DOI: /j.cnki.qhdz No Vol Peter K. Bol common-subjectivity

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羽境屈
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1 DOI:0.363/j.cnki.qhdz No. 0 Vol Peter K. Bol 3 4 common-subjectivity

3 Ancestral Hall and Buddhist Gongde Temple Chinese Sociology and Anthropology 00 Vol. 34 No. 3 pp

6 Ebrey M. Freedman 949 Ebrey Patricia Early Stages in the Development of Descent Group Organization In Patricia Ebrey and James Watson eds. Kinship Organization in Late Imperial China London University of California Press 986 Freedman Maurice Chinese Lineage and Society Fukien and Kwang Tung London Athlone Press

12 Watson James Standardizing the Gods The Promotion of Tien Hou along the South China Coast In D. Johnson A. Nathan and E. Rawski eds. Popular Culture in Late Imperial China London University of California Press

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15 0 7 No. 0 Vol. 7 ABSTRACTS Origins of Torch Festival and the Problem of Higher Culture in Chinese Ethnology Wang Xiaodun Torch festival is Xinghui festival in ancient time which is popular in Yi Bai Han and other ethnic groups in Yunnan Guizhou Sichuan and other places and generally held in late June and late December and its significance marks the beginning of the new year. The paper demonstrates its original nature and ancient origins with the help of the relic of Two Divisions of a Year in Yi calendar and Yi s traditional stellar observational method. Furthermore the paper discusses the problem of Higher Culture in Chinese ethnology and elaborates the importance of documents and archives to the studies of ethnic civilizations on the basis of the origin of Torch festival. Wenzhi Renaissance and National Ceremony Reform A Case Study of Ancestral Hall System and Ancestor-worship Ceremony Zhang Xiaojun The common-subjectivity political culture was formed gradually from the Song Yuan to Ming and Qing dynasty. Wenzhi Renaissance was a movement which attempted to restore the three kings Yao Shun and Yu ruling by Confucian scholar-bureaucrat in the Song dynasty. There were two important national ceremony reforms since and after the movement from the Song to Ming one was the ancestral hall system which companied with plebs-practice of national ceremony the another was the ancestor-worship ceremony which accompanied with national practice of folk ceremony. There were big development of economy and culture in South China influenced deeply by the movement including broad culture invention of making lineage and folk belief. Is Nation-state Obsolete Critical Studies on Global Justice Ai Silin Qu Weijie Today the tendency of economic globalization and the trend of multiculturalism thought create a great challenge for the existing nation-state system many scholars who study global justice have claimed that the nation-state is obsolete. This article points out that the cosmopolitanism underlies global justice couldn t be established in theory. Actually we all approach the world as bearers of a particular social identity individual can really achieve free and all-around development only in community. Nation-state is the most important political arena in protecting and implementing personal political and economic rights. Although nation-state assumes particular duties of its citizens can also play a positive irreplaceable role in resolving lots of global issues such as economic inequality. How to Represent the Holocaust Analyses of Hayden White s Historical Relativism Wang Xia Hayden White s theory of Historical interpretation is a kind of relativism but this historical relativism is the limited relativism. The limit is he admitted that the relativity of historical interpretation limited by the objectivity of historical events and the standards of human ethics. He admitted historical fact and thought that historical fact itself could limit the modes of emplotment of historical narrative. Therefore White is different from the extreme nihilist who denies the existence of historical fact also different from the absolute relativist who consider that historical events can be interpreted freely without limit and bottom line. On Five Dimensions of Historical Literary Writings Tong Qingbing The contemporary historical literary writings should have five dimensions. It is recommended to observe and criticize the history from the view of big history it s to say long time long distance and large vision. The true is the main point of the historical literary writings. It s always the focus and we have to understand it in the view of construction. The real history is the history the historical documents constitute the history and the historical literary writing characterized by the fictions is the history 3. The artiste truth is about the history 3. The judgment of value is another important dimension of the historical literary writings. The historical progress is full of tragedies therefore it produces the historical paradoxes. The theory of the tension of history-humanity can give an effective explanation for these complicated paradoxes. The historical literary works will be finally in the dialogue with the pres- 58

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