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1 Derrick Price and Liz Wells 1

3 (Gordon Baldwin, 1991) (Looking at Photographs: A Guide to Technical Terms, California: The J Paul Getty Museum and London: British Museum Press)

5 (Lemagny and Rouille, 1987: 44)

7 (Jeffifer Green-Lewis, 1996) (Framing the Victorians, Photography and the Culture of Realism, Ithaca and London: Cornell University Press) (London Photographic Society) (Royal Photographic Society) (Sir Charles Eastlake)

London: Cornell University Press) (London Photographic

28 (the Polytechnic of Central London) (the University of Westiminster) (Between, 1986) (The End of Art Theory, 1986) (Formations of Fantasy, 1989) (University of California)

33 (Stuart Hall, 1997) (Representation, Cultural Representation and Signifying Practices, London: Sage/Open University) (The Work of Representation)

37 (Family of Man) 151

49 (Deborah Roland) (Two History of Photography, London Institute, 1995)

50 (Nancy Newhall) (the University of Austin) (The Daguerreotype in German-Speaking Countries)

56 (travelling photographers) (Box Brownie) (Royal Photographic Society) (Directory of British Photographic Collections, London: Heinemann, 1977)

57 (Tagg) (Patrice Petro) (The Pencil of History) (Fugitive Images, Bloomington: Indiana University Press, 1995)

58 (Illustrated London News or Picture Post)

59 (Gersheim and Gersheim, 1969: 234)

64 V&A (Mark Haworth-Booth) (Photography: An Independent Art, London: V&A Publications)

65 (Chrissie Iles) (Russell Roberts) (In Visible Light, Oxford: Museum of Modern Art)

67 Barthes, Ronland (1984) Camera Lucida, London: Fontana. Burgin, Victor (ed.) (1982) Thinking Photography, London: Macmillan. Clarke, Graham (1997) The Photograph, Oxford: Oxford University Press. Corner, John and Harvey, Sylvia (1990) Heritage in Britain, Ten/8 36. Crimp, Douglas (1995) On the Museum s Ruins, Cambridge, MA: MIT Press. Edwards, Elizabeth (ed.) (1992) Photography and Anthropology, New Haven: Yale University Press. Evans, Jessica (ed.) (1997) The Camerawork Essays, London: Rivers Oram Press. Frizot, Michel (ed.) (1998) A New History of Photography, Cologne: Könemann (originally published in French, 1994). Gernsheim, Helmut and Gernsheim, Alison (1969) The History of Photography from the Earliest Use of the Camera Obscura in the Eleventh Century up to 1914, 2 vols, London and New York: McGraw-Hill (first edition, 1955). Goldberg, Vicki (ed.) (1981) Photography in Print, Albuquerque: University of New Mexico. Haworth-Booth, Mark (1997) Photography: An Independent Art, London: V&A Publications. Hill, Paul and Cooper, Thomas (1992) Dialogue with Photography, Manchester: Cornerhouse Publications. Jeffrey, Ian (1981) Photography, A Concise History, London: Thames and Hudson Lemagny, Jean-Claude and Rouille, André (1987) A History of Photography, Cambridge: Cambridge University Press. Lyons, Nathan (1966) Photographers on Photography, Englewood Cliffs: Prentice Hall. Newhall, Beaumont (1982) The History of Photography, New York: MOMA, fifth edition, revised and enlarged (first edition, 1937). Phillips, Christopher (ed.) (1989) Photography in the Modern Era, New York: Metropolitan Museum/Aperture. Rosenblum, Naomi (1994) A History of Women Photographers, New York, London, and Paris: Abbeville Press.

