1018《腹語師的瘋狂集會》節目單3折4 集檔

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1 留白部位提供觀眾打洞收藏之用演出時間 2018年10月18 20日星期四六 7:30PM 2018年10月21日星期日 2:30PM 演出製作哈勒偶戲劇場及DACM劇團演出地點實驗劇場特別感謝主辦單位指定住宿節目全長約120 分鐘無中場休息 Approx. 120 minutes without intermission 英文發音中文字幕 Performed in English with Chinese surtitles 建議12歲以上觀眾欣賞 Age Guidance 12+ 演出涉及成人議題請注意並斟酌入場 The production contains adult subject. Audience discretion is advised. 主辦單位保有節目內容異動權 The program is subject to change

2 Gisèle Vienne 1976 Ecole Supérieure Nationale des Arts de la Marionnette

3 I Apologize Kindertotenlieder Jerk 2008 Eternelle Idole The Pyre Crowd 2017 Etienne Bideau-Rey 2001 SHOWROOMDUMMIES # JERK/Through Their Tears DIS VOIR Pierre Dourthe 40 PORTRAITS P.O.L. Robert Walser Der Teich Dennis Cooper gif Zac's Haunted House Zac Farley Like Cattle Towards Glow Artforum Magazine Little House on the Bowery 2004 I Apologize Kindertotenlieder Jerk The Pyre Catherine Robbe-Grillet Jonathan Capdevielle Pierre Joseph Personnage à réactiver, Pierre Joseph 1999 Performance with Claude Wampler 2000 Taoufik Jebali Lotfi Achour Natacha de Pontcharra Mickey la Torche 2002 Marielle Pinsard Les Parieurs Blonde unfuckingbelievable Blond 2004 David Girondin Moab Le Golem Le Dispariteur Le groupe St Augustin Monsieur Villovitch Yves-Noël Genod Hamlet and Marseille Massacre Vincent Thomasset

4 Bodies in the cellar Guillaume Marie We Are Accidents Waiting to Happen Tanz im August Jonathan Covering 2009 Adishatz/adieu Marlène Saldana Centre National de la Danse Popydog Far Festival Jean-Luc Verna Marlène Saldana Spring Rolle Saga Le Parvis 2000 Jean Genet s Splendid s Showroomdummies 2003 Etienne Bideau-Rey Stéréotypie I Apologize Jerk Kerstin Daley-Baradel 1979 Ruhrtriennale Meridiano Teatret Kaserne Basel Maxim Gorki Theatre Grand Théâtre de Genève 9 Uta Gebert 1996 The Puppentheater Halle Theater Oper und Orchester GmbH Halle 8 Brigitte Salino Buddenbrooks Christoph Werner 4 6 Wiener Festwochen Schauspielhaus Staatstheater Stuttgart Volksbühne

5 Kulturstiftung des Bundes Wanderlust Joël Pommerat Nico & The Navigator Shakespeare Sonnette Christoph Werner 60 Konzert für eine taube Seele Ragna Schirmer ARTE Each year, the state of Kentucky hosts the biggest global convention of ventriloquists in the world. Ventriloquists from very different social and professional backgrounds come here to find like-minded peers. Research for The Ventriloquists Convention has led us to look at ventriloquists-cumpuppeteers, focusing on real-life material primarily related to the Kentucky event, as well as fictional sources. The play specifically deals with the reasons why ventriloquists do what they do, what originally led them to take up ventriloquism, the way their work is viewed by others, as well as issues related to their gender and/or identity, and many other aspects of these curious characters. This research also allowed us to examine the puppeteer and/or ventriloquist figure in a more generic way, as it is most commonly viewed in our psyche, and its various fictional representations, including those in films and literature. We looked at the recurrent characteristics of a character who is often seen as suspicious, strange, or even disturbing. Inspired by this event, The Ventriloquists Convention is a fictional reconstruction of a ventriloquy convention. The play, at first, may appear relatively simple; but it builds up as would a score, based on the manifold voices of characters whose psychological complexity is slowly revealed by their multi-layered dialogues. Conversations between characters slowly grow from multiple voices: the voice of the ventriloquist him/herself whether in character or not, the voice of the puppet, and the even more unusual other possible voices of these ventriloquists, devoid of any physical medium to actually carry that voice, which makes it seem disembodied. Dialogues then develop based on these multiple voices, while we remain aware of this schizophrenic dichotomy. Given the context, it seems realistic and natural that the puppets should speak to each other and address their own or other ventriloquists, that the other voices emanating from the ventriloquist but without physical medium is aimed at ventriloquists or puppets, and that all these voices from different sources converse among themselves. The dialogue s various layers i.e., what is said, what is thought, what comes from our unconscious are therefore expressed aloud and in turns by the ventriloquist, his puppet or the third voice. In a play where the performance is based on these various layers of dialogue, with their unspoken subtext, being uttered aloud, we can suddenly see both the madness and the normality of these conversations and the shift from seemingly uncomplicated relations to a real psychological labyrinth. Gisèle Vienne, January 2014 Gisèle Vienne, Concept, Direction and Scenography Gisèle Vienne was born in She is a franco-austrian artist, choreographer and director. After graduating in Philosophy, she studied at the puppeteering school Ecole Supérieure Nationale des Arts de la Marionnette. She works regularly with, among other, the writers Dennis Cooper, the musicians Peter Rehberg and Stephen O Malley, and the light designer Patrick Riou.

