differance defer

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1 FB CMLL SGW Concordia University Montreal Quebec Canada yahoo. com Title Semiotic Differance and the Re-disappearance of Image in Ming Landscape Painting Abstract In the Ming dynasty the mainstream in the development of Chinese landscape painting experienced a change from exploring the Tao in the external world to exploring it in the artist's inner world. This is a change from the outside in. This essay aims to make a point that the Ming mainstream is a repetition of the previous dynasties' mainstream in the development of landscape painting throughout Chinese art history which is particularly signified by the re-disappearance of human figures in late Ming landscape painting. Studying this issue from the Derridean perspective of differance this essay examines how the signification process is deferred by the disguised images of the pathfinder which centralizes the signification system for the mainstream. Thus this essay concludes that the re-disappearance of the pathfinder image in landscape decentralizes the signification system and indicates the end of the mainstream in the development of Chinese landscape painting by the fall of the Ming. Keywords mainstream image-centrism pathfinder differance decentralization presence absence mind Author Lian Duan Ph. D. in Chinese literature China Ph. D. in art education Canada taught at Sichuan University in China State University of New York at Albany in the United States and now teaches at Concordia University in Montreal Canada where he also coordinates the Chinese Program. He has published extensively on art history visual culture and comparative literature. Address FB CMLL SGW Concordia University Montreal Canada. yahoo. com differance 144

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4 Margins 3 phonocentrism differance difference logocentrism image-centrism icon-centrism Of Grammatology 9 Of Grammatology

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8 1467 Daylight 9 free play Writing

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10 Cahill Francois Jullien Jullien 4 Jullien 7 Cahill

11 Jullien 47 Of Grammatology

12 Cahill 89 Writing Margins 121 ends 155

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14 in ink monochrome color wash Cahill 14 Cahill

15 Writing 279 Wellek

16 Writing 289 Works Cited Cahill James. The Distant Mountains Chinese Painting of the Late Ming Dynasty New York Weatherhill Daylight Russel. What If Derrida Was Wrong About Saussure Edinburgh Edinburgh University Press Derrida Jacques. Margins of Philosophy. Chicago The University of Chicago Press Of Grammatology. Baltimore The Johns Hopkins University Press Writing and Difference Chicago the University of Chicago Press Jullien Francois. The Great Image Has No Form on the Nonobject through Painting. Chicago The University of Chicago Press Huang Zhao. Annotations on Boshu Laozi. Taipei Student 76 Press

17 Li Ruoqing. Echoes from the Jade Hall a Rhetorical Strategy in the Early Ming Painting. Hangzhou China Academy of Fine Art Press Yang Guorong Thinking of the Mind An Interpretation of Wang Yangming's Philosophy. Beijing Sanlian 2005 Liu Weidong. Ni Zan's Pictoriality and Stylistic Origin. Studies of Ni Zan ed. Lu Fusheng. Shanghai Shuhua Publishing House Beijing Beijing Normal University Press Ma Linfei.A Study of Dong Qichang. University Press Tianjin Nankai 2009 Peng Lai. Classical Theories of Art. Shanghai Shanghai Bookstore Publishing House Zhao Qibin Wang Anli the Construction of North-South Schools. Hangzhou China Academy of Fine Arts Press Wang Hong. The Best Tang Poems. Beijing Zhaohua Publishing House Wang Yangming. Collection of Teaching Notes. Hefei Huangshan Shushe Publishing House Wellek Rene and Austin Warren. Theory of Literature. New York Harcourt Brace Jovanovich Publishing House Zhang Lizhu. Thirty Lectures on Chinese Philosophy Zhao Jing.A Study of the Ming Court Art. Zhejiang University Press Hangzhou 2015 Great Hermits of Mountains and Rivers. Shenyang Northeastern University Press Zheng Wen. The Change of Cultural Trend in the Jiangnan Region and the Rise of the Wu School Art. Cultural Publishing House Shanghai 檸檸檸檸檸檸檸檸檸檸檸檸檸檸檸檸檸檸檸檸檸檸檸檸檸檸檸檸檸檸檸檸檸檸檸檸檸檸檸檸檸檸檸檸 143 People's Publishing House Xu Fuguan. The Chinese Spirit of Art. Shanghai East China Normal University Press Qian Zhongshu. Origin of New Chinese Literature. The New Crescent Moon 1 Nov Wu Xuan. Negative Aesthetics. Harbin Heilongjiang Contemporary Literariness of Chinese Characteristics. Literary Review Zhou Zuoren. Origin of New Chinese Literature. Shanghai East China Normal University Press

中國女性書寫──國際學術研討會論文集

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