單元 2:2 月 20 日 ( 四 ) 14:00 ~ 17: 年以來的世界博覽會 John Allwood, The great exhibitions, London 1977 London 1851, Paris 1855, 1867 and 1889 A short chara

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1 18-20 世紀的西方建築與藝術工藝 Architecture and applied arts from the 18 th till the 20 th century:classicism, historicism, Art nouveau, modernism, architecture of tolitarism 授課教師 :Christoph Hölz 上課時間 :103 年 2 月 17 日 ~ 103 年 4 月 8 日週 ( 二 ) 上午 10:00-1:00 ( 四 ) 下午 2:00-5:00 上課地點 : 藝術史研究所 406 教室一教學目標深入瞭解世紀工藝藝術和現代西方建築的發展與風格特色, 包括相關的工藝與建築理論重要的建築師及其作品歷史主義與現代性的相互激盪工程科技對現代建築的影響, 以及工藝建築與生活國際性與本土性的對比等等重要議題, 增進對工藝藝術與現代建築風格分析與詮釋之能力深入瞭解世紀世紀西方藝術工藝的發展各流派特色以及重要議題 : 包括藝術與工藝運動及其理論, 世界博覽會的初始與後繼博覽會之情況, 新藝術包浩斯以及裝飾藝術與生活之關係, 以及國家文化政策對工藝藝術的影響等等, 以增進工藝藝術作品的風格分析與鑑識能力二教學進度與主題單元 1:2 月 19 日 ( 三 ) 9:00 ~ 12:00 十八世紀至二十世紀的藝術與工藝導論 Michael Snodin and John Styles, Design and the Decorative Arts: Britain , London, V&A Publications, 2001 Nikolaus Pevsner, From William Morris to Walter Gropius, Pioneers of Modern Design,1949 Christoph Hölz, Luxus, Moden, Interieurs. Das Kunsthandwerk zwischen Prunk und Strenge, in: Andreas Beyer (Hg.), Klassik und Romantik , Geschichte der bildenden Kunst in Deutschland, Bd. VI, Prestel-Verlag, München 2006, S (only in German)

2 單元 2:2 月 20 日 ( 四 ) 14:00 ~ 17: 年以來的世界博覽會 John Allwood, The great exhibitions, London 1977 London 1851, Paris 1855, 1867 and 1889 A short characterization of each exhibition: What was new in these exhibitions? Which innovations were adopted permanently? 單元 3:2 月 21 日 ( 五 ) 14:00~17:00 專題演講 :To the development of architecture and applied arts since Interaction and fractions. 單元 4:2 月 26 日 ( 三 )9:00~12:00 十九世紀 ( 社會文化科技綜覽 ) Nikolaus Pevsner, An Outline of European Architecture, 1943 Barry Bergdoll, European architecture , Oxford University Press, 2000 單元 5:2 月 27 日 ( 四 )14:00~17:00 Gottfried Semper 和他的時代以及英國的藝術與工藝運動 :William Morris 與 John Ruskin Nikolaus Pevsner, From William Morris to Walter Gropius, Pioneers of Modern Design, 1949 Wendy Kaplan, The Arts and Crafts Movement in Europe and America. Design for the Modern World, London, Thames & Hudson 2004 Harry Francis Mallgrave, Gottfried Semper. Architect of the Nineteenth Century, Yale University Press, New Haven/London 1996

3 Try to describe and characterize one of Semper s buildings (which one is up to you): what s new, what s traditional? Short portraits of William Morris ( ) and John Ruskin ( ): their life, their artistic goals. 單元 6:2 月 28 日 ( 五 )14:00~17:00 專題座談 :1850 年以降的維也納單元 7:3 月 05 日 ( 三 )9:00~12:00 比利時新藝術運動 :Victor Horta 與 Henry van de Velde Françoise Aubry, Christine Bastin and Jacques Evrard, The Brussels of Horta, Ludion Ghent 2007 Barry Bergdoll, Victor Horta, in: The Burlington magazine, , p The Hôtel Solvay ( ) and the House Bloemenwerf (1895) in Brussels. Differences and similarities in the work of the two Belgian artists? 單元 8:3 月 07 日 ( 五 )9:00~12:00 境外教學 : 表現主義與裝飾藝術 Charlotte Benton, Tim Benton and Ghislaine Wood (Ed.), Art Déco / Victoria & Albert Museum, London V&A Publications, 2003 John R. Clarke, Expressionism in film and architecture : Hans Poelzig's sets for Paul Wegener's 'The Golem', in: The Art journal, /75, p Katharine Morrison McClinton, Emile-Jacques Ruhlmann, master of Art Deco, in: Apollo, , p Pierre Chareau : la Maison de verre, , Paris, Place, 2001

