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1 过度 [Excessive Transition] 耿建翌个展 Solo Exhibition of Geng Jianyi 2008/04/13-05/19

3 期, 耿建翌在他的工作室开始了新的研究过度 (2008), 作品仍带有强烈的实验性质, 通过以感光技术实验制作的黑白单色照片来继近续续写其对于个人身份的问题关注耿建翌, 中国早期先锋艺术家之一, 也是自 85 新潮以来中国当代艺术活动中的独具开拓精神的艺术家之一早期, 耿建翌所创作的大笑脸作品第二状态成为中国当代艺术的经典, 但他却认为油画限制了自己的艺术创作, 从而转向摄影装置等观念艺术, 并创作了很多具有影响意义的实验作品, 如无法命名被清洗的脸身体等他的艺术作品多次被展出于在国际大展上, 包括威尼斯双年展, 光州双年展, 上海双年展等在耿建翌 20 多年的艺术实践中, 其作品虽然没有时下艺术圈中所流行的视觉标签, 但是却一直延续着他对当今艺术社会现象和问题提出自身的思考和研究, 在改变观众视觉习惯的同时也唤起观众对于人类处境的思考耿建翌在作品中广泛使用各种不同的艺术手段创作 ( 包括激进的前卫艺术, 油画, 装置摄影或是水墨 ) 来开拓探索着如何表达自己的体验近期, 耿建翌在他的工作室开始了新的研究过度 (2008), 作品仍带有强烈的实验性质, 通过以感光技术实验制作的黑白单色照片来续写其对于个人身份的问题关注耿建翌,1962 年在河南郑州出生毕业于浙江美术学院油画专业 ( 即今中国美术学院 ) 如今定居在杭州 1989 年以来他的作品广泛展出展览包括 :85 新潮 - 第一次中国当代艺术运动, 尤伦斯当代艺术中心, 北京 (2007); 真实的东西 - 来自中国的当代艺术, 泰特美术馆, 利物浦, 英国 (2007); 聚焦, 中国美术馆, 北京 (2005); 影像生存 - 第五届上海双年展, 上海美术馆 (2004); 耿建翌 - 没用了, 比翼艺术空间, 上海 (2004); 第四届光州双年展, 韩国光州 (2002); 生活在此时 - 中国当代艺术展, 柏林汉堡火车站当代美术馆, 德国柏林 (2001); 蜕变与突破 - 来自中国的新艺术展, 巡回展, 中国 - 香港 - 台湾 (1998); 变化中的城市, 分离派美术馆, 维也纳, 奥地利 (1997); 以及别的很多展览

4 main focus of the extensive oeuvre of Geng Jianyi is the issue of individual identity, that is, his own personal position within the A context of the collective. His work can be described as after-images that continuously veil and unveil fragments of the individual. Geng Jianyi demonstrates an intense concern about self-awareness and the multitude of forms by which the individual is expressed and represented. In a series of portraits titled Face (2001), the artist utilizes light-sensitive paper to create ghostlike portraits. He depicts what Paul Virilio has termed the aesthetics of disappearance with subtle calmness and stillness. The semi-transparency of the portraits corresponds to a notion of withdrawal or abandonment of individuality. These images oscillate between total abstraction and recognizable facial features. A similar approach is undertaken in an earlier series of portraits titled Impossible to Name. Here, the artist combines oil on canvas and paper-cuts to signify the diverse layers that constitute our beings and the shifting ground that threatens our existence into dissolution. Other works revolving around themes of existential identity include Who is He? (1994) and Proving the Existence (1994). Geng Jianyi was born in Zhenzhou, Henan province in He graduated from Zhejiang Academy of Fine Arts, Oil Painting Department. Today he lives and works in Hangzhou. Geng Jianyi s works have been widely exhibited since his first show in Exhibitions include The Real Thing-Contemporary Art from China, Tate Liverpool, UK and IVAM, Spain (2007/08); Zooming into Focus, National Art Museum of China (2005); 5th Shanghai Biennale: Techniques of the Visible, Shanghai Art Museum (2004); Geng Jianyi - Useless, BizART (Shanghai, 2004); 4th Gwangju Biennale (2002); Living in Time - Contemporary Artists from China, Hamburger Bahnhof (Berlin, 2001); Inside Out: New Chinese Art Exhibition, New York (1999) and Cities on the Move, Secession Vienna (and other locations,1997); 45th Venice Biennale, Italy.

