( CIP) : /. - :, 2005. 8 ( ) ISBN 7-80190 - 545-8......... -. I01 CIP ( 2005) 027311 / : / / / 10 / 100005 / http: / / www. ssap. com. cn / ( wuyunsky@ shou. com) / / / / ( 010) 65139961 65139963 / / ( 010) 65285539 / / / / 880 1230 1 /32 / 9. 5 / 205 / 2005 8 1 / 2005 8 1 / 1-3000 / ISBN 7-80190 - 545-8 / B 061 / 20. 00,
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Contents Pre fa ce Liang Yiru / 1 Abstra cts 1 Cha pte r Na scence of Vangua rd 7 Se ction 1 Re search of Gene alogy of Vanguard 9 1 Evolution of Vanguard 9 2 Vanguard in China 14 Se ction 2 Diffe re nce s and Similarities Betwe e n Vanguard and Mode rnis m 18 1 Similarities 19 2 Differences 22 Se ction 3 Social and Cultural Background of Vanguard 26 1 Alienation Phenomena 26 2 Modernity of Aesthetics 34 1
Se ction 4 Philosophical Foundation of Vanguard 40 1 Ration and Irration 41 2 Affirmation and Negativeness 45 3 Ethics and Religion 48 4 Modernity and Postmodernity 49 5 Linguistic Turn 52 Cha pte r Aesthetic Chara cte ristics of Va nguard: Aes thetics of the Ugly 55 Se ction 1 Scanning Ae sthe tics of the Ugly 56 1 Consciousness of the Ugly in China 56 2 Aesthetics of the Ugly in the West 65 3 Definition of Aesthetics of the Ugly 72 Se ction 2 Ae sthe tics of the Beauty and Ae sthetics of the Ugly 74 1 Aesthetics of the Beauty of Contemporary Literature and Art 74 2 Emergence of Aesthetics of the Ugly in China 78 Se ction 3 Type s of Ae sthe tics of the Ugly of Vanguard 82 1 The Ugly in Nature 85 2 The Ugly in Psychology 96 3 The Ugly in Behavior 101 2
Cha pte r S ign System of Va ngua rd 147 Se ction 1 Narration and Inne r-vie wpoint 151 1 Viewpoint of Narration 151 2 Sensory Narration 156 Se ction 2 Trans form and Grote sque 158 1 Transform 158 2 Grotesque 164 Se ction 3 Inte rtextuality and M eta - Narration 172 1 Intertextuality 172 2 Meta-narration 177 Se ction 4 Irony and Parody 181 1 Irony 181 2 Parody 187 Se ction 5 Writing Ways of Dictionary and Re velry 192 1 Writing Way of Dictionary 192 2 Writing Way of Revelry 193 Cha pte r A Kind of New Vie w of Dra ma 197 Se ction 1 Pan-trage dy 199 1 Evolution of View of Modern Tragedy 199 2 Lowering Sorrow through Comedy 203 Se ction 2 Pan-come dy of Irony 207 1 Comedy of Irony 208 2 Comedy of Absurd 213 3
Cha pte r Axiology of Va nguard 229 Se ction 1 Ae sthe tic Ideal of Vanguard Write rs 230 1 Education of Aesthetics of the Ugly 230 2 Wrong Path of Freedom 238 Se ction 2 Acce ptance of Aesthe tics of the Ugly of Vanguard 240 1 Meaning of Negation of the Ugly 240 2 Aesthetics of Acceptance and Aesthetics of the Ugly of Vanguard 242 Se ction 3 The Nationality of Forms of Vanguard 247 1 Nationality Language and Psychology 248 2 Symbol of Super Criterion and Image 252 3 Genre Delamination and Cultural Sign 257 Se ction 4 Anthropological Meaning of Vanguard 261 1 Anthropological Essence of Vanguard 261 2 Meaning of Aesthetics of the Ugly about Death 265 Refe re nce 268 Posts cript 278 4
Abstr acts The vanguard-literature-art, which has been transformed the aesthetic mentality and psychology of the whole nationality has come into being in the last 20 years of the 20th century, so-called the New Period after the Chinese Culture Revolution. From the beginning of the New Period, the academic field including aesthetic field has been on research abundantly on the western modernism or vanguard-literature-art, and the conclusion of which from these aspects are imperturbable and scientific owing to these demesnes far away from our environment. But it is rare that comprehensive and scientific researches of Chinese modernism or vanguard-literature-art in the New Period are critic or informal studies from the aesthetic angle. On one aspect, it has close relation with the subtle situation of our existence, and it is clear that a little right has been acquired only to study modernist or vanguard-literature-art introduced into China just from called modern school in stead of the derogatory term from the beginning. On the other aspect, we, the researchers, should also have the academic 1