景观 : NOD, Stockholm, 瑞典建筑面积 : 3,137 平方米摄影 : Wingardh

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王赎玦锁
5 years ago
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德国,Muritzeum 游客中心 /Wingardh 建筑师 : Wingårdh Arkitektkontor 地点 : Waren (Müritz), 德国建筑师团队 : Gert Wingårdh, Gunilla Murnieks, Therese Ahlström, Joakim Lyth, Ulrika Davidsson, Peter

1 德国,Muritzeum 游客中心 /Wingardh 建筑师 : Wingårdh Arkitektkontor 地点 : Waren (Müritz), 德国建筑师团队 : Gert Wingårdh, Gunilla Murnieks, Therese Ahlström, Joakim Lyth, Ulrika Davidsson, Peter Öhman, Björn Nilsson, Liselott Jademyr, Maria Olausson, Anna Palm, Mats Bengtsson, Sara Helder 建造年代 : 位于德国的合作伙伴 : DGI Bauwerk, Berlin Germany 承包商 : Landlord/owner Landkreis Müritz

2 景观 : NOD, Stockholm, 瑞典建筑面积 : 3,137 平方米摄影 : Wingardh

3 游客中心位于 Mecklenburgische Seenplatte 地区此地位于 Waren, 这里是 Müritz 旧城中心和周围乡村的中心位置建筑的内容包括 : 淡水水族馆, 多媒体展品, 餐厅和商店游客中心像 Herrensee 半岛一样四面延伸, 拟人化的元素使得它和周围的土地和水面都不同圆形的设计使得巨大的体量和能融合在周围的环境中建筑的墙保持低姿态, 建筑看上去比实际小通过一系列的直线部分减少了内部的圆形, 并混淆了游客的方向感

4 建筑的一个部分与 Kietzstraße 平行, 成为一个大而独特的入口, 这不是可以强加的, 而是为了适应整体规模另一个部分在圆形的中间, 为重要的工作区提供采光, 在中心位置直接连接到公园重要的是, 一个楼梯直通屋顶建筑西面的外部楼梯给圆形方向感, 显示在建筑的前面室外醒目的廊道标识出建筑的流线, 它是围湖散步道路的一部分从北部远处的角度看, 建筑的圆及其趋势像船体, 湖面反射它的倒影建筑的两个不同高度不同半径的锥形部分共同组合成一个圆形圆形被两个尖锐的部分打破建筑有两层楼及半地下室曲墙面的木材不与地面直接接触

5 支撑墙是 120 毫米 Leno 墙外部表面 30 毫米厚黑褐色炭化木材, 几乎不需要任何维修表皮处理方式给建筑带来了历史感, 同时, 很环保内部休息室以及顶棚的木材是涂上了蜂蜜色两种不同的表达方式由透明的玻璃连接起来

原文 : Architects: Wingårdh Arkitektkontor Location: Waren

Murnieks, Therese Ahlström, Joakim Lyth, Ulrika Davidsson, Peter

Palm, Mats Bengtsson, Sara Helder Construction Year: 2005-2007

10 原文 : Architects: Wingårdh Arkitektkontor Location: Waren (Müritz), Germany Architects team: Gert Wingårdh, Gunilla Murnieks, Therese Ahlström, Joakim Lyth, Ulrika Davidsson, Peter Öhman, Björn Nilsson, Liselott Jademyr, Maria Olausson, Anna Palm, Mats Bengtsson, Sara Helder Construction Year: Partner in Germany: DGI Bauwerk, Berlin Germany Contractor: Landlord/owner Landkreis Müritz

11 Landscape: NOD, Stockholm, Sweden Constructed Area: 3,137 sqm Photographer: Wingardh Visitor centre for the region Mecklenburgische Seenplatte. A unique central point in Waren in between Müritz, the older town centre and the surrounding countryside. Müritzeum includes a freshwater aquarium, multimedia exhibits, restaurant and a shop. The building extends out like a peninsular in Herrensee and personifies elements essentially different from one another as solid ground and water. The round design means the building has no problems blending in among the less conspicuous surroundings despite its large scale. The walls seem to keep a low profile and the building is perceived as being smaller than it actually is. The sense of undefined direction is articulated through a series of straight sections that reduce the area of the circle. One section runs parallel with Kietzstraße and offers a large, distinct entrance facade which is not too imposing, but rather adapted to suit Waren s scale. Another section breaks the midpoint of the circle, focuses light on certain working spaces, provides a direct park connection to the centre of the building and perhaps most importantly of all, a flat staircase to the roof of the building. A corresponding external staircase on the west side of the building gives the circle a direction and shows where the front of the building is. The exterior, highly visible staircases clearly demonstrate how the structure is accessible and that it represents a part of the walk around the Herrensee lake. From the north, the building is seen in a remote perspective, where the circle with its inclined sides, a little like a ship s hull, rides on Herrensee s reflection in the water. The building is designed as two coned segments at two different heights and with two different radii. The cone segments together create a circle. The circle is broken, as mentioned, by a pair of sharp sections. The building consists primarily of two floors and a semi-basement. The cone segments and floor structure that are not in contact with the ground are made of wood. The supporting walls are 120 mm Leno walls. The external surfaces are of 30 mm

12 carbonized timber with a blackish brown finish that hardly needs any maintenance. This surface treatment gives the building an aura of being an historic landmark while at the same time being environmentally friendly. In contrast, the wood on the inside of the foyer and pent-roof is a glazed honey colour. These two different expressions in the same material are joined together by a clear glass facade.

122 Projects Domus China 104 December 2015 建筑并不属于个人 / ARCHITECTURE DOES NOT BELONG TO INDIVIDUALS 法国 AS 建筑工作室将建筑和城市规划定义为 : 与社

122 Projects Domus China 104 December 2015 建筑并不属于个人 / ARCHITECTURE DOES NOT BELONG TO INDIVIDUALS 法国 AS 建筑工作室将建筑和城市规划定义为 : 与社会密切关联的艺术, 同时也是建设人类生活的构架, 而这一切

景观 : NOD, Stockholm, 瑞典 建筑面积 : 3,137 平方米 摄影 : Wingardh

景观 : NOD, Stockholm, 瑞典建筑面积 : 3,137 平方米摄影 : Wingardh