6 5 Since the company was founded in 1999, 14 shows have been created. She has choreographed and directed, in collaboration with the writer Dennis Cooper, I Apologize (2004) and Une belle enfant blonde (A Young, Beautiful Blond Girl) (2005), Kindertotenlieder (2007) and Jerk, a radioplay in the framework of the Atelier de Création Radiophonique of France Culture (June 2007), the play Jerk, Eternelle Idole (2009) with an ice skater and an actor, This is how you will disappear (2010), LAST SPRING: A Prequel (2011), Showroomdummies #3 rewriting of the piece created in 2001 with Etienne Bideau-Rey that is now part of the CCN-Ballet de Lorraine repertoire, The Pyre (2013), The Ventriloquists Convention (2015) in collaboration with Puppentheater Halle and Crowd (2017). Since 2005, she has been frequently exhibiting her photographs and installations. Gisèle Vienne, Dennis Cooper, Peter Rehberg and Jonathan Capdevielle published an audio book in 2 versions French and English: JERK/Through Their Tears (publisher DIS VOIR). She has published a book 40 PORTRAITS , in collaboration with Dennis Cooper and Pierre Dourthe (publisher P.O.L). Currently she is working on a show based on Robert Walser short story Der Teich which will be premiered in November For more information please visit: Dennis Cooper, Text Dennis Cooper is a novelist, poet and critic. He lives in Paris and Los Angeles. He has published ten novels, most recently Zac s Haunted House (a novel composed of animated gifs) in January He recently completed a feature film, Like Cattle Towards Glow, which he created in collaboration with the artist Zac Farley. He is a contributing Editor of Artforum Magazine and the editor of the American publishing imprint Little House on the Bowery. Collaborating with Gisèle Vienne since 2004 he has written all the texts in I Apologize (2004), Kindertotenlieder (2007), Jerk (2008), This is how you will disappear (2010), LAST SPRING: A Prequel (2011), The Pyre (2013), The Ventriloquists Convention and Une belle enfant blonde (A young beautiful blond girl) (2005), in collaboration with Catherine Robbe-Grillet. For further information on his work, please visit: Jonathan Capdevielle, Creation in Collaboration Jonathan Capdevielle was born in 1976 in Tarbes, France. He lives in Paris. He studied drama in Tarbes from 1993 to 1996, then he entered the Ecole Supérieure Nationale des Arts de la Marionnette. He has been involved in several performances such as: Personnage à réactiver, Pierre Joseph (1994), Performance with Claude Wampler (1999), Mickey la Torche by Natacha de Pontcharra, translation TaoufikJebali, directed by LotfiAchour, Tunis (2000), Les Parieurs and Blonde Unfuckingbelievable Blond, directed by Marielle Pinsard (2002), Le Golem directed by David Girondin Moab (2004), Le Dispariteur, Le groupe St Augustin, Monsieur Villovitch, Hamlet and Marseille Massacre (atelier de creation radiophonique-france Culture), directed by Yves-Noël Genod ( ), Bodies in the cellar, directed by Vincent Thomasset (2013). In September 2006, he created with Guillaume Marie We are accidents waiting to happen in the Palais de Tokyo. In August 2007, he presented for the first time the performance-show Jonathan Covering during the Festival Tanz im August in Berlin, starting point of his first solo creation Adishatz/adieu (2009). In November 2011, he presented Popydog at the Centre National de la Danse in Pantin, that he created in collaboration with Marlène Saldana. In August 2012, commissioned by the Far Festival (festival of arts vivants/living arts), he created Spring Rolle, an in-site project with two performers, Jean-Luc Verna and Marlène Saldana. He premiered Saga with 3 performers last February 2015 in Tarbes, at Le Parvis.