4 Maison de Verre as bachelor machine /Kenneth Frampton, in: Kenneth Frampton, Labour, work and architecture : collected essays on architecture and design, Phaidon Press, Art Déco as a national French Style:The Exposition Internationale des Arts décoratifs et industriels modernes in Paris 1925 Emile-Jacques Ruhlmann ( ), Pierre Chareau ( ) and Robert Mallet-Stevens ( ) three leading figures of Art Déco Expressionism as a new German Style: The Deutsche Gewerbeschau [Exhibition of German Crafts] in Munich 1922 German Expressionism and Film The Golem by Paul Wegener und Carl Boese, 1920 (film set by Hans Poelzig) Das Cabinett des Dr. Caligari by Robert Wiene, 1920 (film set by Walter Reimann) Nosferatu by Friedrich Wilhelm Murnau, 1921/22 (film set by Albin Grau) 單元 9:3 月 12 日 ( 三 )9:00~12:00 建築的國際和本土傾向 : 巴黎倫敦柏林維也納 Roger Dixon und Stefan Muthesius, Victorian Architecture, London 1978 David Jordan, Transforming Paris: the life and labours of Baron Haussmann, New York, The Free Press 1995 Carl E. Schorske, Vienna. Fin-de-siècle, politics and culture, Princeton University Press 1980 Transforming the medieval town into the modern Metropolis : four European capitals. Chose one of them and describe the main changes in city planning between 1800 and 單元 10:3 月 14 日 ( 五 )9:00~12: 年左右的生活改革 (Lebensreform) 蘇格蘭 ( 格拉斯哥 ) 及英國的新藝術運動

5 Wendy Kaplan (Ed.), Charles Rennie Mackintosh / Glasgow Museums, New York 1996 Peter Vergo, A thoroughly modern afternoon (Charles Rennie Mackintosh and the Music Room for Fritz Wärndorfer in Vienna 1902), Munich 2000 Kai Buchholz, Rita Latocha e.a. (Ed.), Die Lebensreform: Entwürfe zur Neugestaltung von Leben und Kunst um 1900, Exhibition catalogue, Institut Mathildenhöhe Darmstadt, 2001 (only in German) Liberation from the negative side of the bourgeois dwelling, a new diet, outdoor exercise, nudism: towards the end of the 19 th century, various groupings in Germany called for a reform of life. Short portraits of The Glasgow Four : Charles Rennie Mackintosh ( ) Margaret MacDonald Mackintosh ( ) Frances MacDonald ( ) James Herbert MacNair ( ) 單元 11:3 月 19 日 ( 三 )9:00~12:00 Otto Wagner Hendrik Petrus Berlage Frank Lloyd Wright Sergio Polano (Ed.), Hendrik Petrus Berlage : opera completa, Milano, Electa 1987 Frank Lloyd Wright: the houses, photogr. by Alan Weintraub, Text by Alan Hess and Kenneth Frampton, New York, Rizzoli 2005 Harry Francis Mallgrave (Ed.), Otto Wagner: Modern Architecture. A guidebook for his students to this field of art, Santa Monica 1988

6 Try to describe and characterize one of Wagner s, Berlage s or Wright s buildings: what s new, what s traditional. For example: Post Office Savings Bank ( Postsparkasse ) by Otto Wagner, 1904 Exchange in Amsterdam by H.P. Berlage, Frederick C. Robie House in Chicago/USA by F.L. Wright, A slightly more difficult theme: Read the text by Otto Wagner and give a short summary of his view towards a new architecture Otto Wagner: Modern Architecture [1st edition 1896/ 2nd 1898/ 3rd 1902/ 4th ed. with a new title: Die Baukunst unserer Zeit (The architecture of our time) 1914], in: Harry Francis Mallgrave (Ed.), Otto Wagner: Modern Architecture. A guidebook for his students to this field of art, Santa Monica 1988 單元 12:3 月 21 日 ( 五 )9:00~12:00 法國 ( 巴黎南錫 Nancy) 西班牙 ( 巴塞隆納 ) 義大利 ( 米蘭烏迪內 Udine) 東歐 ( 俄國匈牙利 ) 斯堪地那維亞 ( 丹麥芬蘭 ) 的新藝術運動 Isabel Artigas, Antoni Gaudí: complete works, Cologne, Taschen, 2007 János Szirmai, Ö dön Lechner and his followers: Hungarian architecture, in: Patrick Nuttgens (Ed.), Mackintosh & his contemporaries in Europe and America, London 1988, p Princeton/N.J., Univ. Press 1978 Winfried Nerdinger (Ed.), 100 Jahre Deutscher Werkbund , exhibition catalogue, Munich 2007 (only in German, lots of illustrations) Frederic J. Schwartz, The Werkbund. Design Theory and mass culture before the first world war, New Haven/London 1996 Writing a short portrait of a leading figure of European Art Nouveau and explain his importance, for example: Héctor Guimard ( ) in Paris/France Emile Gallé ( ) in Nancy/France René Lalique ( ) in Paris/France

