THE ART OF MUSIC 年制斯特拉迪瓦利 PIATTI 及至 1717 年, 斯特拉迪瓦无疑已达到制琴生涯的顶峰,73 岁的他已成为克雷莫纳首屈一指的制琴师, 客户均为欧洲最富有的收藏家音乐家及赞助人他以顶级物料制成的乐器, 皆以高价出售 1707 年, 由于哈布斯堡

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1 年制斯特拉迪瓦利 PIATTI 小提琴 1717 STRADIVARI THE PIATTI VIOLIN

2 THE ART OF MUSIC 年制斯特拉迪瓦利 PIATTI 及至 1717 年, 斯特拉迪瓦无疑已达到制琴生涯的顶峰,73 岁的他已成为克雷莫纳首屈一指的制琴师, 客户均为欧洲最富有的收藏家音乐家及赞助人他以顶级物料制成的乐器, 皆以高价出售 1707 年, 由于哈布斯堡王朝统治伦巴底, 令斯特拉迪瓦利失去西班牙的顾客, 当时不少制琴师皆大受影响, 但却无阻他获得成功 Piatti 小提琴是斯特拉迪瓦利黄金时期的经典之作, 以上等枫木制成, 镶边完美拼接, 琴头设计经典, 无不彰显斯特拉迪瓦利无出其右的技艺及设计这把小提琴音色悦耳非凡, 外表赏心悦目, 是独奏家的完美选择 WE Hill 于 1931 年的信件中指这把小提琴是制琴师当时作品的典范, 比例与 1714 年制作的著名 The Dolphin 小提琴相近, 难怪十九及二十世纪多位著名乐器收藏家皆曾收藏这把小提琴文件 : 纽约 Rudolph Wurlitzer Co. 证书,1931 年 2 月 24 日纽约 Rudolph Wurlitzer Co. 信件, 1931 年 2 月 24 日伦敦 William E. Hill and Sons 证书,1931 年 3 月 9 日伦敦 William E. Hill and Sons 来源信件,1931 年 3 月 9 日阿姆斯特丹 Max Möller and Zoon 证书,1986 年 6 月 24 日文献 : W.H. A.F. 及 A.E. Hill 合着, Antonio Stradivari, His Life & Work, 伦敦,1902 年 H.K. Goodkind 着, Iconography of Antonio Stradivari, 纽约拉奇蒙特, 972 年, 第 486 页 ( 插图 ) 733 及 758 页 E.N. Doring 着, How Many Strads, 芝加哥,1945 年, 第 212( 插图 ) 213 至 214 页 W. Henley 着, Antonio Stradivari, 萨塞克斯,1961 年, 第 65 页 The Strad,1985 年 12 月 Lyon & Healy 着, Collection of Rare Old Violins, 芝加哥,1945 年 T. Ingles 年, Four Centuries of Violin Making: Fine Instruments from the Sotheby s Archive, 波士顿, 2006 年, 第 540 至 541 页 ( 插图 ) E.N. Doring 着, Violins & Violinists, 1938 年 4 月苏富比乐器拍卖图录, 伦敦, 1986 年 3 月 19 日, 拍品编号 152 来源 : 约翰贝兹 (John Betts) Rowland Watkin Wynn 爵士 George Ashley Emmington Arthur Betts Henderson Simon Andrew Forster 阿尔佛雷多卡罗皮亚堤 (Alfredo Carlo Piatti) John Pawle Gabriele Wietrowitz Nathan E. Posner Eugenio Sturchio 博士 John W. Coggeshall Alfred O. Corbin Rudolph Wurlitzer Co. Frank Miles Yount Lyon & Healy C. Michael Paul 现藏家

3 104 安东尼奥斯特拉迪瓦利 ( ) Piatti 小提琴克雷莫纳 1705 年制附有 Antonius Stradivarius Cremonensis / Faciebat Anno 1717 标签目录编号 7663 背板长度 :13 15 /16 英寸 (35.4 厘米 )

THE ART OF MUSIC 105 Antonio Stradivari (1644 1737) A

Stradivarius Cremonensis / Faciebat Anno 1717, and bearing

4 THE ART OF MUSIC 105 Antonio Stradivari ( ) A Violin, Known as the Piatti, Cremona, 1717 Labelled Antonius Stradivarius Cremonensis / Faciebat Anno 1717, and bearing the catalogue number 7663 Length of back: /16 in., (35.4 cm.)

