61 1. 2. 3. DOI:10.16345/j.cnki.cn11-1562/i.2015.03.010 1911-1979 1945 North and South 1979 4 17 / 1983 Lloyd Schwartz 30 Poem 10 1 2 79
1972 61 / 3 2 5 1 2015 3 139 70 4 / 70 9 4. 5 5 must be / verisimilitude / 80
/ / / / / / / / / / / / 1 2 81
2015 3 139 3 6 1966 Shendandoah 1942-1943 Meyer Shapiro Persona 7 Gardner / / / 8 82
9 17 Miss Gillespie my time / 20 anachronism 17 4 16 17 瑏瑤 10 / / 1978 瑏瑥 George Hutchin- III son 瑏瑡 George Herbert Thomas Campion Thomas Nashe Gerard Hopkins 瑏瑦 Goldensohn 瑏瑢 瑏瑣 83
2015 3 139 瑏瑧 瑐瑡 III 瑏瑨 瑐瑢 瑏瑩 Jonathan Ellis 1983 Adrienne Rich David Kalstone and Lorrie Goldensohn 1989 瑐瑠 1993 Brett Millier 1994 1990 Feit Diehl 1993 Marilyn Lombardi 1995 Anne Colwell 1997 Margaret Dickie 84
1997 瑐瑣 瑐瑤 5 3 1 communicate 瑐瑦 / / Bristol board / 5 2 vision / look scream 瑐瑥 / 3 85
2015 3 139 / 1 / 1 about the SIze of an Old-style DOllar BIll / American or Canadian 70 60 70 our YEARs apart. How strange. and 瑐瑧 / It s still LOved munching shivering standing or its memory is it must have changed a lot. Our visions coincided - visions is too serious aword - our looks two looks. 1 2 American or Canadian our YEARs apart. How strange. and It s still LOved or is / too enjambment look vision 1 2 / 1 86
assonant rhyme i 2 au 3 ao i 5 i 瑐瑩 ao i Poem 瑑瑠 瑐瑨 瑑瑡 Lorrie Goldensohn Elizabeth Bishop The Biography of a Po- Zhou Xiaojing 4 / Yale University Press 2009 Plate 16. 6 and Giroux 1996. 7 Her Art Under Discussion Michigan 1983 p. 296. 9 Farrar Straus and Giroux 2011 p. 415. 10 瑏瑡 etry New York Columbia University Press 瑏瑢 Press 2014 p. 146. 1 2 3 George Monteiro Conversations with Elizabeth Bishop Literary Conversations Jackson University Press of Mississippi 1996 p. 120. Anne Stevenson Bonnie Costello 5 John Felstiner Can Poetry Save the Earth New Haven William Benton ed. Exchanging Hats Elizabeth Bishop Paintings with an Introduction New York Farrar Straus Lloyd Schwartz & Sybil P. Estess eds. Elizabeth Bishop and Ann Arbor University Press of 8 Lloyd Schwartz ed. Elizabeth Bishop and Her Art p. 288. Lloyd Schwartz ed. Elizabeth Bishop Prose New York 1992 p. 54. Cleghorn Angus & Jonathan Ellis The Cambridge Companion to Elizabeth Bishop New York Cambridge University 87
2015 3 139 瑏瑣 George Monteiro Conversations with Elizabeth Bishop p. 120. 瑏瑤 Lloyd Schwartz ed. Elizabeth Bishop Prose p. 416. 瑏瑥 瑏瑦 Brett C. Millier Elizabeth Bishop Life and the Memory of It Berkeley University of California Press 1993 p. 477. Anne Colwell Inscrutable Houses Tuscaloosa University of Alabama Press 1997 p. 202. 瑏瑧 Lloyd Schwartz ed. Elizabeth Bishop Prose p. 401. 瑏瑨 瑏瑩 瑐瑠 瑐瑡 瑐瑢 George Monteiro Conversations with Elizabeth Bishop p. 119. Robert Giroux and Lloyd Schwartz eds. Poems Prose and Letters New York Library of America 2008 p. 666. Robert Giroux and Lloyd Schwartz eds. Poems Prose and Letters p. 666. Robert Giroux and Lloyd Schwartz eds. Poems Prose and Letters pp. 183-185. Robert Giroux and Lloyd Schwartz eds. Poems Prose and Letters p. 184. 瑐瑣 瑐瑤 Jonathan Ellis Art and Memory in the Work of Elizabeth Bishop Burlington Ashgate Publishing Company 2006 p. 11. Marilyn May Lombardi ed. Elizabeth Bishop The Geography of Gender Charlottesville University Press of Virginia 1993 p. 59. 瑐瑥 George Monteiro Conversations with Elizabeth Bishop p. 38. 瑐瑦 Lloyd Schwartz ed. Elizabeth Bishop Prose p. 412. 瑐瑧 瑐瑨 瑐瑩 Barbara Page Lloyd Schwartz & Sybil P. Estess eds. Elizabeth Bishop and Her Art p. 296 Lloyd Schwartz ed. Elizabeth Bishop Prose pp. 412-413. 瑑瑠 Lloyd Schwartz ed. Elizabeth Bishop Prose p. 413. 瑑瑡 Elizabeth Bishop The Complete Poems 1927-1979 New York Farrar Straus and Giroux 1979 p. 4. 88
2015 3 139 cannot fully grasp the Victorian period connotations of the poem. The interpretation of the poem simply as a Christian allegory is far from adequate. This essay explores the probable hidden messages beneath the simple surface of this long fairy-tale poem. Investigation of the multiple pre-texts that Rossetti may have reinscribed in this poem reveals how she attempts to enter into the social debates of her day and succeeds in transcending the dominant values of the mid-victorian period notions of love. The Dilemmas of Women s Writing and Publication An Interpretation of Constance Fenimore Woolson s Miss Grief LI Jin Although American women s writing thrived in the latter half of the 19th century men still controlled the publishing industry. Constance Fenimore Woolson was one of the 19th-century American women writers who revealed in their tales about writers the social bias against female authorship. Her often-anthologized Miss Grief delineates the checkered journey that the female writer protagonist undertakes in seeking a literary marketplace for her works. Subtext of Poem Painting Simulation Bristol Board LI Jiana Poem was written by Bishop when she was 61. It has been regarded as about the relationships of history vs. present art vs. life painting vs. poetry or about family relationship etc. After decoded it is rediscovered that Poem cracks between text and subtext. Poem is actually an elaboration of Bishop s aesthetics of creation Poetry seeks after dimensions of painting and tangible details Poetry simulates reality but is not identical to it Poetic form must be a Bristol board. These ideas provide us with the valuable first-hand data to access the artistry of Bishop s poetry. The Waste Land and the Tarot Pack CHEN Qingxun By introducing the Tarot pack into The Waste Land Eliot sets up rich and unique symbolic systems in the poem orchestrating the seemingly fragmented and chaotic imagery into order and structure. Although often claimed as the deep intrinsic structure of the poem the Grail legend is much too concealed to work alone without the interplay of the tarot cards acting as its visible representation and extrinsic structure. Meanwhile as a reflection of Eliot s contemporary culture and his personal religious pursuit the tarot cards are interwoven with classic literature thus substantially broadening both the content and the form of his poetry. Young England Middle-class Fluidity in Two Middlebrow Novels JIN Xiaotian In the interwar years the growing number of English lower-middle classes substantially augmented the group of middle classes changing its composition and culture with the altered structure. In the 158