(Theodor W. Adorno) 1 * NSC 93-2411-H-001-026- 1. Gernot Böhme, Zur Kritik der ästhetischen Ökonomie, Zeitschrift für kritische Theorie, 2001. Contribution to the Critique of the Aesthetic Economy, Thesis Eleven 73 (2003): 71-82. Oct. 18, 2004 / Nov. 10 19 (Winter 2004):17-35
_ _18 (Michel Foucault) 2 (Arnold Schönberg) (Max Horkheimer) 2. ( 2002) 75-106
(autoritärer Charakter) (Herbert Marcuse) (sublimation) (desublimation) 3 (Heteronomie ) (Autonomie) 3. The desublimation of reason is just as essential a process in the emergence of a free culture as is self-sublimation of sensuousness. In the established system of domination, the repressive structure of reason and the repressive organization of the sense-faculties supplement and sustain each other. Herbert Marcuse, Eros and Civilization, A Philosophical Inquiry into Freud (Boston: Beacon, 1974 [1955]) 196. 19_
4 (Durchformung) (Durchbildung) 5 4.Adorno, Ästhetische Theorie, Gesammelte Schriften, vol. 7 (Frankfurt am Main: Suhrkamp Verlag, 1997) 374-375 GS Aesthetic Theory, newly translated, edited, and with a translator's introduction by Robert Hullot-Kentor (Minneapolis: U of Minnesota P, 1997) 252 ( 1998) 430-431 47.1(2002) ( 2004) 5.Adorno, Ästhetische Theorie, GS 7: 344 232396-397. _ _20
(Wahrheitsgehalt) (Gestalt) 6 (Individuation) 7 (Leibniz) [ ] 6.Adorno, Ästhetische Theorie, GS 7: 345-346 232-233398. 7. 21_
8 9 8.Adorno, Ästhetische Theorie, GS 7: 350-351 236404-405. 9.Adorno, Ästhetische Theorie, GS 7: 353238407. _ _22
(Menschheit) 10 [ ] 11 12 10.Adorno, Ästhetische Theorie, GS 7: 359 358-359413. 11.Adorno, Ästhetische Theorie, GS 7: 359242413-414. 12. 198(2004): 25-45 23_
13 15 (mimesis ) 14 13.Adorno, Ästhetische Theorie, GS 7: 263-264 176304-305. 14. Adorno, Ästhetische Theorie, GS 7: 266178307 268179 309-310 15.Adorno, Ästhetische Theorie, GS 7: 270181311-312. _ _24
? 16 17 16.Adorno, Ästhetische Theorie, GS 7: 86 5496. 17.Adorno, Ästhetische Theorie, GS 7: 8754-5597. 25_
18 (Erfahung) (Erlebnis ) (Freiheit zum Objekt) 19 18.Adorno, Ästhetische Theorie, GS 7: 33 1730. 19.Adorno, Ästhetische Theorie, GS 7: 331731. _ _26
(Einzelheit) 20 (falsche Identität) 20. Max Horkheimer, and Theodor W. Adorno, Dialektik der Aufklärung, GS 3: 146-147 Dialectic of Enlightenment, Philosophical Fragments, ed. Gunzelin Schmid Noerr, trans. Edmund Jephcott (Stanford (California): Stanford UP, 2002) 99 ( 2003) 140-141 27_
[ ] 21 [ ] 22 21.Horkheimer and Adorno, Dialektik der Aufklärung, GS 3: 152 103146. 22.Horkheimer and Adorno, Dialektik der Aufklärung, GS 3: 157107-108151-152. _ _28
29_ 23 23. Horkheimer and Adorno, Dialektik der Aufklärung, GS 3: 178 125173.
