2006 7,,, (Louis2Edmond Duranty) 1856,,,,,, 15 20,,, 2. (Reality),+,?,,,,, :,,,,,,,,,?,,,,,,,,,,,,, ( Zeuxis),?,,,,, (Charles Per2 rier) 1855,,,, 1859

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11 ,,,, gνϖ,,,, gνω,,,, Plato, Republic, X, trans. Paul Shorey, LCL, ,, p Charles Perrier, L A rtiste(14 Oct. 1855). Charles Baudelaire, Revuefrangaise, Paris, :,2006,3 12 W illiam Shakespeare, The W inter s Tale, :.,,1999 :, 1(1920 6) :, 1984,1 M. Andrews, Landscape and W estern A rt, Ox2 ford University Press, 1999, p. 177, gλϖ The D ictionary of A rt, Vol. 26, Grove, 1996, p. 53 gλωle R alism, 15 Nov gλξ,, 1996,2 6 gλψ gλζ N icolas Poussin, Letter to De Chambray ( March 1, 1665), in Elizabeth G. Holt ( ed. ) A D ocum entary H istory of A rt, Vol., Anchor Books, 1958, pp , pp gλ{ Joshua Reynolds, D iscourses on A rt, ed. K. Fry, Lon2 don, gλ Giovanni Pierro Bellori, The L ives of M odern Painters, Sculptors and A rchitects(1672), in A Docum entary His2 tory of A rt, Vol., pp gλ} Denis D iderot, Salons ( ), eds. J. Adh mar & J. Seznec, , Vol., p gλ,2001,2 gµυ gµ{ L. Nochlin, Realism, New York & London: Penguin Books L td., 1971, p. 23, p. 28 gµϖ gµζ gµ} Elizabeth G. Holt( ed. ) F rom the C lassicists to the Im pressionists: A D ocum entary H istory of A rt and A rchi2 tecture in the N ineteenty Century, A rchor Books, 1966, p. 351, p. 352, p gµωcf. L. Nochlin, Realism. gµξ C. gµψ Cf. M itchell, Benjam in W ests Death of General Wolfe and the Popular H istory Piece, Journal of W ar2 burg Institute, (1994), pp Elizabeth G. Holt ( ed. ) F rom the Classicists to the Im pressionists: A D ocum entary H istory of A rt and A rchi2 tecture in the N ineteenty Century. gµ, m ile Zola, The Jury: Ap ril 30, 1866, in Elizabeth G. Holt( ed. ) From the Classicists to the Im pressionists: A D ocum entary History of A rt and A rchitecture in the N ineteenty Century, pp gµ gνυ J. Castagnary, N aturalism, in A rt in Theory , eds. Charles Harrison, Paul Wood & Jason Gaiger, B lackwell, 1998, pp , pp gνϖ, gνω,,2000 ( :) 118

12 Main A rticles This paper focuses on the construction and changes of W estern Aesthetic Spaceand discusses the evolution of Chi2 nese movies in the past 20 years. It tries to give a comp rehensive survey of the Chinese W esterns and discloses their relation with Chinese ideology in the transformation period. The paper consists of three parts: part one is devoted to the analysis of the discovery and construction of the Chinese western aesthetic space in 1980 s and its relation with the changes of Chinese ideology. Part two analyzes the intention of image creation that has broken the western restraints. Part three deals with the Americanized Chinese westerns and the Hong Kong2Taiwan Gongfu movies, whose function of sheltering and emp tying the western reality is revealed. The Ideology of Con tem porary Pa in tings W ang L in(99) If the last glory of modern art is the abstract exp ressionist painting, then, pop art and surrealist painting anticipates the transformation of contemporary art. The decline of painting in 1970 s had introduced the debate on the death of painting, while in Europe and America the revival of painting forces peop le to contemp late on changes in the postmod2 ern context. The concep tualization of painting is the condition for the existence of contemporary painting. W hat is ide2 ology? W hat is the relation of ideology with painting? W hy does painting become creation today? These are the ques2 tions that we cannot avoid, and what they ask are the reasons for their existence and the values that they pursue. The p resent Chinese fine arts must put them in sincere and dep th consideration. The Concept and H istory of Rea lism Cao Yiqiang(108) This paper discussesrealistconcep t in painting, trying to distinguish realism as a concep t and realism as a histori2 cal movement in art. The former consists of the philosophical paradox of realism, the instinct of realistic portrait and the making of images, and realism as the source of art, while the latter is concerned with the historical concep t of re2 alism, the relation between realism and historical painting, and the quality of painting in 19 th century Europe, espe2 cially of French realist painting. The H istory and the Presen t Rea lity of the Ch inese Na tiona l C inema Industry Zhong D afeng(119) Peak or Bubble: The Changes and Problem s in the M arket of Globa l Artif ice Zhao L i(126) The Susp ic ious Exper ience and The Fa llacy of In ten tion: Zhang N ing s The Illness of Cu ltu re: A S tudy of Con tem pora ry Ch inese Experience Yang Ping(135) Translated by Chen Yongguo 160

55,, :,, 1939,,,, (1891 ) :,, (1911 ), :,;,,,, (, 1926,) 1926, ( 1894 1895 ) (1900 1901 25000 ) ( 1904 1905 ) (1914 1915 ),,,, 36 :, 2.,,, 1872 8 3 (

55,, :,, 1939,,,, (1891 ) :,, (1911 ), :,;,,,, (, 1926,) 1926, ( 1894 1895 ) (1900 1901 25000 ) ( 1904 1905 ) (1914 1915 ),,,, 36 :, 2.,,, 1872 8 3 ( 2009 9 11 / 9 / / / J OURNAL OF HEBEI NORMAL UNIVERSITY/ Educational Science Edition/ Sep. 2009 Vol. 11 No. 9 [ ] 1, 2 3 (1., ;2., 071002 ;3., 100083) :2000 2004,, : ;; : G523 :A :10092413X(2009) 0920054213