<B371C3D1BEC7B3F8B2C431B4C12DB3CCABE1AAA9A5BB2E706466>

Size: px

Start display at page:

Download "<B371C3D1BEC7B3F8B2C431B4C12DB3CCABE1AAA9A5BB2E706466>"

仇溥
5 years ago
Views:

1 , 30 * *

2 70 1 Overview and Analysis of Sigfrid Karg-Elert: Chaconne, from Op.107,No.30 Chiang, Shu-Chun * Abstract The late-romantic German composer Sigfrid Karg-Elert ( ) produced some of the most important repertoire of late-romanticism for the flute. His monumental solo work :30 Caprices, op. 107, for flute solois both in musical-style and technical challenges equivalent to Paganini s 24 Caprices for violin. In spite of his relatively short life, Karg-Elert lived through a period of rapid development from romanticism to 20thcentury contemporary music. He grew up and studied in Leipzig, being a successor of the German romantic tradition with rich harmony and integrated impressionism which nourished him to create his very unique personal style. There are 30 studies masterly written for flute in Karg-Elert s Caprices of op. 107, composed within Because of their diversely rich and varied content, very often these pieces are appointed for flute competitions. Especially the final study: No. 30, Chaconne is an excellent example of a combination of baroque variation dance and virtuosity of brilliant technique and this is the topic for the overview of this essay. This essay is divided into five sections : Starting with Karg-Elert s personal life and academic up-bringing, then displaying the relations of the musical traditions of Leipzig from baroque peroid to late-romanticism. Following this will be discussed the style and character of the baroque-era dance Chaconne and finally analyzing the fundamental harmony structure and technical variations of Karg-Elert s composition. Through this research, the author wants to bring forward a complete view of the work and wishing this knowledge can be of valuable help in assisting performance practice and proper interpretation. KeywordsSigfrid Karg-Elert, Chaconne, Late-romanticism * Professor, Department of Music and Graduate School of Musical Arts, University of Taipei.

3 -- 107, Sigfrid Karg-ElertSinfonische Kanzone-- p Karg-Elert [Karg], Sigfrid (b Oberndorf am Neckar, 21 Nov 1877; d Leipzig, 9 April 1933 ) - 3 Emil Nicolaus von Rezniček, ,

4 Paul Homeyer 5 Salomon Jadassohn, , 6 Carl Reinecke, , 7 Alfred Reisenauer, , 8 Robert Teichmuller, , 9 Spiritual collapse 10 Edvard Grieg, My unforgettable patron 12 Harmonium, ( 83) 13 Kunstharmonium 14 Ferruccio Benvenuto Busoni, , 15 Max Reger, 1873~1916, 16 organ 17 Claude-Achille Debussy, , 18 Arnold Schoenberg, , 19 Alexander Nikolaevich Skryabin, ,

5 -- 107, Church of St. Lawrence Jewry 21 Karg-Elert Festival 22 Willis Organ Company 23 Felix Aprahamian Music of The New Century in Music in the Twentieth Century, Heritage of Music (Oxford University Press, 1989), p.7 24 (The Ring of the Nibelung)

6 Leipzig

7 -- 107, Gewandhaus Concerts 1781 Furtwängler Bruno Walter 27 Arthur Sullivan, , 28 Felix Weingartner, ,

8 Most lively of all woodwind instruments 31 Carl Bartuzat( ), 32 Passacaglia

9 -- 107, Dm Fm Ab

11 -- 107, fff pp

12 80 1

13 -- 107, 30 81

14 82 1

15 -- 107, 30 83

16 84 1

17 -- 107, f c 6 min D C

18 86 1

19 -- 107, 30 87

20 88 1

<4D6963726F736F667420576F7264202D2035B171AB73B6CBA8ECAB73A6D3A4A3B6CBA158B3AFA46CA9F9BB50B169A445C4D6AABAB750B94AB8D6B9EFA4F1ACE3A873>

<4D6963726F736F667420576F7264202D2035B171AB73B6CBA8ECAB73A6D3A4A3B6CBA158B3AFA46CA9F9BB50B169A445C4D6AABAB750B94AB8D6B9EFA4F1ACE3A873> 中正漢學研究 2012 年第一期 ( 總第十九期 ) 2012 年 6 月頁 111~134 國立中正大學中國文學系 111 從哀傷到哀而不傷 : 陳子昂與張九齡的感遇詩對比研究 * 丁涵摘要在中國古典文學語境中, 一個主題的奠立往往需要歷時彌久, 而這本