HUMA 166 Introduction to Chinese Painting

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1 HUMA 2660 Introduction to Chinese Painting Spring 2018 Mon & Wed 9:00-10:20 am LTH Instructor: Prof. Li-tsui Flora Fu Office hours: Mon & Wed 10:30-12:00 Room 3359 Course Description This course introduces Chinese painting in a chronological order, from the Six Dynasties down to the twentieth century, giving equal attention to technique, stylistic analysis, and interpretation in historical and cultural context. Through lectures and in-class discussions, this course aims to develop students ability to read and analyze the visual languages found in different genres of Chinese painting, and their ability to react critically to artworks and to make reasoned evaluations based on their understanding and appreciation of different pictorial traditions in China. As a Chinese Communication course, students speaking, reading and writing abilities are assessed through class participation, essay writing and oral presentations. Intended Learning Outcome After taking this course, the students will 1 have a basic understanding of the trends, styles and evolution of Chinese painting 2 be able to apply the taught concepts and visual analysis to their appreciation of traditional Chinese painting as well as contemporary art works 3 be able to review and report on an exhibition of art works in an informed manner Course Outline W1 Feb 5 Introduction and Organization Feb 7 Early Figure Painting W2 Feb 12 The Rise of Landscape Painting Feb 14 Monumental Landscape W3 Feb 19 Public Holiday Feb 21 Search for Realism and the Northern Song Academy W4 Feb 26 Poetry, Painting and Calligraphy: The Birth of Literati Painting Feb 28 Paintings from the Southern Song Academy W5 Mar 5 Southern Song Chan Painting and the Abbreviated Brush Mar 7 Chinese Art under the Mongols: The Establishment of Literati Painting W6 Mar 12 Chinese Art Under the Mongols: The Four Great Masters Mar 14 Painters of the Great Ming: The Early Ming Painting Academy and the Zhe School W7 Mar 19 Quiz I Mar 21 The Wu School: Shen Zhou, Wen Zhengming and other Literati Painters W8 Mar 26 Tang Yin, Qiu Ying and the Suzhou Professionals Mar 28 Dong Qichang and the Late Ming Non-Conformists W8 Apr 2 Mid-Term Break Apr 4 Mid-Term Break 1

2 W9 Apr 9 Field Trip Apr 11 The Early Qing Orthodox Masters and Qing Court Painting W10 Apr 16 Chinese Art under the Manchus: The Individualists I Apr 18 Chinese Art under the Manchus: The Individualists II W11 Apr 23 The Eight Eccentrics of Yangzhou Apr 25 Quiz II W12 Apr 30 Group Project Presentation I May 2 Group Project Presentation II W13 May 7 Group Project Presentation III May 9 Group Project Presentation IV Textbooks (Two-hour closed reserve): 1. James Cahill. Chinese Painting. Closed reserve ND1043.C ( 李渝譯, 中國繪畫史 Closed reserve ND1043.C ) 2. 王耀庭, 繪畫 Closed reserve ND1040.W (Wang Yaoting, Looking at Chinese Painting. Closed Reserve ND 1040 W ) Field Trips CUHK Art Museum Group visit on March 11, 2:00 pm Her Distinguished Brushwork: An Exhibition Featuring Paintings by the Seventeenth-Century Artist Li Yin Course Assessment: 1. Quiz I and II (MC of slide identification and one essay) 60% 2. Group Project Presentation (Oral and written) 30% You will form a team with 3-4 classmates. The results of group projects are to be presented orally in class, with written reports handed in afterwards. Report guidelines and suggested topics will be provided by the instructor. 3. Class participation bonus +5% You are encouraged to join discussion and ask questions during lectures and tutorial presentations. Each remark or question will be rewarded for one point. 4. Class attendance 10% One point will be deducted for each absence from lectures, and two points will be deducted for absence from field trip and project presentations, up to 10 points. Week 1-2 2

3 Cahill, Early Figure Painting The Han, Six Dynasties and Tang Periods, Chinese Painting, pp ; Chinese text < 早期人物畫漢六朝及唐 >pp Wang,< 仙山樓閣何處尋 ( 國畫的觀點 )> < 筆端下決出生活 ( 國畫的筆法 )> < 上古時期 > < 隋唐 >, 繪畫,pp. 4-30, 32-39, , ; English text pp , 40-48, , Cahill, Early Landscape Painting Six Dynasties to Early Sung and Sung Dynasty Landscape: The Middle Period, Chinese Painting, pp , 35-44; Chinese text pp Wang,< 筆端下決出生活 ( 國畫的筆法 ) 山水畫 >,< 五代宋 ( 北方畫系南方畫系 >, 繪畫, pp , ; English text pp , Guo Xi s Treatise on Landscape, 林泉高致 (to be handed out in class) Reference readings Wu Hung, The Origins of Chinese Painting, in Yang Xin, Richard Barnhart, and others, Three Thousand Years of Chinese Painting, pp Richard Barnhart, The Five Dynasties and the Song Period, Three Thousand Years, pp Reference images 中國美術全集繪畫編 vols. 1 & 2 故宮博物院藏中國歷代繪畫 I & II 故宮藏畫大系 I Week 3 Cahill, Bird, Flower and Animal Painting of the Sung Dynasty, Chinese Painting, pp ; Chinese text pp Wang,< 徐黃二體 >, 繪畫, pp ; English text pp Reference images 中國美術全集繪畫編 vol. 3 故宮藏畫大系 I 故宮博物院藏中國歷代繪畫 III Week 4-5 s Wang,< 須知書畫本來同 ( 繪畫與書法的關係 )> < 文人畫精神的萌芽 >,< 雄渾空靈的風味 >, 繪畫, pp , , ; English text pp , , Cahill, Landscapes of the Southern Sung Academy Ma Yuen, Hsia Kuei, Ma Lin, The Literati and Ch an Painters of the Sung Dynasty, Chinese Painting, pp , 89-98; Chinese text pp Reference reading Michael Sullivan, The Three Perfections: Chinese Painting, Poetry and Calligraphy. Osvald Siren. Chinese Painting: Leading Masters and Principles. Vol. III 中國美術全集繪畫編 vol. 3 故宮藏畫大系 II 3

