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1 1 / ( ) (Arjun Appardurai) (images) ( ) (the imagined community)( ) (imaginaire) (Appardurai 1996: 31) (Jessica Hagedorn) (Dogeaters 1990) (Carlos Bulosan) (Bienvenido N. Santos) 1 Dogeaters 29.11:

2 (Dogeaters 1990) (The Gangster of Love 1996) (Dream Jungle 2003) ( ) (Rachel Lee 77-78) Rachel Lee (1999) Myra Mendible(2002) (2001) Rachel Lee Myra Mendible ( ) ( ) ( ) ( ) ( ) (identification imaginary) 2

3 (agency) (1999) (globalization) (transnationality; transnationalism) (totalizing) / Arjun Appadurai (Ong 4) (situated) (horizontal and relational nature) (transnationality) (Trans) (nation-state) (transversal) (transactional) (translational) (transgressive) (Ong 4) 3

4 ( ) (roman à clef) 椘 / / 2 2 Nerissa S. Balce 4

5 (nation-state) (the imperial eye) Nerissa S. Balce Dogeaters, by Jessica Hagedorn, in Wong, Sau-ling Cynthia and Stephen H. Sumida, eds. A Resource Guide to Asian American Literature. (New York: MLA, 2001), p. 55 5

6 (Gayle Rubin 1975) (gift) (traffic) / (sex/gender economy) (Rubin ) ( ) ( ) (gift) 6

7 (Guy Debord) (the society of the spectacle) (97) (176) (132) (the Other) (simulacrum) (truth claims) Myra Mendible (Mendible 291) 7

8 (Joey) (nation-state) ( ) ( ) (to-be-looked-at-ness) (invisible) 3 (fetishize) (sexual economy) (Neferti Xina M. Tadiar) 3 Myra Mendible Desiring Images: Representation and Spectacle in Dogeaters. Vincente L. Rafael. Patronage and Pornography: Ideology and Spectatorship in the Early Marcos Years 8

9 (fantasy) (libido) ( Tadiar 183) / (Tadiar ) (Guy Debord 12) (pivot) 9

10 (racialized) (performativity) (the lack) ( ) (racial lack) (visibility) (make invisible) 10

11 (embody) (alibi) (visibility) / (sexual economy) (full presence) (looking awry) 11

12 (Slavoj Žižek) (glass) (something begot by nothing) (commonsense reality) (anamorphosis) The American Heritage Dictionary Anamorphosis ( An image distorted so that it can be viewed without distortion only from a special angle or with a special instrument ) (Žižek 1993, 11-12) (the object-cause of desire) (objet petit a) (something begot by nothing) (fantasy) (surplus enjoyment or plus-de-jouir) (12) (Anthony Giddens 1990) (time space separation) (disembedding) (trust) 12

13 ( ) ( ) (Zizek 1993, 12-13) (the uncanny) (the Symbolic Order of the society of the spectacle) 横 13

14 (29) (visibility) / (lack)( ) / / / (nothingness) (loss) (the real) (loss) (repression) (Dominick LaCapra) (loss) (absence) 14

15 15 (LaCapra 700) (transhistory) ( ) (LaCapra 700) (lack) (the trauma of loss) (putative) ( ) (civilizing mission) (71)

16 (misrecognition) (displacement) (melancholia) (melancholia) (mourning) (acting-out) (working-through) (LaCapra 713) (Freud Mourning and Melancholia ) (lost object) (LaCapra 713) (25) (racial melancholia) ( ) (158) 16

17 ( ) ( (embody) (racial grief) (grievance) (Anne Anlin Cheng) (The Melancholy of Race: Psychoanalysis, Assimilation, and Hidden Grief, 2001) 17

18 (attachment) (grievance) (technology) (Cheng xi) (melancholy) (melancholia) (Cheng 20) (agency) (Cheng 21) (lack) (cinematic images, spectacle) (image industry) (the imaginary) (social imaginary) (the imagined community) (the imaginary) 18

