远祖的阴影 Shadows of Forgotten Ancestors 05/24 07/24, 2018 刁德谦个展香格纳北京 Solo Exhibition at Shanghart Beijing

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1 刁德谦 DAVID DIAO

2 远祖的阴影 Shadows of Forgotten Ancestors 05/24 07/24, 2018 刁德谦个展香格纳北京 Solo Exhibition at Shanghart Beijing

3 纽约学派抽象画家刁德谦在 20 世纪 60 年代至 70 年代间的早期作品主要表现为对现代经典的强烈渴望, 但同时也质疑它的血统和理论基础刁德谦的早期创作受到巴奈特纽曼的影响, 这也贯穿了他其后的整个艺术生涯另外一位对他影响至深的是硬边绘画艺术家埃尔赫尔德七十年代初期, 刁德谦的创作形式体系受到当时社会文化和政治环境的影响, 而这也一直是刁德谦创作中非常关注的几方面在 80 年代中期, 刁德谦的创作风格发生了彻底的改变他开始将丝网印图像乙烯基字母手绘标记和文字结合在一起, 详细描述他的个人生活和实践他将激进的形式主义与先锋派的图解身份政治以及自传相结合 : 他的中国身份被西方观众所感知 - 童年在中国, 成年于美国刁德谦面对着不同历史的复杂性无论他们是被推崇的全球化的还是秘密的, 对他来说都是非常个人化的 New York School abstract painter Diao s early works of the 1960s and 1970s are characterized by an earnest desire to contribute to the Modernist canon, while questioning its lineage and theoretical underpinnings. Early influences were Barnett Newman, a significant figure through Diao's career, and the hard-edge painter Al Held. By the early seventies, Diao's formalism was inflected with the social, cultural, and political. This has remained the primary preoccupation of Diao's work ever since. However, in the mid-eighties, Diao's style shifted radically, as he began incorporating silkscreened images, vinyl lettering, hand-drawn marker, and painted words, detailing his personal life and practice. Combining his radical formalism with avant-garde iconography, identity politics, and autobiography - namely, his Chinese identity as perceived by Western audiences, and his formative years as a boy in China, despite coming of age in America - Diao confronts the complexity of histories, whether they are canonised, global, or private, all of which are deeply personal to him.

4 安乐椅 #1, Easy Chair #1, 1999 布面丙烯, 丝网印刷, Acrylic and silkscreen on canvas 74 91cm, DD_8055 安乐椅 #2, Easy Chair #2, 1999 布面丙烯, 丝网印刷, Acrylic and silkscreen on canvas 74 91cm, DD_4758

5 沙发, Couch, 1999 布面丙烯, 丝网印刷, Acrylic and silkscreen on canvas cm, DD_9031

6 沙发骨架 1, Couch Skeleton 1, 2017 布上丙烯, 丝网印刷, Acrylic and silkscreen on canvas cm, DD_8584

在 1965 年的圣保罗双年展上的巴奈特纽曼绘画 Barnett Newman Paintings in 1965 8th Sao

6 213cm, DD_3295 在布鲁尔惠特尼的第一次和最后一次双年展 First and Last Whitney

7 在 1965 年的圣保罗双年展上的巴奈特纽曼绘画 Barnett Newman Paintings in th Sao Paulo Biennial, 2016 布面丙烯和拼贴, Acrylic and collage on canvas cm, DD_3295 在布鲁尔惠特尼的第一次和最后一次双年展 First and Last Whitney Biennial in the Breuer Building, 2015 布面丙烯, Acrylic on canvas cm, DD_5541

8 真实比例 Actual Scale, 2010 布面丙烯, Acrylic on canvas cm, DD_8292

9 远祖的阴影 2,Shadows of Forgotten Ancestors 2, 2017 布面丙烯, 乙烯,Acrylic and vinyl on canvas cm, DD_8486

10 远祖的阴影 1, Shadows of Forgotten Ancestors 1, 2017 布面丙烯, 乙烯, Acrylic and vinyl on canvas cm, DD_9983

11 外祖父的书 1, Maternal Grandfather's Book1, 2017 布面丙烯, 丝网印刷, Acrylic and silkscreen on canvas cm, DD_2595