13 耿建翌简历基本资料 1962 生于中国河南省郑州市教育 1985 毕业于杭州浙江美术学院艺术系油画专业 ( 现在的中国美术学院 ) 个展 2008 过度, 耿建翌个展, 香格纳北京 2006 开心池 - 耿建翌个展, 龙华路 2577 号 36 号楼, 徐汇区, 上海脱离文字进行阅读, 耿建翌纽约个展, 前波画廊, 纽约, 美国 2004 没用了, 耿建翌个展, 比翼艺术中心, 上海十年作品展, 香格纳画廊主空间, 上海 2001 水印, 香格纳画廊主空间, 上海 1999 无法命名, 香格纳画廊主空间, 上海 1998 两位来自中国的当代艺术家, 耿建翌, 周铁海, PRESENTATION HOUSE 画廊, 温哥华, 加拿大 1993 婚姻法活动, 莫干山中学, 杭州号大楼装置, 杭州 1988 表格和证书的演示, 中国当代艺术的第一次会议 ( 黄山会议 ), 黄山, 安徽 1987 自来水厂, 装置, 杭州群展 2011 在成长, 上海环球金融中心三周年庆典之香格纳 15 周年特展, 上海环球金融中心中国当代艺术二十年之中国影像艺术, 民生现代美术馆, 上海耿建翌吴山专杨福东 : 水厂, 香格纳 H 空间, 上海 2010 一个接一个, 香格纳画廊群展, 香格纳画廊主空间, 上海出格,BOERS-LI 画廊, 北京肖像, 香格纳画廊主空间, 上海改造历史 : 的中国新艺术, 特别文献展, 国家会议中心, 北京中国当代艺术三十年, 民生现代美术馆, 上海 2009 资产阶级化了的无产阶级, 当代艺术展在松江, 松江创意工房, 上海首届中国当代艺术收藏家年会, 和静园艺术馆, 北京热身, 民生现代美术馆, 上海

14 GENG Jianyi Biography Basic Born in Zhengzhou, Henan Province, China Education 1985 Graduate from Oil Painting Department, Zhejiang Academy of Fine Arts, Hangzhou Solo Exhibitions 2008 Geng Jianyi, Excessive Transition,ShanghART Beijing 2006 Happy Pool - Geng Jianyi's solo exhibition, 2577 Longhua Road, Xuhui district, Shanghai Book without Words, Geng Jianyi New York Solo Exhibition, Chambers Fine Art, New York, U.S.A Useless, Geng Jianyi Solo Exhibition, BizART Art Center, Shanghai Works from the last 10 years, ShanghART Gallery, Shanghai 2001 Watermarks, ShanghART Gallery, Shanghai 1999 Impossible to Name, ShanghART Gallery, Shanghai 1998 Two Contemporary Artists from China, Geng Jianyi, Zhou Tiehai, Presentation House Gallery, Vancouver, Canada 1993 Marriage Law, Interactive Performance, Mogan Middle School, Hangzhou 1990 Building No.5, Hangzhou 1988 Forms and Certificates, Performance at the first Meeting of China's Contemporary, Art, Huangshan (Yellow Mountain), Anhui Province 1987 Tap Water Factory, Installation, Hangzhou Group Exhibitions 2011 Growing Up, Exhibition celebrating SWFC 3rd & ShanghART Gallery 15th Anniversary, Shanghai World Financial Center Moving Image In China : , Minsheng Art Museum, Shanghai GENG Jianyi, WU Shanzhuan, YANG Fudong: Waterworks, ShanghART H-Space, Shanghai 2010 One by one, ShanghART Group Show, ShanghART Gallery, Shanghai Out of the Box, Boers-Li Gallery, Beijing Portrait, ShanghART Gallery, Shanghai Reshaping History: Chinart from , Special Documenta, China National Convention Center, Beijing Thirty Years of Chinese Contemporary Art, Minsheng Art Museum, Shanghai 2009 Bourgeoisified Proletariat, Contemporary Art Exhibition in Songjiang, Shanghai Songjiang Creative Studio, Shanghai First Annual Conference of Collectors of Chinese Contemporary Art, Hejingyuan Art Museum, Beijing Warm Up, Minsheng Art Museum, Shanghai

15 香格纳画廊 &H 空间 ShanghART & H-Space 上海市莫干山路 50 号 16 号 &18 号楼, Moganshan Road, Bldg 16&18, Shanghai T: F: 香格纳展库 ShanghART Taopu Warehouse 上海市武威东路 18 号 ( 近祁连山路 ), Bldg 8, No.18 Wuwei Road (near Qilianshan Road), Shanghai T: , info@shanghartgallery.com 香格纳画廊北京空间 ShanghART Beijing 北京市朝阳区机场辅路草场地 261 号, No.261 Caochangdi, Old Airport Road, Chaoyang District, Beijing T: F: infobj@shanghartgallery.com

春末夏初.indd

春末夏初.indd 春末夏初周子曦个展 12/17, 2011-1/20, 2012 Late Spring and Early Summer Zhou Zixi Solo Exhibition ShanghART Beijing 贯关注中国现实与历史题材的艺术家周子曦这次带来了近两年来的油画新作与以往不一同的是, 这次艺术家既没有对当代社会现象的反讽, 也没有针对某段历史的整体挖掘, 而是将个体经验历史片段与现实细节相互交融,