5 STRADIVARI THE PIATTI VIOLIN Documents Certificate, Rudolph Wurlitzer Co., New York, 24 February 1931 Letter, Rudolph Wurlitzer Co., New York, 24 February 1931 Certificate, William E. Hill and Sons, London, 9 March 1931 Provenance letter, William E. Hill and Sons, London, 9 March 1931 Certificate, Max Möller and Zoon, Amsterdam, 24 June 1986 Literature W.H., A.F., and A.E. Hill, Antonio Stradivari, His Life & Work, London 1902 H.K. Goodkind, Iconography of Antonio Stradivari , Larchmont, NY, 1972, il. p. 486, pp. 733, 758 E.N. Doring, How Many Strads, Chicago, 1945 il. p. 212, pp W. Henley, Antonio Stradivari, Sussex, 1961, p.65 The Strad, Il. December 1985 Lyon & Healy, Collection of Rare Old Violins, Chicago, 1949 p. il. 212, pp T. Ingles, Four Centuries of Violin Making: Fine Instruments from the Sotheby s Archive, Boston 2006, pp and il E.N. Doring, Violins & Violinists, April 1938 Sotheby s Musical Instruments sale catalogue, London 19 March 1986, Lot 152 Provenance John Betts Sir Rowland Watkin Wynn George Ashley Emmington Arthur Betts Henderson Simon Andrew Forster Alfredo Carlo Piatti John Pawle Gabriele Wietrowitz Nathan E. Posner Dr Eugenio Sturchio John W. Coggeshall Alfred O. Corbin Rudolph Wurlitzer Co. Frank Miles Yount Lyon & Healy C. Michael Paul Current owner By 1717 Stradivari was unquestionably at the peak of his creative powers. At the age of 73 he was acknowledged as the premier luthier in Cremona. He could count among his clients the wealthiest collectors, musicians and patrons in Europe, allowing him to charge the highest prices for his instruments and make them from the finest materials. This success was earned despite the loss of Spanish patronage due to Hapsburg rule in Lombardy in 1707, which adversely affected so many of Stradivari s contemporaries. The Piatti violin is a classic work from Stradivari s Golden Period. The model employed from the highly figured maple, the purfling terminating in his signature elegant mitred corners to the classically composed scroll all illustrate Stradivari s unsurpassed skill in workmanship and design. The result is a violin of superior tonal and aesthetic quality, one truly fit for a concerto soloist. In the W.E. Hill letter of 1931, the violin is described as a good and typical example of the period of the maker s work, very similar in general proportions to the celebrated example known as 'The Dolphin' of the year It is no small wonder that the violin s history of ownership is well represented by marquee names of 19th and 20th century musical instrument connoisseurship.

THE ART OF MUSIC 年制斯特拉迪瓦利 KOCHANSKI, ROSENHEIM Ex-Kochański, Rosenheim 小提琴制于 1686 年, 当时为斯特拉迪瓦利的阿玛蒂风格时期不过, 斯特拉迪瓦利 1690 年前制造的作品并非完全受阿玛蒂玲珑小巧的琴型

THE ART OF MUSIC 年制斯特拉迪瓦利 KOCHANSKI, ROSENHEIM Ex-Kochański, Rosenheim 小提琴制于 1686 年, 当时为斯特拉迪瓦利的阿玛蒂风格时期不过, 斯特拉迪瓦利 1690 年前制造的作品并非完全受阿玛蒂玲珑小巧的琴型 1686 年制斯特拉迪瓦利 KOCHANSKI, ROSENHEIM 小提琴 1686 STRADIVARI THE KOCHANSKI, ROSENHEIM VIOLIN THE ART OF MUSIC 71 1686 年制斯特拉迪瓦利 KOCHANSKI, ROSENHEIM Ex-Kochański, Rosenheim 小提琴制于 1686 年, 当时为斯特拉迪瓦利的阿玛蒂风格时期不过,