12 印章 1, Seal 1, 2017 布面丙烯, 丝网印刷, Acrylic and silkscreen on canvas cm, DD_4687

13 印章 2, Seal 2, 2017 布面丙烯, 丝网印刷, Acrylic and silkscreen on canvas cm, DD_6765 印章 5, Seal 5, 2017 布面丙烯, 丝网印刷, Acrylic and silkscreen on canvas cm, DD_3210

14 埃尔利西茨基字母组合, El Lissitzky Monogram, 2017 布上丙烯, Acrylic on canvas cm, DD_0060 埃尔利西茨基信笺, El Lissitzky Letterhead, 2017 布面丙烯, Acrylic on canvas cm, DD_0922

利西茨基曲线和布鲁尔 UNESCO 2, Lissitzky Curves and Breuer UNESCO 2, 2018 布面丙烯, Acrylic on canvas 134.6 167.

15 利西茨基曲线和布鲁尔 UNESCO 2, Lissitzky Curves and Breuer UNESCO 2, 2018 布面丙烯, Acrylic on canvas cm, DD_0036 利西茨基曲线 & 赫尔曼米勒 2, Lissitzky Curves & Herman Miller2, 2018 布面丙烯, 乙烯, Acrylic and vinyl on canvas cm, DD_3088

16 至上主义者赫尔曼米勒, Suprematist Herman Miller, 2017 布上丙烯, 乙烯, Acrylic and vinyl on canvas cm, DD_4560 埃尔利西茨基 / 赫尔曼米勒, El Lissitzky / Herman Miller, 2017 布上丙烯, 丝网印刷, Acrylic and silkscreen on canvas cm, DD_1523

17 永远的朋友和邻居 1, Friends and Neighbors Forever 1, 2018 布面丙烯, 丝网印刷, Acrylic and silkscreen on canvas cm, DD_7647

18 未组装的柏林椅, Berlin Chair Unassembled 1, 2018 布上丙烯, Acrylic on canvas cm, DD_2142

19 隐匿于眼前, Hiding in Plain Sight, 2018 布上丙烯, 乙烯, Acrylic and vinyl on canvas cm, DD_6816

20 刁德谦 DAVID DIAO (b.1943) 个展 ( 挑选 ) 2018 远祖的阴影, 香格纳画廊, 北京 2015 刁德谦回顾展, 尤伦斯当代艺术中心, 北京 2014 从前到后, 奥德里奇当代艺术博物馆, 里奇菲尔德, 康涅狄格州, 美国 2008 大亨里的房子, 四合苑画廊, 北京 1997 故事和小说, 刁德谦近作,La Criée 当代艺术中心 ;TNB 画廊, 雷恩, 法国作品选集, 诚品画廊, 台北, 台湾一则真实的寓言,POSTMASTERS 画廊, 纽约, 美国 1990 州立现代美术馆, 奥斯坦得, 比利时 1989 刁德谦, 巴黎现代艺术博物馆, 圣艾蒂安, 法国 1979 刁德谦, 芝加哥艺术俱乐部, 芝加哥, 美国 (1979)

21 群展 ( 挑选 ) Solo-shows (Selected) 2014 双年展, 惠特尼美国艺术博物馆, 纽约, 美国刁德谦 / 两代色画 (1970) 在 ICA50 周年, 当代艺术研究所, 费城大学, 费城, 美国当代抽象, 亨特学院美术馆, 纽约, 美国 2011 绘画的不驯 :1960 年代至今的国际抽象绘画, 泰特圣艾夫斯美术馆, 康沃尔, 英国 2007 艰难时期 : 纽约绘画, 巡回展 2003 黑腰带, 哈林工作室美术馆, 纽约, 美国 1997 衰退之后 :1970 后的抽象绘画, 司诺港文化中心, 史坦顿岛, 纽约, 美国 1987 先进的 80 年代的加德, 洛杉矶国际美术馆, 洛杉矶, 美国 1986 抽象画, 阿尔松别墅, 国立当代艺术中心, 尼斯, 法国 1981 新生代抽象几何艺术, 当代艺术中心, 波士顿, 美国 1973 展望 73: 画家 Maler Painters Peintres, 国立美术馆, 杜塞尔多夫, 德国第一届惠特尼双年展, 美国惠特尼美术馆, 纽约, 美国 1969 年度展, 美国惠特尼美术馆, 纽约, 美国 2018 Shadows of Forgotten Ancestors, Shanghart Gallery, Beijing 2015 David Diao, Ullens Center for Contemporary Art, Beijing; 2014 Front to Back, The Aldrich Contemporary Art Museum, Ridgefield, CT, U.S.A. ; 2008 Da hen Li House, Courtyard Gallery, Beijing; 1997 Histoires et Fictions, Peintures Recentes de David Diao, La Criée and La Galerie du TNB,Rennes, France; 1991 Selections , Cherng Piin Gallery, Taipei, Taiwan; a real allegory, Postmasters Gallery, New York, U.S.A. ; 1990 Het Kruithuis, Museum voor Hedendaagse Kunst's Hertogenbosch, Holland Provinciaal Museum voor Moderne Kunst, Oostende, Belgium; 1989 Musée d'art Moderne, Saint Etienne, France; 1979 Arts Club of Chicago, Chicago, U.S.A. ;