68 (1997) A World History of Photography New York, London, and Paris: Abbeville Press, third edition (previous editions, 1984, 1989). Sontag, Susan (1979) On Photography, Harmondsworth: Penguin. Szarkowski, John (1989) Photography Until Now, New York: MOMA. Tagg, John (1988) The Burden of Representation: Essays on Photographies and Histories, London: Macmillan. Taylor, John (1994) A Dream of England: Landscape, Photography and the Tourist/s Imagination, Manchester: Manchester University Press. Thomas, Alan (1978) The Expanding Eye, London: Croom Helm. Turner, Peter (1987) History of Photography, London: Hamlyn. Williams, Val (1986) Women Photographers: The Other Observers, 1900 to the Present, London: Virago (revised edition 1991, The Other Observers: Women Photographers from 1900 to the Present). Barthes, Roland (1973) Mythologies, London: Granada (first published 1957). (1977) The Rhetoric of the Image and The Third Meaning in Image, Music, Text, London: Fontana. Batchen, Geoffrey (1990) Burning with Desire: The Birth and Death of Photography, Afterimage, January. Baudelaire, Charles (1859) The Salon of 1859, reprinted in P.E. Charvet (ed.) (1992) Baudelaire, Selected Writings on Art and Artists, Harmondsworth: Penguin. Bazin, André (1967) The Ontology of the Photographic Image in What is Cinema? Volume 1, Berkeley, Los Angeles, and London: University of California Press. Beloff, Halla (1985) Camera Culture, Oxford: Blackwell. Benjamin, Walter (1931) A Small History of Photography in (1979) One Way Street, London: New Left Books. (1970) The Work of Art in an Age of Mechanical Reproduction in Hannah Arendt (ed.) Illuminations, London: Fontana (first published 1936). Berger, John (1972) Ways of Seeing, Harmondsworth: Penguin. Bezencenet, Stevie (1982a) What is a History of Photography?, Creative Camera 208, April. (1982b) Thinking Photography, Creative Camera 215, November. Bolton, Richard (ed.) (1989) The Contest of Meaning, Cambridge, MA: MIT Press.

69 Burgin, Victor (1986) Re-Reading Camera Lucida in The End of Art Theory, London: Macmillan. Carr, E.H. (1964) What is History?, Harmondsworth: Penguin. Christian, J. (1990) Paul Sandby and the Military Survey of Scotland in N. Alfrey and J. Daniels (eds) Mapping the Landscape, University of Nottingham. Corner, John and Harvey, Sylvia (eds) (1991) Enterprise and Heritage, London: Routledge. Delpire, Pobert and Frizot, Michel (1989) Histoire de Voir, Paris: Photo Poche. Eastlake, Lady Elizabeth (1857) Photography, Quarterly Review, April, reprinted in Newhall, Beaumont (ed.) (1980) Photography: Essays and Images, London: Secker and Warburg. Ferguson, Russell (1992) A Box of Tools: Theory and Practice in R. Ferguson, W. Olander, M. Tucker and K. Fiss (eds) Discourses: Conversations in Postmodernism, Art and Culture, Cambridge, MA: MIT Press. Fisher, Andrea (1987) Let Us Now Praise Famous Women, London: Pandora. Freund, Gisele (1980) Photography and Society, London: Gordon Fraser. Gasser, Martin (1992) Histories of Photography , History of Photography 16(1), Spring. Gernsheim, Alison (1981) Victorian and Edwardian Fashion, A Photographic Survey, New York: Dover (originally published 1963, revised edition). Gernsheim, Helmut and Gernsheim, Alison (1965) A Concise History of Photography, London: Thames and Hudson. Graham-Brown, Sarah (1988) Images of Women: The Portrayal of Women in Photography of the Middle East , London: Quartet Books. Green-Lewis, Jennifer (1996) Framing the Victorians, Photography and the Culture of Realism, Ithaca and London: Cornell University Press. Hall, Stuart (ed.) (1997) Representation, Cultural Representations and Signifying Practices, London: Sage/Open University. Haworth-Booth, Mark (1997) Representation, Cultural Representations and Signifying Practices, London: Sage/Open University. Haworth-Booth, Mark (1997) Photography: An Independent Art, London: V&A. Heron, Liz and Williams, Val (1996) Illuminations: Women Writing on Photography from the 1850s to the Present, London and New York: I.B. Tauris. Hewison, Robert (1987) The Heritage Industry, London: Methuen. Holmes, Oliver Wendell (1859) The Stereoscope and the Stereograph, Atlantic Monthly 3, reprinted in B. Newhall (ed.) (1980) Photography: Essays and Im-

