32 Southeast Asia and Taiwan: Modernity and Postcolonial Manifestations in Visual Art page. 66 gaze Lostgens Fredric Jameson

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1 page. 65 * Sandy Hsiu-chih Lo Independent Curator * Lostgens (Vuth Lyno)

2 32 Southeast Asia and Taiwan: Modernity and Postcolonial Manifestations in Visual Art page. 66 gaze Lostgens Fredric Jameson

3 page. 67 Abstract Using Sa Sa Art Projects in Phnom Penh and the Lostgens Art Space in Kuala Lumpur as examples, this paper attempts to explore the social practice and knowledge production in South-eastern Asian contemporary art from the perspective of curating topography. The conception of curating topography appropriates the cognitive mapping proposed by Fredric Jameson. It tries to endow individual subjectivity by intensifying new sense of place in a global system, and creates new model of representation with complex representational dialectics, in order to enhance the self-positioning accuracy, prove the ability of understanding the world, and represent the imaginative relationship between oneself and the real situation. Cognitive mapping is related to self-positioning and understanding the world, and place is also a way of seeing, knowing and understand the world. If we regard the world as a composition of different places, we can see different matters. Just like what David Harvey has said, The preservation or construction of a sense of place is then an active moment in the passage from memory to hope, from past to future. The place is regarded as the foundation of resistance of politics and an important force to fight capitalist commodity f low and monetization. It activates the environment and society by combining local characteristics and recovering collective memories. Basing on the concept of curating topography, the social practice and knowledge production emphasize the situated knowledge which is expected to focus on the geographical and cultural specificity instead of universal knowledge; regard audiences as active participants rather than passive viewers; and transform places into becoming artistic fields. Keywords: curating topography, cognitive mapping, sense of place, situated knowledge, artistic fields

4 32 Southeast Asia and Taiwan: Modernity and Postcolonial Manifestations in Visual Art page Lostgens gaze 1 Fredic Jameson 1

5 page. 69 Lostgens Lostgens 2 Pierre Bourdieu Édouard Manet 3 Bourdieu 1993 : 238 Bourdieu 1993 : Bourdieu 1993 : Bourdieu 1993 : :

6 32 Southeast Asia and Taiwan: Modernity and Postcolonial Manifestations in Visual Art page. 70 Bourdieu 1993 : Bourdieu 1993 : 266 Bourdieu 1993 : Bourdieu 1993 : (Nicolas Bourriaud) (Jacques Ranciiau) (Grant H. Kester) (Claire Bishop) 2013 : 10-11

7 page : : 10-11

8 32 Southeast Asia and Taiwan: Modernity and Postcolonial Manifestations in Visual Art page. 72 (heterotopia) (heteron) (other) (topoi) 2013 : (Michel Foucault) (heterotopia) 4 (heteron) (other) (The Emancipated Spectator) (Rancière 2009 : 3-4) 4 (heterotopia) Michel Foucault. Texts/Contexts of Other Spaces. Diacritics, (1) : (Michael Foucault)

9 page. 73 (Grant H. Kester) (Grant H. Kester) (Conversation Pieces, 2004) (Suzanne Lacy) (Mapping the Terrain, 1995) (Lucy Lippard) (The Lure of the Local, 1997) (Erik Hagoort) (Good Intention: Judging the Art of Encounter, 2005) 個殊性普遍性 2015 : 50 (identity politics) ( 2015 : 52) ( 2015 : 54) 2015 : (Jacque Lacan) (jouissance) (Big Other)

10 32 Southeast Asia and Taiwan: Modernity and Postcolonial Manifestations in Visual Art page : : : 467

page. 75 1 (curating topography) 1 (Jameson 1991 54) (sense of place) (place) 5 (Cresswell 2004

11 page (curating topography) 1 (Jameson ) (sense of place) (place) 5 (Cresswell ) (David Harrey) 5 Tim Cresswell Cresswell, Tim. Place: A Short Introduction. Blackwell, 2004.