4 Week 5-6 Cahill, The Early Yuan Painters Ch ien Hsuan, Chao Meng-fu, Kao K o-kung, The Late Yuan Painters The Four Great Masters and Sheng Mou, Chinese Painting, pp ; Chinese text pp Wang, < 四大畫家 > < 簡逸的花鳥人物 > < 宋元的異同 >, 繪畫, pp ; English text pp James Cahill, The Yuan Dynasty, Three Thousand Years, pp 元四大家中國美術全集繪畫編 vol. 5 故宮藏畫大系 III 故宮博物院藏中國歷代繪畫 IV Hills Beyond a River. Week 6 Cahill, The Early Ming Academy and the Che School Pien Wen-chin, Tai Chin, Wu Wei, Chinese Painting, pp , ; Chinese text pp , Wang, < 明 : 宮廷繪畫的重建 > < 奔放的淅派 >, 繪畫, pp , , ; English text pp , Yang Xin, The Ming Dynasty, Three Thousand Years, pp Richard Barnhart. Painters of the Great Ming: The Imperial Court and the Zhe School. 中國美術全集繪畫編 vol. 6 故宮藏畫大系 III 故宮博物院藏中國歷代繪畫 IV Week 7-8 Cahill, The Wu School Shen Chou, Wen Cheng-ming and their Followers, Chou Ch en, T ang Yin and Ch iu Ying, Chinese Painting, pp ; Chinese text pp Wang, < 溫雅的吳派 >, 繪畫, pp ; English text pp Reference Reading James Cahill. Parting at the Shore: Chinese Painting of the Early and Middle Ming Dynasty, , pp , , 中國美術全集繪畫編 vol. 7, 8 吳派繪畫九十年 4

5 Parting at the Shore Week 8 Cahill, Tung Ch i-ch ang and Late Ming Painting, Chinese Painting, pp ;; Chinese text pp., Wang, < 南北二宗論 > 繪畫, pp ; English text pp Reference Reading James Cahill. The Distant Mountains: Chinese Painting of the Late Ming Dynasty, 中國美術全集繪畫編 vol. 7, 8 The Distant Mountains The Century of Tung Ch i-ch ang Week 9 Wang, < 清 : 遵行古法的四王山水 > 繪畫, pp ; English text pp 楊伯達, 清代康雍乾院畫藝術, 中國美術全集 vol. 10, pp Reference Reading 聶崇正,< 清初四家及其繪畫藝術 >, 中國美術全集繪畫編 vol. 10 聶崇正,< 郎世寧 > 中國百位巨匠 No 聶崇正, 清代, 中國繪畫三千年,pp 中國美術全集繪畫編 vol. 9 故宮博物院藏清代宮廷繪畫 Week 10 Wang, < 灑脫創新的遺民畫派 >, 繪畫, pp ; English text pp Cahill, Early Ch ing Painting: The Individualists, Chinese Painting, pp ; Chinese text pp 胡海超, < 論清初四僧的繪畫藝術 >, 中國美術全集繪畫編 vol. 9 中國美術全集繪畫編 vol. 7, 8 Week 11 Cahill, The Eighteenth Century: The Yang-chou Eccentrics and Others, Chinese Painting, pp ; Chinese text pp Wang, < 西風吹來的漣漪 > < 狂怪不羈的揚州畫壇 > 繪畫, pp , ; English text pp

6 薛永年,< 揚州八怪與海派的繪畫藝術 >, 中國美術全集繪畫編 vol. 11 萬青力, 中國現代繪畫史: 晚清之部 ,pp ; 中國美術全集繪畫編 vol. 10 中國美術全集繪畫編 vol. 11 萬青力, 中國現代繪畫史: 晚清之部

HUMA 166 Introduction to Chinese Painting

HUMA 166 Introduction to Chinese Painting HUMA 2660 Introduction to Chinese Painting Fall 2015 Instructor: Prof. Li-tsui Flora Fu hmltfu@ust.hk Lecture hours: Tue and Thu 12:00-1:20 pm LTH Office hours: Wed 2:3:30 Thu 2:30-4:00 Room 3359 TA: Krist