19 (working-out) (racial grief) (Jean Mallat) (Jean Mallat, The Philippines 1846) (visual pleasure) (Laura Mulvey) 4 (grievance) (melancholia) (grief) (melancholia) (melancholy) (acting-out) 4 Laura Mulvey, Visual Pleasure and Narrative Cinema, in Visual and Other Pleasures (Bloomington: Indiana UP, 1989),

20 (117) ( ) (acting-out) (Judith Butler) (performativity)

21 (mourning) (coded transgression) (the Symbolic death) ( ) 鬰 ( ) Judith Butler, Bodies that Matter: On the Discursive Limits of Sex,

22 Appadurai, Arjun. Modernity at Large: Cultural Dimensions of Globalization. Minneapolis: U of Minnesota P, Butler, Judith. Bodies that Matter: On the Discursive Limits of Sex. New York: Routledge, Cheng, Anne Anlin. The Melancholy of Race. New York: Oxford University Press, Debord, Guy. The Society of the Spectacle. Trans. Donald Nicholson-Smith. New York: Zone Books, Dirlik, Arif ed. What is in a Rim: Critical Perspectives on the Pacific Region Idea. Oxford: Westview Press, E. San Juan, Jr. Mapping the Boundaries: The Filipino Writers in the U.S.A. Journal of Ethnic Studies 19.1 (1991): Freud, Sigmund. Mourning and Melancholia The Standard Edition of the Complete Psychological Works of Sigmund Freud Vol. XIV ( ). Trans. and Ed. James Strachey. London: Hogarth, 1957, Giddens, Anthony. The Consequences of Modernity. Stanford, California: Stanford UP, LaCapra, Dominick. Trauma, Absence, Loss. Critical Inquiry (1999): Lee, Rachel C. Transversing Nationalism, Gender, and Sexuality in Jessica Hagedorn s Dogeaters. The Americas of Asian American Literature: Gendered Fictions of Nation and Trans-Nation. New Jersey: Princeton UP, Mallat, Jean. The Philippines. Manila, Philippines: National Historical Institute,

23 Mendible, Myra. Desiring Images: Representation and Spectacle in Dogeaters. Critique: Studies in Contemporary Fiction 43.3 (Spring 2002): Mulvey, Laura. Visual Pleasure and Narrative Cinema. Visual and Other Pleasures. Bloomington: Indiana UP, Nerissa S. Balce Dogeaters, by Jessica Hagedorn, Wong and Sumida Eds Ong, Aihwa. Flexible Citizenship: The Cultural Logics of Transnationality. Durham: Duke UP, Rafael, Vincente L. Patronage and Pornography: Ideology and Spectatorship in the Early Marcos Years. Comparative Studies in Society and History 32 (April 1990). Rubin, Gayle. The Traffic in Women: Notes on the Political Economy of Sex. The Second Wave: A Reader in Feminist Theory. Linda Nicholson Ed. New York: Routledge, Tadiar, Neferti Xina M. Sexual Economies in the Asia-Pacific Community. Dirlik Ed Wong, Sau-ling Cynthia and Stephen H. Sumida, eds. A Resource Guide to Asian American Literature. New York: MLA, Žižek, Slavoj. Looking Awry: An Introduction to Jacques Lacan through Popular Culture. Cambridge, Massachusetts: The MIT Press, (2001 ):

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完不了的死亡書寫鬼上身的孽子與借字還魂的張愛玲* 葉德宣 I 曾經不只一次聽過身邊的人這麼說張愛玲是危險的言下之意張愛玲有如黑色電影中的致命女人 femme fatale 散發著一種恐怖卻又令人著魔的魅力不該卻又令人不得不耽溺著迷但用致命一語去描述她的恐怖恐怕尚不足以逼近她真正恐怖之所在畢竟致命的女人泰半是活的但張愛玲的文字卻總已在死亡中心且要一再重顧那死亡與創傷的原初場景