7 6 Gisèle Vienne s collaborator since the beginning, he has been performing in most of her shows: Jean Genet s Splendid s (2000), Showroomdummies (2001 and rewriting 2009) and Stéréotypie (2003), directed by Etienne Bideau-Rey and Gisèle Vienne. And I Apologize (2004), Une belle enfant blonde (A Young, Beautiful Blond Girl) (2005), Kindertotenlieder (2007), Jerk, a radioplay (2007,) Jerk (2008), EternelleIdole (2009), This is how you will disappear (2010) and LAST SPRING: A Prequel (2011), directed by Gisèle Vienne. Kerstin Daley-Baradel, Performer and Creation in Collaboration Kerstin Daley-Baradel was born in Dortmund, Germany, in 1979, puppeteer, actress and director. Before she became a diplomate puppeteer in Berlin, drama school Ernst-Busch, she studied photodesign at the technical college for communication design, Dortmund, Germany. Her path brought her together with international directors. She worked with companies for film, theatres and festivals like Ruhrtriennale Essen, Meridiano Theatre Denmark, Kaserne Basel, Maxim Gorki Theatre Berlin, Grand Théâtre de Genève etc. For 9 years she was a member of the Puppentheater Halle and stood for it on international guest performances before she became an independent artist. Uta Gebert, Performer and Creation in Collaboration Uta Gebert was born in Dresden, lives and works in Berlin. She is a graduate of the Hochschule für Schauspielkunst Ernst Busch Berlin and the École Supérieure Nationale des Arts de la Marionnette in Charleville-Mézières. Since 1996, she works as a freelance puppeteer in Germany and abroad. In addition to creating several solo pieces, she took part in different international projects. In her solo work she developed a very unique, aesthetic language. The spoken word is subordinate to mysterious, minimalistic images, which are the bearers of meaning. In a dance between life and death, Uta Gebert invents her own artistic world with great sensitivity. With small gestures, she creates an associative, delicate and poetic theatrical experience, revealing to the viewer the magic of puppetry. The Puppentheater Halle The Puppentheater Halle is a group of 8 permanent puppeteers and belongs to the Theater Oper und Orchester GmbH Halle. Each member has been trained at the theater school Ernst Busch in Berlin. Some of them are also directors, teachers or puppet makers. After a performance of the Puppentheater Halle in Paris, Brigitte Salino wrote in Le Monde: The show is called Buddenbrooks and comes from Halle, a former city in East Germany known for its Puppet Theater. Created in 1954, Christoph Werner brought a new dynamic in 1995 by letting aside the traditional practice for a new style. This style consists in a permanent relation between theater and puppet. Starting from a piece of literature or an idea, the shows develop through improvisation. The Puppentheater Halle works on 4 to 6 shows per season. Each of them is focused on a specific theme and is often a coproduction with other theaters or festivals, such as the Wiener Festwochen, Schauspielhaus-Köln, Staatstheater-Stuttgart or Volksbühne-Berlin. In the Kulturstiftung des Bundes (the cultural institution of the Federal State) financed with the Wanderlust fund the collaboration between Joël Pommerat and the Puppentheater. The Puppentheater Halle is interdisciplinary and can be inspired by, amongst others, independent groups such as Nico& the navigator with whom was born the project Shakespeare Sonnette. Christoph Werner s Konzert für eine taube Seele in which the pianist Ragna Schirmer plays Maurice Ravel was recorded by ARTE and broadcasted in April 2014 for the 60th birthday of the Puppentheater Halle. For more information: Puppentheater:

8 7 Credits Concept, Direction and Scenography Gisèle Vienne Text, in collaboration with the performers Dennis Cooper Music KTL Stephen O Malley Peter Rehberg Lighting Design Patrick Riou Performed and Created in Collaboration Jonathan Capdevielle - Kerstin Daley-Baradel Uta Gebert Vincent Göhre Nils Dreschke Sebastian Fortak Lars Frank Ines Heinrich-Frank Henrietta Wallberg Christian Sengewald German version Production The Puppentheater Halle DACM Coproducers Nanterre-Amandiers CDN Festival d Automne à Paris Les Spectacles Vivants-Centre Pompidou CDN Orléans/Loiret/Centre TJP TJP CDN d Alsace-Strasbourg Maillon, Théâtre de Strasbourg- Scène européenne Internationales Sommerfestival Kampnagel, Hamburg Le Parvis Scène nationale de Tarbes- Pyrénées La Bâtie-Festival de Genève Kaserne Basel Theater Freiburg Bonlieu Scène nationale Annecy DIPTIC INTERREC V-A humain Trop humain, Montpellier Fidena Supports Kulturstiftung des Bundes Pro Halle e.v. Saalesparkasse Fachausshuss Tanz und Theater Basel Stadt-Basel Landschaft Institut Français dans le cadre de Théâtre export Beaumarchais Bureau du théâtre et de la danse-institut Français d Allemagne & de l association Beaumarchais- SACD Paris dans le cadre du programme d aide à la production Services culturels de l Ambassade de France à New-York Ministère de la culture et de la communication-drac Grand Est, Région Grand Est and Ville de Strasbourg Institut Français Nanterre- Amandiers CDN Théâtre National de Bretagne/Rennes The Company Gisèle Vienne is supported by Ministère de la culture et de la communication DRAC Grand Est, Région Grand Est and Ville de Strasbourg. The company is supported by Institut Français for international touring. Gisèle Vienne is associate artist at the Nanterre-Amandiers CDN and at the Théâtre National de Bretagne/Rennes Direction Arthur Nauzyciel. QR Code

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論文封面 6 21 1973 13 274 A Study of Children s Poetry by Lin Huan-Chang Chen, Chun-Yu National Taitung Teachers College The Graduate Institute of Children s Literature Abstract Lin Huan-Chang, the poet who devoted