tation but was also the new model's first important articulation and as such had tremendous literary historical and cultural significance. Key words:

2014 2 95 1 2 200234 Abstract: This article uses the Wuse Colors of Things chapter of Liu Xie's Wenxin diaolong The Literary Mind and the Carving of Dragons as an example to discuss an important change in the conception and representation of nature in classical Chinese poetry from early medieval to late imperial times i. e. the increasing realism and materiality in its explicit critical and theoretical discourse which constantly trends toward and tries to approximate the real material world. This shift I argue was a paradigmatic one and was largely responsible for the decline of the bixing-centered classical poetic tradition in the early modern period. I further argue that the new model that emerged out of this paradigm shift rooted in a highly technical regime of reading and writing executed from inside out as the poet and poetic critic take full control of the process and taking descriptive precision as one of its most venerated goals was compared with the ancient model based on metaphor and illumination a relatively modern one. That I choose the Wuse chapter as the center of my discussion is because Liu Xie's beautifully crafted masterpiece not only marked the end of the ancient metaphorical tradition by giving it a most memorable presen- 16

tation but was also the new model's first important articulation and as such had tremendous literary historical and cultural significance. Key words: the Wuse chapter of Wenxin diaolong metaphor realism paradigm shift temporal-spatial framework subjectivity materiality I106 A 1006-6101 2014 02-0016 - 24 1 1 2012 2013 17

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3 1079 19

2014 2 95 4 5 231 6 3638 7 66 1 1 Siu-kit Wong Ch'ing and Ching in the Critical Writings of Wang Fu-chih Adele Austin Rickett ed. Chinese Approaches to Literature from Confucius to Liang Ch'i-ch'ao Princeton Princeton University Press 1978 pp. 121-150 20

1 8 426 12 9 33-37 1 1999 351 21

2014 2 95 10 247 11 71-72 12 320 13 832 22

1136 10 1135 47 1 14 1001-1002 1 Ronald Egan The Problem of Beauty: Aesthetic Thought and Pursuits in Northern Song Dynasty China Cambridge Mass. Harvard University Asia Center 2006 pp. 109-161 23

2014 2 95 15 2 16 97 16 102 1 16 97 17 18 17 17 1 24

46 18 4 1 2 19 3 1 2 3 19 1759 25

2014 2 95 conservator of culture 20 205 Walter J. Ong representing the world not as a float of objects strung out before one's eyes but rather as a happening or event something going on 20 206 19 1726 1 2 1 2 26 2007 67 39-62 1963 956

1 1374 4 21 190-198 22 1 23 52 1 19 1726 21 190 1 2004 101-102 27

2014 2 95 19 1736 1 25 148 2 3 19 1728 19 1732 1 24 695 2 3 1991 219-220 28

19 1728-1732 19 1728-1730 29

2014 2 95 19 1733 26 271 20 19 1733-1745 19 1733 19 1741 30

27 217 19 1733 19 1733 19 1761 19 1734 26 271-272 20 20 31

2014 2 95 1 19 1747 19 1734 29 297 19 1734 23 85 19 1734 23 140 2 20 19 1741 19 1761 3 1 19 1736 28 1898 2 3 19 208 19 1134 32

19 1747 19 1751 19 1749 26 276 19 1751 26 275 33

2014 2 95 19 196 19 1749 23 49 19 1738 1 1 34 19. 23b

19 1739 2 2143 1 19 1738 19 1745 1 759 19 1746 28 1902 1 11 12 Monica Eileen McLellan Zikpi Translating the Afterlives of Qu Yuan Ph. D. dissertation University of Oregon 2014 35

2014 2 95 19 1746 30 1162 19 1741-1742 31 49 19 1744 32 1756 19 1742 24 696 19 1742 33 214 36

19 1742-1743 26 274 19 1741 19 1758 19 1758 34 559 19 1751 37

2014 2 95 19 1755 19 1758 movement of compensation 35 283-285 36 62-76 19 1760 26 283 the new mode of existence of the poet a loner 20 49 38

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