24 (bürgerliche Kunst) 25 26 24.Horkheimer and Adorno, Dialektik der Aufklärung, GS 3: 180-181 25. Adorno, Kultur und Verwaltung, GS 8 (Soziologische Schriften I) 127176. 26. Herbert Marcuse, Counterrevolution and Revolt (Boston: Beacon Press, 1972) 118 _ _30
27 27. Adorno,.. Résumé.über. Kulturindustrie,..GS 10.1: 338;.. Cultural.Industry Reconsidered, The Culture Industry: Selected Essays on Mass Culture (London: Routledge, 1991) 86; Jeffery C. Alexander, Steven Seidman 319-320. 31_
28 29 30 (popular culture ) (populist politics) 28.Adorno, Résumé über Kulturindustrie, GS 10.1: 338-339 86 320. 29.Adorno, Résumé über Kulturindustrie, GS 10.1: 340 89 324. 30.Adorno, Résumé über Kulturindustrie, GS 10.1: 345 92 327. _ _32
Adorno, Theodor Wiesengrund. Ästhetische Theorie. Gesammelte Schriften, vol. 7. Frankfurt am Main: Suhrkamp Verlag, 1997. Aesthetic Theory. Trans. and ed. Robert Hullot-Kentor. Minneapolis : U of Minnesota P, 1997. 1998 ---. Kultur und Verwaltung, Gesammelte Schriften, vol. 8. Frankfurt am Main: Suhrkamp Verlag, 1997. ---. Résumé über Kulturindustrie, Gesammelte Schriften, vol. 10.1. Frankfurt am Main: Suhrkamp Verlag, 1997. Cultural Industry Reconsidered. The Culture Industry: Selected Essays on Mass Culture. London: Routledge, 1991. Jeffery C. Alexander, Steven Seidman 1997 ---. Philosophie der neuen Musik. Gesammelte Schriften, vol. 12. Frankfurt am Main: Suhrkamp Verlag, 1997. Böhme, Gernot. Zur Kritik der ästhetischen Ökonomie, Zeitschrift für kritische Theorie, 2001. ---. Contribution to the Critique of the Aesthetic Economy. Thesis Eleven. 73 (2003): 71-82. Horkheimer, Max, and Theodor Wiesengrund Adorno. Dialektik der Aufklärung. Gesammelte Schriften, vol. 3. Frankfurt am Main: Suhrkamp Verlag, 1997. Dialectic of Enlightenment, Philosophical Fragments. Ed. Gunzelin Schmid Noerr. Trans. Edmund Jephcott. Stanford (California): Stanford UP, 2002.? 2003 Heubel, Fabian. Das Dispositiv der Kreativität. Darmstadt: Wissenschaftliche Buchgesellschaft, 2002. Marcuse, Herbert. Eros and Civilization, A Philosophical Inquiry into Freud. Boston: Beacon, 1974. ---. Counterrevolution and Revolt. Boston: Beacon, 1972. 198(2004):25-45 --- 75-106 --- 47-73 2004 2002 47.1(2002) 1-10 33_
ABSTRACT Contemporary philosophy knows the tendency to regard the self as something which can be created like a work of art. This idea makes it necessary to reconsider the concept of the artwork. One possible way of doing this is to interconnect Michel Foucault s theory of self-cultivation and Adorno s aesthetic theory, Foucault s concept of self-creation and Adorno s concept of the artwork. This paper tries to interpret the process character of the artwork as a process of subjectivation, and thus to broaden the philosophical perspective for reflections on the notion of aesthetic cultivation. Adorno analyzes the critique of culture from two different angles: from the critique of spiritual, elite or high culture and from the critique of material, mass or low culture. Those two critical angles constitute the double direction of his critical aesthetics. Adorno s critique of culture industry is based on the idea of an egalitarian dialectics between spiritual and material culture, reason and sensibility, mind and impulse. This paper interprets Adorno s dialectics as a starting point to further develop the double character of aesthetic cultivation as a twofold process of both ascending and descending cultivation, sublimation and desublimation. Keywords: Theodor W. Adorno, aesthetic theory, artwork, culture industry, aesthetic cultivation, Michel Foucault _ _34
31 (Fabian Heubel) DAAD DAAD (Darmstadt) Das Dispositiv der Kreativität(Darmstadt 2002) E-mail: heubel@gate.sinica.edu.tw 35_