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Transcription:

Derrick Price and Liz Wells 1

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(Lemagny and Rouille, 1987: 44)

(Jeffifer Green-Lewis, 1996) (Framing the Victorians, Photography and the Culture of Realism, Ithaca and London: Cornell University Press) (London Photographic Society) (Royal Photographic Society) (Sir Charles Eastlake)

(the Polytechnic of Central London) (the University of Westiminster) (Between, 1986) (The End of Art Theory, 1986) (Formations of Fantasy, 1989) (University of California)

(Stuart Hall, 1997) (Representation, Cultural Representation and Signifying Practices, London: Sage/Open University) (The Work of Representation)

(Family of Man) 151

(Deborah Roland) (Two History of Photography, London Institute, 1995)

(Nancy Newhall) (the University of Austin) (The Daguerreotype in German-Speaking Countries)

(travelling photographers) (Box Brownie) (Royal Photographic Society) (Directory of British Photographic Collections, London: Heinemann, 1977)

(Tagg) (Patrice Petro) (The Pencil of History) (Fugitive Images, Bloomington: Indiana University Press, 1995)

(Illustrated London News or Picture Post)

(Gersheim and Gersheim, 1969: 234)

V&A (Mark Haworth-Booth) (Photography: An Independent Art, London: V&A Publications)

(Chrissie Iles) (Russell Roberts) (In Visible Light, Oxford: Museum of Modern Art)

Barthes, Ronland (1984) Camera Lucida, London: Fontana. Burgin, Victor (ed.) (1982) Thinking Photography, London: Macmillan. Clarke, Graham (1997) The Photograph, Oxford: Oxford University Press. Corner, John and Harvey, Sylvia (1990) Heritage in Britain, Ten/8 36. Crimp, Douglas (1995) On the Museum s Ruins, Cambridge, MA: MIT Press. Edwards, Elizabeth (ed.) (1992) Photography and Anthropology, New Haven: Yale University Press. Evans, Jessica (ed.) (1997) The Camerawork Essays, London: Rivers Oram Press. Frizot, Michel (ed.) (1998) A New History of Photography, Cologne: Könemann (originally published in French, 1994). Gernsheim, Helmut and Gernsheim, Alison (1969) The History of Photography from the Earliest Use of the Camera Obscura in the Eleventh Century up to 1914, 2 vols, London and New York: McGraw-Hill (first edition, 1955). Goldberg, Vicki (ed.) (1981) Photography in Print, Albuquerque: University of New Mexico. Haworth-Booth, Mark (1997) Photography: An Independent Art, London: V&A Publications. Hill, Paul and Cooper, Thomas (1992) Dialogue with Photography, Manchester: Cornerhouse Publications. Jeffrey, Ian (1981) Photography, A Concise History, London: Thames and Hudson Lemagny, Jean-Claude and Rouille, André (1987) A History of Photography, Cambridge: Cambridge University Press. Lyons, Nathan (1966) Photographers on Photography, Englewood Cliffs: Prentice Hall. Newhall, Beaumont (1982) The History of Photography, New York: MOMA, fifth edition, revised and enlarged (first edition, 1937). Phillips, Christopher (ed.) (1989) Photography in the Modern Era, New York: Metropolitan Museum/Aperture. Rosenblum, Naomi (1994) A History of Women Photographers, New York, London, and Paris: Abbeville Press.

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Burgin, Victor (1986) Re-Reading Camera Lucida in The End of Art Theory, London: Macmillan. Carr, E.H. (1964) What is History?, Harmondsworth: Penguin. Christian, J. (1990) Paul Sandby and the Military Survey of Scotland in N. Alfrey and J. Daniels (eds) Mapping the Landscape, University of Nottingham. Corner, John and Harvey, Sylvia (eds) (1991) Enterprise and Heritage, London: Routledge. Delpire, Pobert and Frizot, Michel (1989) Histoire de Voir, Paris: Photo Poche. Eastlake, Lady Elizabeth (1857) Photography, Quarterly Review, April, reprinted in Newhall, Beaumont (ed.) (1980) Photography: Essays and Images, London: Secker and Warburg. Ferguson, Russell (1992) A Box of Tools: Theory and Practice in R. Ferguson, W. Olander, M. Tucker and K. Fiss (eds) Discourses: Conversations in Postmodernism, Art and Culture, Cambridge, MA: MIT Press. Fisher, Andrea (1987) Let Us Now Praise Famous Women, London: Pandora. Freund, Gisele (1980) Photography and Society, London: Gordon Fraser. Gasser, Martin (1992) Histories of Photography 1839-1939, History of Photography 16(1), Spring. Gernsheim, Alison (1981) Victorian and Edwardian Fashion, A Photographic Survey, New York: Dover (originally published 1963, revised edition). Gernsheim, Helmut and Gernsheim, Alison (1965) A Concise History of Photography, London: Thames and Hudson. Graham-Brown, Sarah (1988) Images of Women: The Portrayal of Women in Photography of the Middle East 1860-1950, London: Quartet Books. Green-Lewis, Jennifer (1996) Framing the Victorians, Photography and the Culture of Realism, Ithaca and London: Cornell University Press. Hall, Stuart (ed.) (1997) Representation, Cultural Representations and Signifying Practices, London: Sage/Open University. Haworth-Booth, Mark (1997) Representation, Cultural Representations and Signifying Practices, London: Sage/Open University. Haworth-Booth, Mark (1997) Photography: An Independent Art, London: V&A. Heron, Liz and Williams, Val (1996) Illuminations: Women Writing on Photography from the 1850s to the Present, London and New York: I.B. Tauris. Hewison, Robert (1987) The Heritage Industry, London: Methuen. Holmes, Oliver Wendell (1859) The Stereoscope and the Stereograph, Atlantic Monthly 3, reprinted in B. Newhall (ed.) (1980) Photography: Essays and Im-

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