3 2005 7 157~174
1 Matei Calinescu Five faces of modernity 2004 2 Berman, Marshal All that is solid melts into airthe experience of modernity 2003 3 1995 1895-1927 1996 158
3 4 1998 5 2003 6 1993 1995 9 13 1999 7 1988 2003 8 159
9 1977 10 1992 11 (Patrick Hanan) 1981 1999 12 1998 79 13 10 2 1992 12 160
3 14 Q Q 15 14 1998 417 15 Q 526 161
19 20 16 163 17 465 18 1998 455 19 23 6 1994 11 20 30 162
3 21 22 23 24 21 27 22 107 23 102 24 1878-1927 1998 163
25 26 27 28 29 30 25 1992 124 26 129 27 1998 28 29 30 164
3 31 32 33 31 214-215 32 20 33 165
烟 烟 袴 袴 34 烟 35 36 Jing 37 38 34 1991 8 18 35 2001 11 36 1987 6 1 37 1999 3 148 38 1999 166
3 徳 39 Q 39 184 167
鷄 烟 42 43 40 109 41 1991 8 244 42 43 311 168
3 44 44 6 169
170 45 19-20
3 171
1995 1992 1995 9 13 1998 1988 1992 2003 1996 1999 1996 10 2 1992 12 Matei Calinescu Five faces of modernity 2004 Berman, Marshal All that is solid melts into airthe experience of modernity 2003 1991 2001 2001 1991 1991 2003 23 6 1994 11 1999 1998 1998 1998 1998 1998 1977 172
3 1987 6 1 1981 1993 173
The Modernity and Nihility in Lu Hsun and Eileen Chang s Literatures Hou, Tzuoh-Jen Associate Professor, Department of Literature Nan-hua University Abstract Modernity, originated in the West, has become a worldwide trend, and influenced the modern literature in China. The various aspects of modernity could be observed from literatures. The expression of modernity in China is often a fumbled attempt to establish the images of the new culture in the collapse of old cultural order. The gap between the new and old cultures often result in the loss of values, thus, nihility, which is similar to the Modern Literature in the West. Lu Hsun and Eileen Chang are important writers in the New Literature in China, and two paradigms of modernity. Their literatures touched the collision of the new and old cultures, and expressed pessimistic nihility, which showed the attitudes of farmers to townspeople toward modernity in China in 1920s to 1940s. This paper intended to analyze the modernity and corresponding nihility in Lu and Chang s literatures, the origins and expressions, and the connotations, thus, further understand the modernity reflected in the New Literature in China. keywordslu HsunEileen ChangModernityNihility 174