39-80 2015 Kuandu Music Journal No.22 pp. 39-80 (2015) Taipei National University of the Arts, School of Music ISSN 1814-1889 39 2010 2014
40 2015 Bamboo, Strings and Harmonics A Study Based on the Field Investigation of Bunun Musical Bow, Jew s Harp and Four-Stringed Zither/ Five-Stringed Zither TSENG Yuh-Fen Associate Professor, Department of Music, National Chiayi University Abstract Based on the literatures from the Qing Dynasty and Japanese colonial period, the musical bow and Jew s harp were once widespread in many different ethnic groups of Taiwan aborigines. Today, however, the tradition of musical bow manufacturing and playing is found only within a small number from the Bunun tribe; while the Jew's harps, before prevailing in Taiwanese aboriginal tribes of the past, living tradition could only be found preserved in some of the Pan Atayal ethnic groups, including Atayal, Seediq and Truku, and in the Bunun ethnic group. For the latter, the single reed Jew's harp shows relatively more intact heritage in terms of manufacturing and playing. As for the four-stringed a popular musical instrument among the Bunun tribes, but now has almost vanished from its history. Having undertaking field-investigation constantly on these three kinds of Bunun traditional instruments from 2010 to 2014, the author noticed these musical traditions have been disappearing among the tribes at a breakneck pace and felt lucky to record and preserve some of the manufacturing and performance techniques at a time, which proved itself precious, since the elders passed away one by one within a short period of time. Dynasty hitherto, this thesis has analyzed the comprehensive knowledge of these three kinds of musical instruments, from the aspects of historical background, the structure of musical instruments, manufacturing techniques and performance practices. Besides, parallelism in terms of scale and melodic expression among Bunun musical instruments--including musical bow, Jew s harp, four- made and extends this research to the comparison between the vocal polyphony and the instrumental music of the Bunun tradition.
41 Keywords: Musical Bow, Jew s Harp, Four-stringed Zither/ Five-stringed Zither, Pestles Ensemble, Fanfare Melody, Pasibutbut, Polyphony
42 2015 1 1974:162-169 1943 1973:357-369 2 1943 Tamarowan 1973 2 Laatoku Hogahon
43 Josef Lenharr 1965 2 10 The Musical Instruments of the Taiwan Aborigines 1967 1974 (1982) 1979 90 1994 Bunun Tu Sintusaus 1995 1995 2010 latuh latuq
44 2015 1994: 99-110 2010 204,208 83 76 1943 1973 357-369 Latuh Latuq 1 C. Sachs 1 2 3 3 1973:163 1 1973 357 2 3 1. 2. 3. 1. 2. 3. 4. 4
45 59 17 1994:101 1974:163 talunas qabung 3 qabung 4 2 1973 168 3 talunas qabung 2014
46 2015 4 2010 2010 88 2012 Bali Sugluman 2010 6 22 1. 4 (a) (liv) (b) padan taqnas (c) 2500 kilis
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50 2015 13 14 15 2010 16 2013 2014 1 2 3 1943 4 4 4
51 1 vs.
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55 1994:102 1974:93-118 2010 Bali Sugluman 2010 6 22 17 1973:141 1. 5 5 5
56 2015 2. (a) (b) 18 19 (c) 5 20 (d) (a) 21 (b) 22 23 (c) 24 25 (d) 26 (e) 27 (f) 18 19
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65 38 2013 39 2013 40 2013 41 2013 9
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67 12 1943 pasibutbut
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75 re do re mi sol 1982:15-21 1994: 99-110 sol, mi, re, do 22 1 tultul sol, mi, re, do 37 balinka sol, mi, re, do 22 22 sol, mi, re, do do, mi, sol, do re
76 2015 pasibutbut pasibutbut sol, mi, re, do pasibutbut 23 23 pasibutbut pasibutbut 7 sol, mi, re, do do, mi, sol, do 2010 is i is av tu huzas 24 24 is i is av tu huzas 7 (2010)
77 2 3 4 5 6 25 (functions)
78 2015 25 tuszan Mais kahuzas hai kan anak
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80 2015 pasi but but 139-170 2010 2011a 2011b 2012a 2012b 2012 173-192 2013 2014a 2014b 2014 61-106 2014c -- 7-42 1995 1972 1953