12 32 Southeast Asia and Taiwan: Modernity and Postcolonial Manifestations in Visual Art page. 76 (Harvey 2009 : 178) (being landscapes) (becoming landscapes) (heterotopia) 6 6 (heterotopology) 1. crisis heterotopia heterotopia of deviation (heterochronies) 5. 4

13 page. 77 (landscape) Mauriusz Czepczynski Mauriusz Czepczynski (Landscape as form or artistic imagination) (Landscape as function or territorial complex) (Landscape as meaning or system of communication) (Czepczynski ) (Czepczynski ) (Tuan Yi-Fu) (Tuan ) 7 landscape Mauriusz Czepczynski Czepczynski, Mauriusz. Cultural Landscapes of Post-Socialist Cities: Representation of Powers and Needs. Ashgate Publishing Limited, 2008, pp Clark, Kenneth. Landscape into art. Harmondsworth: Penguin,1956.

14 32 Southeast Asia and Taiwan: Modernity and Postcolonial Manifestations in Visual Art page (absolute) (relative) (relatioanl) (Henri Lefebvre) (spaces of material practice) (representations of space) (spaces of representation) (experienced) (conceived) (lived) (situated knowledge) 10 (specificity) (universality) 9 Harvey pp p Donna Haraway Haraway, Donna. Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective. Feminist Studies 14(3): , 1988.

15 page. 79 Lostgens Gayatri Chakravorty Spivak Bell Hooks Bell Hooks 1990 (hooks 1990 : 341 (other (hooks 1990 : 342 Joanne P. Sharp 2012 : 155 (Phnom Phen) ( ) ( ) (UNTAC)

16 32 Southeast Asia and Taiwan: Modernity and Postcolonial Manifestations in Visual Art page (Tuol Sleng Genocide Museum 1980 siem Reap) (White Building Project) (Bassac River) (Sihanouk) (Lu Ban Hap) (Vladimir Bodiansky) (Vann Molyvann) (Le Corbusier) (Ville Radieuse)

17 page. 81 Olympic Village Apartments National Bank Apartments (Museum for the Royal Crusade of Independence) 2014 : (Sa Sa Art Projects) 2010 (Stiev Selapak) (Khvay Samnang) (Lim Sokchanlina) 2014 : (Communication) (Ingrid Muan) : 31 ( R o y a l University of Fine Arts) 11 (Ingrid Muan) Muan, Ingrid. Haunted Scenes: History and Painting in Phnom Penh. Udaya: Journal of Khmer Studies 6 (2005): 15.

18 32 Southeast Asia and Taiwan: Modernity and Postcolonial Manifestations in Visual Art page (The French Cultural Center) (the Alliance Francaise) 1990 (the Center for Cultural and Linguistic Cooperation) 1992 (the French Cultural Center of Cambodia) 2011 (the Institut Francais) 1998 (Dana Langlois) 2000 (Java Café & Gallery) (Bophana Audio-Visual Resource Center) 2005 (Rithy Panh) (Metahouse (Nico Mesterharm) (Japan-Cambodia Cooperation Center) (trauma art) (Lim Sokchanlina) 2009

19 page. 83 (Wrapped Future) (Erin Gleeson) (Dana Langlois) (Our City 2014) (Churong-Đài Võ) (On The Streets)

20 32 Southeast Asia and Taiwan: Modernity and Postcolonial Manifestations in Visual Art page. 84 (Vuth Lyno) (the White Building Project) (Big Stories) (www.

