2 0 1 4 3 Mar. 2 0 1 4 4 3 2 Journal of Shanghai Normal UniversityPhilosophy & Social Sciences Edition Vol. 43 No. 2 J90 A 1004-8634201402-0078-12 10075 1 X 2 707 2013-07-30 78
El Cid First Knight 707 3 Roger Scruton Kendall L. Walton Patrick Maynard 4 5 79
X X X X X X X 6 80 2 2014
20 80 mud hut Star Trek The Fantastic Four20 80 Matt Elson Lotta Desire Virtually Yours 7 8 X 1. X 2. X 9 10 707 瑏 瑡 81
20 40 瑏 瑢 Francis Sparshott 瑏 瑣 82 2 2014
瑏 瑤 瑏 瑥 Roman Ingarden 瑏 瑦 Band of Ninjas Michael Snow One Second in Montreal So is this Hollis Frampton Poetic Justice 83
X 1. 2. A Streetcar Named Desire 84 2 2014
Ping Chong Kindness Robert 8 Douglas Dunn 101 瑏 瑧 100 / - Jean - Marie Straub Daniele Huillet History Lessons Fortini - 瑏 瑨 Stanley Cavell Erwin Panofsky Eastwood Paul Scofield Nosferatu Baryshnikov 瑐 瑠 Callas Sam Spade 瑐 瑡 Bogart Gilette Altman Ready to Wear 瑏 瑩 Cani Yvonne Rainer / Journeys from Berlin Perry Mason Pulp Fic- O Neill tion Le Chatean des Pyrenees 85
The libation The Warden Rosalind As you like it James Cagney Cagney Cody Raoul Walsh 86 2 2014
Harry Smith Malcolm LeGrice1970 Moby Dick X 1. X 2. X 3. X 4. X X 87
2 2014 Arlene Croce The Fred Astaire and Ginger Rogers Book Astaire Rogers 瑐 瑢 19 瑐 瑣 1 2 3 Theorzing the moving Image 4 Depiction X X 5 88 Hugh Gray Conerning Uniqueness Claim for Photographic and Cinematographic Representation Roger Scruton Photography and Representation Kendall L. Walton Transparent PicturesOn the Nature of Photographic Realism Patrick Maynard Drawing and shootingcauslity in Looking Again through Photographs Kendall Walton On Seeing Walton s Great - Grandfather Edwin Martin Critical Inquiry 12 no. 4Summer 1986. David Lewis Veridical Hallucination and Prosthetic Vsion E. M. Zemach Seeing Seeing and Feeling 6
7 Robin Baker Computer Technology and Special Effects in Contemporary Cinema 8 Virtual Studio Computers Come to Tinseltown 10 Fred M. Sersen Making Matte Shots Christopher Finch Special EffectsCreating Movie Magic 瑏 瑡 Francoise Gilot Carlton Lake Life with Picasso 瑏 瑢 Nigel Warburton Seeing Through Seeing Through Photographs Gregory Currie Photography Painting and Perception 瑏 瑣 F. E. Sparshott Vision and Dream in the Cinema 瑏 瑤 Cynthia Freeland Tom Wartenberg David Bordwell Arthur Danto Stephen Davies Jerrold Levinson Alan Sidelle 瑏 瑥 Arthur Danto Moving Pictures 瑏 瑦 Roman Ingarden On the Borderline between Lierature and Paingting 瑏 瑧 Sally Banes Terpsichore in Sneakers Noel Carroll Douglas Dunn 308 Broadway 9 瑏 瑨 Stanley Cavell The World Viewedeflections on the Ontology of Film Erwin Panofsky Style and Medium in the Motion Pictures 瑏 瑩 Richard Wollheim Art and Its Objecta 瑐 瑠 瑐 瑡 瑐 瑢 Arlene Croce The Fred Astaire and Ginger Rogers Book 瑐 瑣 Towards an Ontology of the Moving Image Defining the Moving Image Noel Carroll Department of PhilosophyThe City University of New YorkNew York 10075 the USA Abstract The paper does a series of discussions and research about the questionwhat is cinema. And we defined the moving image mainly from four partsrevisiting photographic realismthe moving imageperformance tokens and two - dimensionality. It proposed five necessary conditions for the phenomena that called moving image through the comparison between the movie and musicpaintingsculpturedrama and other art forms. It also compared to previous traditional film theoriesmade a better definition of the moving imagewhich can provide better references and more solid theoretical foundation for later research and it has important theoretical significance. Key wordsmoving imagephotographic realismperformance tokensart forms 89