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2008 3 ( ) No. 3 2008 48 JOURNAL OF SUN YAT2SEN UN IVERSITY Vol. 48 ( 213 ) ( SOC IAL SC IENCE ED ITION) General No. 213 ( ) 3 : 20,,,,,,,,,,,,,,,, : ; ; ; ; ; : K877.

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13 styles when the mode of cultural p roduction is changed and has exerted a p rofound influence on the style of literature and transfor2 mation of literary style. Modern newspapers and periodicals have p romoted the p rosperity of popular novel while popular novel is p laying an important role in the cultivation of modern cultural market in the form of a commodity; newspaper supp lement has p ro2 moted the transformation of literary style of p rose by expanding more free space for public op inion; thus the literary style of p rose is established in modern form by conscious or unconscious p ropagation, integration and alternation in order to adap t to the new aesthetic demands of p lebeian stratum. Keywords: mass media; popular novel; literary style of p rose W illiam Blake and Postm odern ism OU Hong, CHEN Yao ( S chool of Foreign L anguages, S un Ya t2sen U n iversity, Guangzhou, ) Abstract: W illiam B lake happens to share some viewpointswith postmodernism. W hile his concep tion of the coexistence of the Contraries removes the hierarchical relationship of Logocentricism as postmodernism does, his belief in God and truth p revents him from falling into postmodernist relativism and nihilism. H is pursuit of p luralism urges him to adop t some postmodernist strate2 gies in his writing, i. e., blending fiction and facts, literary collage, and intertextuality. The comparison between B lake and post2 modernism p roves that the pursuit of p luralism runs all through the modern age, not just in the postmodern world. pursuit of p luralism, B lakeπs works acquires values transcending his age. Keywords: W illiam B lake; postmodernism; p luralism; intertextuality An Ana lysis on Shen2W u Fu Excava ted from the Han Tom bs in Y inwan XU Yun2he (Chinese A ncient L iteratu re Institu ts, S un Yat2sen U niversity, Guangzhou, ) In his persistent Abstract: This paper points out that the two lines of smaller characterswritten on the 20 th bamboo slip s of Shen2W u Fu was not written by the author, but a signature of a donator. ble. The viewpoints on the theme, if only based on its story, would be untena2 The authorπs views, i. e., abandoning p rofits and keep ing far from disaster for safety, should be taken into consideration. The p lot of this story, the W uπs fighting to death with another bird, inausp iciously manifested this Fuπs strong trend of politics. This political trend in the story was a rep resentation of a great event of rebellion. W ith regard to the style, it was a typ ical Fu by literati in the Han Dynasty rather than a folktale Fu. Fengyuan time, Emperor of Zhao. It could also be concluded that this Fu was written after the first year of Keywords: Shen W u Fu ; signature; B iography; inausp icious manifestation; literati Fu; the first year of Fengyuan time Proof2read ing and Rev ising the F ina l Version of R en J ian C i H ua in ShengJ ing Tim es PEN G Yu2ping (D epartm ent of Chinese, Sun Yat2sen U niversity, Guangzhou, ) Abstract: The original manuscrip t of Ren J ian C i Hua have 126 item s which was written bywang Guo2wei in 1908, but the second version excerp ted from the first draft serialized on the Journal of Guo Cui for three times from just kep t 63 i2 tem s and added another one item, but its efforts were not app reciated. In January 1915, the final and also unknown version of R en J ian C i Hua serialized in Sheng J ing Tim es for seven times had 31 item s, including those modified manuscrip ts and published on the Journal of Guo Cui. Furthermore, W ang Guo2wei added to it one item from the O rigin of Traditional O pera in the Song and Yuan D ynasties. Up to now, almost all citations of the final version come from the Journal of Henan N orm al U niversity in 1982 or come from the W ang Guo2w eiπs A cadem ic Essays in The first one just included 23 item s kep t byw ang Guo2wei taking from Sheng J ing Tim es and published by Chen Xing2zhen and L iu Yuan; the second one is a comp lete version collected and comp iled by Zhao L i2dong from Sheng J ing Tim es. This paper tries to p roofread and revise the two versionsmentioned above and briefly dis2 cuss its basic point of view of de2w esternization in the final version of R en J ian C i Hua. 205

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