70 ages, London: Secker and Warburg. Horne, Donald (1984) The Great Museum: The Re-presentation of History, London: Verso. Howard, F. (1853) Photography Applied to Fine Art, Journal of the Photographic Society, London. Hurley, Jack (1972) Portrait of a Decade: Roy Stryker and the Development of Documentary Photography in the Thirties, Baton Rouge: Louisiana State University Press. Iles, Chrissie and Roberts, Russell (eds) (1997) In Visible Light, Oxford; Museum of Modern Art. Jameson, Fredric (1991) Postmodernism, Or, the Cultural Logic of Late Capitalism, London: Verso. Jeffrey, Ian (1982) Some Sacred Sites, Creative Camera 215, November. Kozloff, Max (1979) Photography and Fascination, USA New Hampshire: Addison House. (1987) The Privileged Eye, Albuquerque: University of New Mexico Press. Kracauer, Siegfried (1960) Photography, Chapter 1 of Theory of Film, Oxford: Oxford University Press. Krauss, Rosalind (1981) A Note on Photography and the Simulacral, October, Winter, reprinted in Carol Squiers (ed.) (1991) The Critical Image, Seattle: Bay Press/London: Lawrence and Wishart. Lange, Dorothea (1960) The Assignment I ll Never Forget in Beaumont Newhall, (ed.) (1980) Photography: Essays and Images, London: Secker and Warburg Minto, C.S. (1970) Victorian and Edwardian Scotland from Old Photographs, London: Batsford. Moholy-Nagy, Lazlo (1967) Painting, Photography, Film, London: Lund Humphries. Montoussamy-Ashe, Jeanne (1985) Viewfinders: Black Women Photographers, New York: Dodd, Mead. Ohrn, Karen Becker (1980) Dorothea Lange and the Documentary Tradition, Baton Rouge: Louisiana State University Press. Phaidon (1997) The Photography Book, London: Phaidon. Price, Mary (1994) The Photograph: A Strange, Confined Space, Stanford, CA: Stanford University Press. Pultz, John (1995) The Body and the Lens: Photography 1839 to the Present, New York: Harry N. Abrams, Inc.

71 Punt, Michael (1995) The Elephant, the Spaceship and the White Cockatoo: An Archeology of Digital Photography in Martin Lister (ed.) The Photographic Image in Digital Culture, London: Routledge. Rabinowitz, Paula (1994) The Must be Represented: The Politics of Documentary, London: Verso. Roberts, John (1998) The Art of Interruption: Realism, Photography and the Everyday, Manchester: Manchester University Press. Rosler, Martha (1989) In, Around and Afterthoughts (on Documentary Photography) in Richard Bolton (ed.) The Contest of Meaning: Critical Histories of Photography, Cambridge, MA: MIT Press. Sekula, Allan (1986) The Archive and the Body, October 39, reprinted in Richard Bolton (ed.) (1989) The Contest of Meaning, Cambridge, MA: MIT Press. (1991) Reading an Archive in Brian Wallis and Marcia Tucker (eds) Blasted Allegories, Cambridge, MA: MIT Press. Snyder, Joel (1994) Territorial Photography in V.J. T. Mitchell (ed.) Landscape and Power, London: University of Chicago Press. Solomon-Godeau, Abigail (1991) The Critical Image, London: Lawrence and Wishart. Squiers, Carol (ed.) (1990) The Critical Image, London: Lawrence and Wishart. Stokes, Philip (1992) The Family Photograph Album: So Great a Cloud of Witnesses in Graham Clarke (ed.) The Portrait in Photography, London: Reaktion Books. Strand, Paul (1917) Photography, Camera Work 49/50, reprinted in B. Newhall (1982). (1980) Photography: Essays and Images, London: Secker and Warburg. Stryker, Roy (1972) interview, reprinted in Peninah R. Petruck (ed.) (1979) The Camera Viewed: Writings on Twentieth-Century Photography, New York: E.P. Dutton. Sullivan, Constance (1990) Woman Photographers, London: Virago. Thomas, Deborah Willis (1985) Black Photographers : An Illustrated Bio-Bibliography, New York: Garland. Tucker, Anne (1973) The Woman s Eye, New York: Knopf. (1984) Photographic Facts and Thirties America in David Featherstone (ed.) Observations: Essays on Documentary Photography, Carmel, CA: Friends of Photography. Warner Marien, Mary (1988) Another History of Photography, Afterimage, October: 4-5.

72 (1991) Toward a New Prehistory of Photography in Daniel P. Younger (ed.) Multiple Views, Albuquerque: University of New Mexico Press. (1997) Photography and Its Critics, A Cultural History, , Cambridge: Cambridge University Press. Weaver, Mike (1989) The Art of Photography, London: Royal Academy of Art. Williams, Raymond (1974) Television, Technology and Cultural Form, London: Fontana.

Microsoft Word - concept-culture.doc

Microsoft Word - concept-culture.doc 概念革命所導致的文化變革 : 以戀愛文化為例 * 華梵大學哲學系冀劍制摘要 : 概念是人們思考的基本工具, 依據不同的概念就會產生不同的思考而文化則是由一群人所組成的社群藉由一些共同的想法與做法所形成的風俗習慣與認知