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1 * DOI: /j.cnki.cn /i Margaret Drabble The Waterfall 2002 The Seven Sisters * CWW014 91

2 } contradiction permutation short circuit 6 8 liar paradox

6 Candida Candid 瑏瑡瑏瑢瑏瑣 18 瑏瑤 96

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9 Nora Foster Stovel Book Reviews in The International Fiction Review p Patricia Waugh Metafiction The Theory and Practice of Selfconscious Fiction London Routledge 2003 p. 2. David Lodge The Art of Fiction London Vintage 2011 瑏瑥 p Linda Hutcheon Narcissistic Narrative The Metafictional Paradox London Methuen 1984 p. 1. 瑐瑠 Patricia Waugh Metafiction The Theory and Practice of Selfconscious Fiction p 瑏瑡 Margaret Drabble The Waterfall New York Penguin 瑏瑢瑏瑣瑏瑤瑏瑦 Books 1971 p Stan Fogel and Gordon Slethaug Understanding John Barth Columbia University of South Carolina 1990 pp Patricia Waugh Metafiction The Theory and Practice of Selfconscious Fiction p 瑏瑧 134. Patricia Waugh Metafiction The Theory and Practice of Self-conscious Fiction p 瑏瑨 Margaret Drabble The Seven Sisters London Penguin Books 79 Ltd p 瑏瑩 David Lodge The Novel Now ed. Mark Currie Metafiction London Longman 1995 p Linda Hutcheon Narcissistic Narrative The Metafictional Paradox p

10 any choice. Then the article proceeds to analyze the different facets of this spiritual condition and argues that Steerforth is at the same time a Byronic hero a dandy in the Carlylean sense and a doubly-orphaned child. The discussion culminates in the argument that the journey through despair to affirmation is the essential theme in a Bildungsroman like David Copperfield. The completion of David s Bildung requires him to realize that he is also affected by despair that he needs to be disillusioned from his childhood hero Steerforth and finally that he needs to ask himself the fundamental existential question Who I am In the end the article discusses the plot of David s two marriages and questions the way in which Dickens uses the plot to complete David s quest for identity. Law Justice and Christian Love in King Lear FENG Wei In King Lear the king is both the symbol of justice and the source of law. However as both the biggest land owner and the sovereign of England King Lear craves love more than anyone else at the moment when he resigns from his rule. This paper argues that both law and justice must be based upon power and violence while love must be unconditional that both law and justice serve as the foundations of a nation and a society while love exists between individuals that law presupposes self-autonomy while love demands self-denial and self sacrifice that law and justice are reciprocal but love is self-transcendence and rejects the cause-and-effect logic. The tension among law justice and love runs throughout this great Shakespearean tragedy. The Rural Space in Virginia Woolf s Fiction and Its Cultural Implications QI Liang Woolfian Studies mostly focus on Woolf s representation of the city ignoring her portrayal of the country. Taking Mrs Dalloway Orlando and The Years as examples the present thesis intends to examine the rural space in Woolf s fiction and its cultural implications. The rural image and atmosphere in Woolf s fiction is related on the one hand to the pastoral tradition in English culture and on the other to the intellectuals rethinking of England s national identity in the face of British Empire s decline. Exhibiting to its full the harmonious relationship between man and nature and between men themselves rural space in Woolf s fiction is set in prominent contrast to the oppressive metropolitan culture that serves to highlight and maintain the authority of the Empire and is therefore an effective anti-colonial writing strategy for Woolf. Metafictional Strategies in Margaret Drabble s The Seven Sisters WANG Taohua Margaret Drabble employs a variety of metafictional strategies in her novel The Seven Sisters disclosing the writing process by showing the inconsistency among different parts and sentences to expose their fictionality changing points of view and employing unreliable narrators to show the linguistic construction of the novel parodying the traditional journalistic form and classic heroic romance to deconstruct the nar- 155

11 rative conventions and break up the readers expectations. All these metafictional strategies show Drabble s understanding of the postmodern novels as well as the world while they also expose the difficulties confronted by modern women. Phantasy of Metaphor Eating Disorder as Political Antagonism in The Edible Woman and Lady Oracle WANG Yunqiu Eating disorder is a kind of neurosis that can be divided into anorexia and bulimia. Though emerging in the 19th century anorexia gained its attention with the rise of North American Feminism in the 20th century while bulimia received its reputation as anorexia s ugly sister twenty years later. Compared with physical illness which gained its own value of metaphor through symbolization anorexia born as the representation of the discontinuity of individual and society was a byproduct of the power system. With the further development of feminism this kind of neurosis became a discourse strategy and incurred an antagonistic discourse bulimia. The present essay aims to disclose such discourse strategies in Margaret Atwood s The Edible Woman and Lady Oracle. An Exploration of the Phenomenon of Trauma Transfer in Extremely Loud and Incredibly Close WANG Jianhui This article explores the phenomenon of trauma transfer that occurs in Foer s 9 /11 Novel Extremely Loud and Incredibly Close the major features the representation of this phenomenon in the novel and the trend of thought reflected in post-9 /11 American literature hopefully to arouse attention to this phenomenon in the academic field. Homer s Invocation An Interpretation of the Proem of the Iliad LIU Qilin The Iliad begins with a proem I. 1-7 that makes clear the purpose and main theme of this epic. Wrath the central theme of the Proem sorrow strife Zeus will and other related themes together constitute the inner composition and ideological implication of the epic crucial to the understanding the purport of the whole text of the Iliad. By studying and interpreting the Proem in the epic and the history of early Greek thought the present paper aims to exhibit the unique implication of Homer prayed Goddess to sing the wrath of Achilles namely to extol the ideology of honor in heroic ethic and shame-culture and thus reveals that the Iliad is a world intending to recover order. 156

despair anxiety Angst Rosa Dartle

despair anxiety Angst Rosa Dartle Byronic hero Thomas Carlyle DOI:10.16345/j.cnki.cn11-1562/i.2015.04.008 Steerforth Yarmouth Peggotty 1 Banquo 66 330 2 153 317 97 despair anxiety Angst 317 297 300 300 Rosa Dartle 303 67 2015 4 140 Mrs.