22 Group exhibitions (Selected) 1981 Geometric Abstraction: A New Generation, Institute of Contemporary Art, Boston; 2014 Biennial, The Whitney Museum of American Art, New York, U.S.A. ; David Diao / Two Generations of Color Painting (1970) in ICA@50, Institute of Contemporary Art, Philadelphia, U.S.A.; 2012 Conceptual Abstraction, Hunter College Art Galleries, New York, U.S.A. ; 1973 Maler, Painters, Peintres, Prospect '73, curated by Konrad Fischer, Stadtische Kunsthalle, Dusseldorf, Germany; Biennial, The Whitney Museum of American Art, New York; 1969 Annual, The Whitney Museum of American Art, New York, U.S.A. ; 2011 The Indiscipline of Painting: International abstraction from the 1960s to now, Tate St. Ives, Cornwall, UK, traveling into 2012 to Mead Gallery, University of Warwick, Coventry, U.K.; 2007 High Times, Hard Times: New York Painting , traveling through 2008 to Zentrum fur Kunst und Medientechnologie, Karlsruhe, Germany, Neue Galerie, Graz, Austria; Museo de Arte Rufino Tamayo, Mexico City National Academy Museum; New York American University Museum, Washington DC; Weatherspoon Art Museum, Greensboro, North Carolina; 2003 Black Belt, The Studio Museum in Harlem, NY, traveling in 2004 to Santa Monica Museum of Art, Santa Monica, CA, U.S.A. ; 1997 After the Fall, Painting in New York Since 1970, curated by Lilly Wei, Snug Harbor Center for the Arts, Staten Island, New York, U.S.A. ; 1987 Avant Garde in the 80's, Los Angeles County Museum of Art, Los Angeles, CA, U.S.A. ; 1986 Tableaux Abstraits, Villa Arson, Centre National d' Art, Nice, France;

23 ShanghART Shanghai 香格纳上海西岸, 徐汇区龙腾大道 2555 号 10 号楼, 上海, 中国 West Bund, Bldg. 10, No.2555 Longteng Avenue, Xuhui District, Shanghai , China T: F: ShanghART M50 香格纳 M50 普陀区莫干山路 50 号 16 号楼, 上海, 中国 Bldg 16, 50 Moganshan Rd., Putuo District, Shanghai , China T: F: ShanghART Beijing 香格纳北京朝阳区机场辅路草场地 261 号, 北京, 中国 Cao Chang Di, Old Airport Road, Chaoyang District, Beijing , China T: F: ShanghART Singapore 香格纳新加坡吉门营房, LOCK 路 9 号 02-22, 新加坡 Gillman Barracks, 02-22, 9 Lock Road, Singapore T: F: info@shanghartsingapore.com

刁德谦 David Diao b. 1943, 生活和工作在美国纽约 lives and works in New York, U.S.A. Education 1965 毕业于美国库伯联盟学院 The Cooper Uion 1964 毕业于美国凯尼恩学院 Kenyon College, B.A.

刁德谦 DAVID DIAO 香格纳画廊 ShanghART Gallery West Bund Art and Design 2017 Booth Nr.D1 刁德谦 David Diao b. 1943, 生活和工作在美国纽约 lives and works in New York, U.S.A. Education 1965 毕业于美国库伯联盟学院 The Cooper Uion 1964 毕业于美国凯尼恩学院