7 Raimondo d Aronco ( ) in Turin/Italy Antoni Gaudí ( ) in Barcelona/Spain Eliel Saarinen ( ) in Helsinki/Finland Ö dön Lechner ( ) in Budapest/Hungary 單元 13:3 月 26 日 ( 三 )9:00~12:00 德意志製造聯盟 (Der Deutsche Werkbund) ( 成立於 1907 年的建築師藝術家工業家所組成的聯盟 ) Magdalena Droste, Bauhaus , Taschen, Cologne 1990 Christopher Wilk (ed.), modernism Designing a new world, Victoria & Albert Museum, London 2006 Le Corbusier et Pierre Jeanneret, oeuvre complete, vol 2 ( ), Zurich 1935 Try to describe and characterize one of the following houses: House Gropius in Dessau/Germany by Walter Gropius, 1925/26 Villa Savoye in Poissy near Paris/France by Le Corbusier, House Tugendhat in Brünn/Czech Repubic by Mies van der Rohe, 1929/30 Art Déco as a national French Style:The Exposition Internationale des Arts décoratifs et industriels modernes in Paris 1925 Emile-Jacques Ruhlmann ( ), Pierre Chareau ( ) and Robert Mallet-Stevens ( ) three leading figures of Art Déco Expressionism as a new German Style: The Deutsche Gewerbeschau [Exhibition of German Crafts] in Munich 1922 單元 14:3 月 28 日 ( 五 )9:00~12:00 一次大戰後的新建築 (Neues Bauen) 1922 年以來的國際風格納粹政權下的藝術與工藝 Christopher Wilk (ed.), modernism Designing a new world, Victoria & Albert Museum, London 2006

8 Reyner Banham, Theory and Design in the first Machine Age, rev. ed., Oxford 1999 Le Corbusier, Towards an Architecture.Translated by John Goodman, Los Angeles: Getty Research Institute, 2007 John Allwood, The great exhibitions, London 1977 The Exhibition The International Style: Architecture Since 1922 in the Museum of Modern Art MoMA in New York by H.R. Hitchcock and Philipp Johnson, 1932 The new city: from the Plan Voisin for Paris by Le Corbusier (1925) to the CIAM (founded 1929) The new interior: for example chairs by Stam, Mies, Breuer or Le Corbusier (metal chairs Sitting on air ) World Exhibition in Paris 1937 and the German Pavillion by Albert Speer 單元 15:4 月 02 日 ( 三 )9:00~12:00 德國建築 : 新地方主義 (New Regionalism)- 以蒂羅爾州 (Tyrol) 和阿爾卑斯山區現代建築之肇始為主 Christopher Wilk (ed.), modernism Designing a new world, Victoria & Albert Museum, London 2006 Dawn Ades (Ed.), Art and Power. Europe under the dictators , Stuttgart 1995 Winfried Nerdinger (Ed.), Bauen im Nationalsozialismus [Building during the National Socialism], Munich 1993 (only in German) Brian Brace Taylor, The word in stone: The Role of Architecture in the National Socialist Ideology, University of California Press 1974 From the white modern to a new regionalism. Three examples: House de Mandrot in Le Pradet/Provence, France by Le Corbusier, 1931 Villa Mairea in Noormarkku/Finland by Alvar Aalto, House Gropius in Lincoln/Massachusetts, USA by Walter Gropius, 1937/38 Building Styles during the National Socialism between International Classicism and Regionalism.