21 page (White Night) ( K at h Soksamnang) (Snit Snaal) whitebuilding.org) (becoming)

22 32 Southeast Asia and Taiwan: Modernity and Postcolonial Manifestations in Visual Art page Lostgens Art Space (zero squatters by 2005) Lostgens Art Space 2005 Lostgens Ili Farhana Saiful Razman Notthatbalai not that balai balai Balai Seni Lukis Negara

23 page. 87 Lost Generation Space Lostgens Analiza Mohammed Lostgens Lostgens 2015 Lostgens Lostgens Lostgens Lostgens Lostgens 2015 Lostgens Lostgens (zero squatters by 2005) , % Muhamad Ariff, Nor Rima and Davies, Hilary, Sustainable living environment for urban low-income households in Malaysia : key factors for maintenance, in Proceedings of the 2009 International Symposium On Construction in Developing Economies: Commonalities among diversities, CIBW, Penang, Malyasia, pp

32 Southeast Asia and Taiwan: Modernity and Postcolonial Manifestations in Visual Art page. 88 6 2011 9 16 2012 2 5 118 Lostgens 2011 15 16 Lostgens 2012 17 2013 2.

24 32 Southeast Asia and Taiwan: Modernity and Postcolonial Manifestations in Visual Art page Lostgens Lostgens Light A Lantern Save Jalan Sultan

25 page

32 Southeast Asia and Taiwan: Modernity and Postcolonial Manifestations in Visual Art page. 90 10 2.

26 32 Southeast Asia and Taiwan: Modernity and Postcolonial Manifestations in Visual Art page Yeow Lai Chee, Leo Yap, Matthew Tan, Kyo Hong, Chow Yong, Shuang Ling, Lim Shin Hui, Wei-Yin Hoh Lostgens

27 page Lostgens (Bourdieu )

28 32 Southeast Asia and Taiwan: Modernity and Postcolonial Manifestations in Visual Art page. 92

29 page Lostgens Bishop, Claire (Artificial Hells) 2015 Bourriaud, Nicolas (Esthétique relationnelle) 2013 Bourdieu, Pierre (La Noblesse d Etat) 2004 Corey, P. N Foucault, Michael Gleeson, Erin Hooks, Bell Lyno, Vuth (The White Building Project) Sa Sa Art Projects Rancière, Jacques (The Aesthetic Heterotopia) (Aux Bords du Politique) 2007 Sh a r p, J. P. (G e o g r a p h i e s o f Postcolonialism) Bourdieu, Pierre. The field of cultural production: Essays on art and literature. R. Johnson, Ed. Oxford, UK: Polity Press The Rules of Art: Genesis and Structure of the Literary Field. Susan Emanuel trans. Stanford: Stanford University Press, Cresswell, Tim. Place: A Short Introduction. Blackwell, Haraway, Donna. Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective. Feminist Studies 14(3): , Harvey, David. Cosmopolitanism and the Geographies of Freedom. New York: Columbia University Press, Jameson, Fredric. Postmodernism, or, The cultural Logic of Late Capitalism. Durham: Duke University Press, Massey, Doreen. Space, Place and Gender. Minneapolis: University of Minnesota Press, Michel Foucault. Texts/Contexts of Other Spaces. Diacritics, (1) Rancière, Jacques. The Politics of Aesthetics. Gabriel Rockhill trans. London: Continuum, The Eamncipated Spectator. Gregory Elliott trans. London: Verso, Tuan, Yi-Fu. Space and Place: the Perspective of Experience. 8th printing, Minneapolis and London: University of Minnesoda Press, 1977, 2001.

Northwestern Journal of Ethnology Johannes Fabian 1 George Stocking Jr 2 Bernard McGrane 3 Michel Foucault 1 Johannes Fabian, Time and the Other

Northwestern Journal of Ethnology Johannes Fabian 1 George Stocking Jr 2 Bernard McGrane 3 Michel Foucault 1 Johannes Fabian, Time and the Other N.W.J.E 1001-5558 2012 03-0029-11 C912.4 E 1973 1 20 70 20 70 Talal Asad 2 Edward Said 3 1 Stephan Feuchtwang The discipline and its sponsors, in Talal Asad ed. Anthropology and the Colonial Encounter