1 1902 / 5
2 1917 3 4 5 6 2012.3 Southern Cultural Forum
7 6 8 9 affirmative culture / 7
10 輥輯訛 alexander Gottlieb Baumgarten 1714 1762 1750 1735 1750 Aesthetic ( ) 1742 1750 1758 輥輰訛 1750 18 輥輱訛 輥輲訛 8 2012.3 Southern Cultural Forum
輥輳訛 輥輷訛 輦輮訛 輥輴訛 輥輵訛 輥輶訛 / 9
輦輲訛 / 輦輯訛 / 輦輰訛 輦輱訛 1966 10 10 2012.3 Southern Cultural Forum
輦輳訛 Jean Baudrillard 輦輴訛 / 11
20 80 1934 20 80 80 80 12 2012.3 Southern Cultural Forum
輦輵訛 輦輷訛 輦輶訛 / 13
2004 10 80 / 90 90 14 2012.3 Southern Cultural Forum
90 50 21 90 80 / 15
輧輮訛 90 80 21 18 16 2012.3 Southern Cultural Forum
輧輯訛 20 20 20 2011 12 20 1 2005 2003 2 10 173 174 2009 3 10 544 545 2009 4 20 5 2008 6 154 155 1979 7910 輥輯訛輥輰訛輥輱訛 8 16 17 41 42 43 50 62 1989 1750 8 1 2 20 1989 輥輲訛 1987 輥輳訛輥輴訛輥輶訛輥輷訛輦輮訛 98 99 110 113 127 130 131 2004 20 輥輵訛 1944 20 輦輯訛 29 2003 25 / 17
dominantly interested in methods and technologies of control and censorship that is in what does not appear on the Chinese Web rather than what does. References to research on cul - tural production on the Chinese internet are almost absent. there is no reason to ignore censorship but there is similarly no reason to overemphasize it or isolate it from the practices of other agents within the literary field censors and their practices can and should be studied as part of literary practice as a whole Censorship is the norm rather than the exception. there is no indication that Chinese cyber writing will radically transform Chinese society or even Chinese literature partly it is because many of its practitioners lack interest in being either transformative or avant-garde or both; partly it is because literature fulfils a different function in Chinese culture. 輦輰訛 4.1.1.2 682 183 2005 2011 6 9 suffer the consequences 輦輴訛 2006 輧輲訛 2010 1 輧輳訛 2008 4 輧輵訛 2011 8 輧輶訛 輨輱訛 輦輱訛輦輲訛輦輷訛輧輱訛輧輷訛輨輯訛 71 76 82 2011 6 85 97 104 42 43 91 97 60 61 2011 6 輦輳訛 17 輦輰訛 輧輮訛 2000 7 21 輧輯訛 21 299 2009 輦輱訛 21 304 305 2009 輦輲訛 57 1994 21 315 2009 輦輳訛 505 196 197 2002 2001 輦輴訛 2006 輦輵訛 2010 10 輦輶訛輦輷訛 66 67 2003 10&ZD098 / 25