9 Hitler s architects: Paul Ludwig Troost, Hermann Giesler, Albert Speer, Wilhelm Kreis, Clemens Klotz, Paul Bonatz, Roderich Fick 單元 16:6 月 25 日 ( 三 ) 境外教學 : 德國新藝術運動 ( 青春式樣 Jugendstil )( 慕尼黑達姆施塔特 Darmstadt):1897 年慕尼黑第七屆國際藝術展覽會 1900 年巴黎世界博覽會 Kathryn Bloom Hiesinger, Art Nouveau in Munich. Masters of Jugendstil, Munich, Prestel 1988 Short presentation of the following exhibitions: VII. International Art Exhibition in Munich 1897 World Exhibition in Paris 1900 Exhibition Ein Dokument deutscher Kunst [A document of German Art] Darmstadt 1901 單元 17:6 月 26 日 ( 四 ) 境外教學 : 奧地利新藝術運動 ( 維也納 ) Carl E. Schorske, Vienna. Fin-de-siècle, politics and culture, Princeton University Press 1980 Kirk Varndoe, Vienna 1900: Art and Architecture, Museum of Modern Art, New York 1986 Formulation of an outline of the following institutions and their aims: The Wiener Secession 1897 The Wiener Werkstätte A Viennese export: The Palais Stoclet in Brussels by Josef Hoffmann and Gustav Klimt,

10 單元 18:6 月 27 日 ( 五 ) 境外教學 : 奧地利新藝術運動 ( 維也納 ) Carl E. Schorske, Vienna. Fin-de-siècle, politics and culture, Princeton University Press 1980 Kirk Varndoe, Vienna 1900: Art and Architecture, Museum of Modern Art, New York 1986 Formulation of an outline of the following institutions and their aims: The Wiener Secession 1897 The Wiener Werkstätte A Viennese export: The Palais Stoclet in Brussels by Josef Hoffmann and Gustav Klimt, 三參考書目 Reyner Banham, Theory and Design in the first Machine Age, rev. ed., Oxford 1999 Francis D.K. Ching e.a., A Global History of Architecture, Wiley, London 2006 Mike Chrimes, Civil engineering A photographic history, Gloucestershire 1991 William Curtis, Modern Architecture since 1900, new and revised edition, London 1996 Roger Dixon und Stefan Muthesius, Victorian Architecture, London 1978 Michael Fazio e.a., A World History of Architecture, London 2003 Kenneth Frampton, Modern Architecture: A Critical History, London 1980, 4th edition London, Thames & Hudson 2007 Siegfried Giedion, Mechanization Takes Command, a contribution to Anonymous History, Oxford 1948

11 Siegfried Giedion, Time, Space and Architecture: the growth of a new tradition, Oxford 1944 Nikolaus Pevsner, From William Morris to Walter Gropius, Pioneers of Modern Design, 1949 (various new editions and translations) Nikolaus Pevsner, A History of Building Types, Princeton N. J Nikolaus Pevsner, An Outline of European Architecture, 1943 Antoine Picon, Architectes et ingénieurs au siècle des lumières, Marseille 1988, English edition: French architects and engineers in the age of the enlightenment, Cambridge Studies in the History of Architecture, Cambridge University Press 1992 Antoine Picon, L'art de l'ingénieur Constructeur, entrepreneur, inventeur, Paris 1997 Carl E. Schorske, Vienna. Fin-de-siècle, politics and culture, Princeton University Press 1980 Klaus-Jürgen Sembach, Art Nouveau Utopia: Reconciling the Irreconcilable, Köln Carol Strickland, The Annotated Arch: a crash course in the History of Architecture,Kansas City 2001 Kirk Varndoe, Vienna 1900: Art and Architecture, Museum of Modern Art, New York 1986 Peter Vergo, A thoroughly modern afternoon (Charles Rennie Mackintosh and the Music Room for Fritz Wärndorfer in Vienna 1902), Munich 2000 Christopher Wilk (ed.), modernism Designing a new world, Victoria & Albert Museum,London 2006

Nikolaus Pevsner, An Outline of European Architecture, 1943 Barry Bergdoll, European Architecture , Oxford University Press, 2000 單元 5:10 月 2

Nikolaus Pevsner, An Outline of European Architecture, 1943 Barry Bergdoll, European Architecture , Oxford University Press, 2000 單元 5:10 月 2 歷史主義與現代性 : 現代建築的發展 ( 十八至二十世紀的建築 ) Historism and Modernity: The development of a modern architecture (Architecture from the 18 th to the 20 th century) 上課時間 :97 年 9 月 19 日 ~ 97 年 11 月 28 日週三 9:00~12:00