跨越文藝復興女性畫像的格局—

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庶公冶
5 years ago
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2 180 From Rough Overview to Subtle Narrative : Narrational Differences in Two Stories Appearing in both Zhiguai and Chuanqi Texts Kang, Yun-mei * Abstract This paper will attempt to flesh out the view, now considered authoritative, put forth by Lu Xun that the transition from zhiguai stories of the Six Dynasties to chaunqi of the Tang dynasty can be characterized one from rough overview to subtle narrative. By borrowing the concepts of story and narrative from narratology, two stories that appear in both formats are analyzed in order to demonstrate how the narration change from one format to another. Specifically, in terms of the stories organization and how they are narrated, we can see from the fact that the chuanqi versions develop more complex mechanisms than those appearing in the zhiguai versions that chaunqi expands on and surpasses the framework of zhiguai. Our look at the change in narration between these two formats brings out the realistic narrative characteristic of zhiguai on the one hand and the overlaying of fictional elements thereon in chaunqion on the other,as well as the weaker foundation (vis-à-vis chuanqi texts) for constructing meaning in zhiguai texts. We will also see that while zhiguai texts focus on presenting a collective and widespread cultural prejudice, chuanqi texts are usually a vehicle for authors own expression of their individual points of view. These three elements, i.e., the nature of the texts, construction of meaning within the texts, and authorial intention, all go to * Associate Professor, Department of Chinese Literature, National Taiwan University.

3 181 show the specifics of the narrational transition between these two formats. Keywords: zhiguai, chuanqi, yanglin, houjue, Zhenzhongji, Bujiangzongbaiyuanzhuan, narrative

4 182

10 Gerard Genette Steven.Cohan Linda.Shires Telling Stories A Theoretical Analysis of Narrative Fiction

13 event

14 A kernel satellite Shlomith Rimmon-Kenan eventuality

19 197 B enchained embeded joined /

21 placement diplacement 45 replacement

22 AT

23 201

24 202 2.

25 subject object sender receiver opponent helper 51 multiple functions

26 204 changing functions

27 咤

30 (1) anachronies 61 analepsis 62 (2) frequency

31 singular repeated iterative

32 210 (3) duration pause summary scene

33 ellipsis

34 : 絙 external figural

36 fixed variable

37 speaking subject subject of speech 85 narrating subject subject of narration narrated subject 86 implied

38 216 ahthor W.C

42 Gerard Genette 1990 Shlomith Rimmon-Kenan 1989 Steven Cohan Linda M. Shires

43 W.C

key word Poetry of Tu Fu historicpoetry of Tang Dynasty Lyric, drama and narrative are the principal part of world s literature. In common sense, the

key word Poetry of Tu Fu historicpoetry of Tang Dynasty Lyric, drama and narrative are the principal part of world s literature. In common sense, the poetry of Tu Fu is Lyric, but when we take a vision