南華大學數位論文

Size: px

Start display at page:

Download "南華大學數位論文"

匙苏
7 years ago
Views:

1 Modern Dance and Cultural Identity A Study on Contemporary Indigenous Choreographers in Taiwan

5 Modern Dance and Cultural Identity A Study on Contemporary Indigenous Choreographers in Taiwan Chen Yang-Wei Nanhua University Institute of Aesthetics and Arts Management Abstract Modern dance is a branch of western performance art that emphasizes the creativity of the choreographer, and as such is a supreme example of individualism. Taiwan's indigenous peoples originally possessed a rich tradition of music-accompanied dance that was intimately tied to the society and culture of their villages. In the past hundred years, however, under the strong influence of encroachment by alien peoples, this tradition of music-accompanied dance has gradually died away, such that now it is mainly an object of performance by specialists rather than a part of everyday life for the entire tribe. During the past several decades, a new category of music-accompanied dance has emerged in Taiwan: modern dance choreographed by Taiwanese indigenous. The present study takes Taiwanese aboriginal choreographers Wei Guangqing and Puljaljuyan Pakeleva as examples of this contemporary phenomenon. Through field research and textual analysis, the author attempts to understand and explore the work of these two choreographers and how they have balanced "artistic expression" and "cultural identification" to achieve success. The present study's two major research goals are (1) to analyze the cultural identity and expression of contemporary modern dance by Taiwanese indigenous choreographers, and (2) to preserve, explain and bring to public attention the works of these choreographers. From the modern dance creations of these two choreographers, the author discovered that these choreographers not only earnestly pursued selfhood and perfection through the medium of modern dance, but also actively sought to show aboriginal images and declare their self-identification as aborigines in their creative work. Wei Guangqing attempted to integrate elements of traditional aboriginal dance into the body language of his work, while Puljaljuyan Pakeleava used "Dance Theatre" to give voice to the thoughts and feelings of Taiwanese indigenous. Today, with

6 Taiwanese indigenous people and culture in crisis, the successful efforts of indigenous modern dance choreographers may contribute to the self-identity of aboriginal groups, while also providing them an example to refer to as they strive for success in the future. Key words: modern dance, choreographers, the Taiwanese indigenous peoples, cultural identity

7 ?...26?...29?...31?

8 ?? ?? ??...92??

9 ??...151?? ??...171

10 1

11 2

12 3

13 4

14 5

15 6

16 7

17 8

18 9

19 10

20 11

21 12

22 13

23 14

24 15

25 16

26 17

27 18

28 19

29 20

30 21

31 22 Mirecuk

32 23

33 24

34 25

35 26

36 27

37 28

38 29 18

41 32

42 33 27

43 34 28

44 35 29

45 36

46 37

47 38

48 C 39

49 40

50 41

51 42

52 43

53 44

54 45

55 46

56 47

57 46 48

58 49

59 50

60 51

61 52

62 53

63 54

64 55

65 56

66 57

67 58

68 59

69 60

70 61

71 62 é

72 63 é

73 64

74 65

75 66

76 67

77 68

78 69

79 70

80 71

81 72

82 73

83 74 é

84 75

86 77

87 78 é ó

88 79

89 80

90 81

91 82

92 83

93 84

94 85

95 86

96 é 87

97 88

98 89

99 90

100 91

101 92

102 93

103 94

104 95

105 96

106 97

107 98

108 99

109 100

110 101

111 A-Li-An 102

112 103

113 104

114 105

115 106

116 107

117 108

118 109

119 110

120 111

121 112

122 113

123 114

124 115

125 116

126 117

127 118

128 119

129 120

130 121

131 122

132 123

133 124

134 125

135 126

136 127

137 128

138 129

139 130

140 131

141 132

142 133

143 134

144 135

145 136

146 137

147 138

148 139

149 140

150 141

151 142

152 143

153 144

154 145

155 146

156 147

157 148

158 149

159 150

160 151 umud

161 152

162 153

163 154

164 155 min.

165 156

166 157

167 158

168 159

169 160

170 é à 161

171 162

172 163 é à

173 164

174 165

175 166

176 167

177 168

178

179 170

180 171

181 172

182 173

183 174

184 175

摘要張捷明是台灣當代重要的客語兒童文學作家, 他的作品記錄著客家人的思想文化與觀念, 也曾榮獲多項文學大獎的肯定, 對台灣這塊土地上的客家人有著深厚的情感張氏於

摘要張捷明是台灣當代重要的客語兒童文學作家, 他的作品記錄著客家人的思想文化與觀念, 也曾榮獲多項文學大獎的肯定, 對台灣這塊土地上的客家人有著深厚的情感張氏於玄奘大學中國語文學系碩士論文客家安徒生張捷明童話研究指導教授 : 羅宗濤博士研究生 : 黃春芳撰中華民國一 0 二年六月摘要張捷明是台灣當代重要的客語兒童文學作家, 他的作品記錄著客家人的思想文化與觀念, 也曾榮獲多項文