the medium, par excellence, that consumes the real in its realest forms: man [sic], his language, his rooms and cities, his weapons and tools, his other arts, animals, fire, and water even, finally, theater itself. Its permanent spectacle is the parade of objects and processes in transit from environment to imagery. -45-

States, Great Reckonings in Little Rooms: On the Phenomenology of Theater (Berkeley: University of California Press, 1985), p.40.

3 金枝演社 Jerzy Grotowski

4 Robert Wilson

5 Part Part 2 拼貼與時空觀

6 Teri Silvio, First as Farce, Then as Tragedy: Popular Allegory and National Analogy in Contemporary Taiwanese Opera, Taiwan Journal of Anthropology 3.2 (December 2005):

7 SM TACO TACO

8 TORO 創造懷舊的角色 10 Part

9 ˇ ˇ

10 Jingmin Part blogspot.com/2007/08/part-2.html. -54-

11 15 Baby TACO Cute Stupid! Sexy Sexy Sexy

12 Video Richard Dyer Richard Dyer, Monroe and Sexuality, Heavenly Bodies: Film Stars and Society (London, MacMillan Press, 1986), pp

13 通過展演性 (performativity) 創造共同體 Part Part

15 J.L.Austin performativity 21 臺灣春風歌劇團 fannish 21 J.L. Austin, How To Do Things With Words (Oxford: Oxford University Press, 1975). -59-

16 Seven Days Commedia del Arte 時空觀和角色 : 古老的後現代性 vs. 懷舊的現代性 Carlo Goldoni,

17 24 24 Ranjit Bolt, Introduction to The Venetian Twins and Mirandolina, by Carlo Goldoni, translated by Ranjit Bolt (London: Oberon Books, 2003), p

18 otaku 25 fujoshi BL BL (Boys Love) Coser Otaku

19 Jeff 2007 Google

20 BL 寫實並不自然 ; 寫意並無疏離感

21 BL BL ZephyrOpera/ ( 2008 )

22 30 在宅男 / 腐女世代中的個人和共同體

23 reflexive humor

24 34 35 consensus 結論

25 Samuel Beckett Richard Dyer -69-

26 36 Frederic Jameson pastiche Richard Dyer, Only Entertainment (London: Routledge, 1981), p. 18. Entertainment presents, head-on as it were, what utopia would feel like rather than how it would be organized. -70-

27 懷舊的共同體與再合成的自我 : 金枝演社與臺灣春風歌劇團的新胡撇仔戲 Teri J. SILVIO, 關鍵詞 : 歌仔戲胡撇仔戲金枝演社台灣春風歌劇團懷舊性別 -71-

28 The Nostalgic Community and the Reintegrated Individual: The New Opeila Performances of the Golden Bough Theater and the Formosa Zephyr Opera Troupe Teri J. SILVIO This article compares the new opeila performances of the Golden Bough Theater and the Formosa Zephyr Opera Troupe. New opeila does not merely recreate the style of temple festival opera, but cites particular elements of opeila s bricolage and places them within a new discursive context. This article compares how these two troupes blend temple festival opera and avant-garde theater in different ways, paying particular attention to how the actors create characters and to the relationships among the imaginary world on stage, the organization of the acting troupe, and contemporary Taiwanese society. The Golden Bough Theater is an avant-garde theater which draws on temple festival opera, while the Zephyr Troupe is a Taiwanese opera troupe which draws on avant-garde theater. Golden Bough sees opeila as a local and working class theater; the Zephyr Troupe sees opeila as a subcultural women s theater. While Golden Bough seeks to create a nostalgic world emphasizing the values of simplicity and harmony, the Zephyr Troupe seeks to integrate the ancient and post-modern and reconstruct a more holistic sense of self. For both troupes, the spirit of opeila represents a kind of freedom that is receding from the lives of contemporary middle-class Taiwanese. Key words: gezaixi opeila Golden Bough Theater Formosa Zephyr Opera Troupe nostalgia gender -72-

29 徵引書目 ZephyrOpera/ Part Jingmin: Part Austin, J.L.. How To Do Things With Words. Oxford: Oxford University Press, Bolt, Ranjit translated. The Venetian Twins and Mirandolina. by Carlo Goldoni. London: Oberon Books, Dyer, Richard. Only Entertainment. London: Routledge, Heavenly Bodies: Film Stars and Society. London, MacMillan Press, Silvio, Teri. First as Farce, Then as Tragedy: Popular Allegory and National Analogy in Contemporary Taiwanese Opera. Taiwan Journal of Anthropology 3.2 (December 2005): States, Bert. O. Great Reckonings in Little Rooms: On the Phenomenology of Theater. Berkeley: University of California Press,

30 -74-

Scenario

00 做活戲的幕後推手 : 臺灣歌仔戲知名講戲人及其專長前言 Commedia dell Arte Scenario Marvin T. Herrick, Italian Comedy in the Renaissance, Chapter the Commedia dell Arte and Learned Comedy, Freeport, New York: