[John Knoblock] David R. Knechtges, Riddles as Poetry: The Fu Chapter of he

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1 Vol22 No.4 Journal of Handan College Dec B222.6 A (2012) Paul Rakita GoldinWolfgang BehrWillard PetersonMichael HunterChristoph Harbsmeier Rituals of the Way: The Philosophy of Xunzi (Chicago: Open Court, 1999), xiii D.C. Lau, Mencius (Harmondsworth: Penguin Books, 1970), 8. Mark Edward Lewis, Writing and Authority in Early China (Albany: State University of New York Press, 1999), 58. [John Knoblock] Wiebke Denecke, The Dynamics of Masters Literature: Early Chinese Thought from Confucius to Han Feizi (Cambridge: Harvard University Asia Center, 2010), 180. William G. Boltz The Composite Nature of Early Chinese Texts, in Text and Ritual in Early China, ed. Martin Kern (Seattle: University of Washington Press, 2005), 59 Wiebke Denecke The Dynamics of Masters Literature, 180 Christoph Harbsmeier, Xunzi and the Problem of Impersonal First Person Pronouns, Early China 22 (1997): Christoph Harbsmeier, The Rhetoric of Premodern Prose Style, in The Columbia History of Chinese Literature, ed. Victor H. Mair (New York: Columbia University Press, 2001),

2 [John Knoblock] David R. Knechtges, Riddles as Poetry: The Fu Chapter of he Hsün-tzu, in Wenlin: Studies in the Chinese Humanities, vol. 2, ed. Chow Tse-tsung (Madison: University of Wisconsin Press, 1989), 1-31Denecke, The Dynamics of Masters Literature, Göran Malmquist, Cherng Shianq, Bulletin of the Museum of Far Eastern Antiquities 45 (1973): [David Knechtges] Knechtges, Riddles as Poetry, Knoblock, vol. 1, Knoblock, vol. 1, 112. Knoblock, vol. 3, 169Kern, Western Han Aesthetics and the Genesis of the Fu, Harvard Journal of Asiatic Studies 63.2 (2003): Knechtges, Riddles as Poetry, 14-15Kern, Western Han Aesthetics, Knoblock, vol. 1, Günther DebonSpruchdichtung Der Reimspruch im philosophischen Schrifttum Chinas, in Debon, So der Westen wie der Osten. Dichtung, Kunst und Philosophie in Deutschland und China (Heidelberg: Brigitte Guderjahn, 1996), Verborgene Spruchdichtung im Hsün-tzu, in Und folge nun dem, was mein Herz begehrt: Festschrift für Ulrich Unger zum 70. Geburtstag (Hamburg: Hamburger Sinologische Gesellschaft, 2002), vol. 1,

3 illocutionary force the sense of order) A. C. Graham Two Notes on the Translation of Taoist Classics, in Interpreting Culture Through Translation: A Festschrift for D.C. Lau, ed. Roger T. Ames, Chan Sin-wai, and Mau-sang Ng (Hong Kong: The Chinese University Press, 1991), , esp ? Rudolf G. Wagner Interlocking Parallel Style, in The Craft of a Chinese Commentator: Wang Bi on the Laozi (Albany: State University of New York Press, 2000), ; Dirk Meyer, Philosophy on Bamboo: Text and the Production of Meaning in Early China (Leiden: Brill, 2011); Lisa A. Raphals, Poetry and Argument in the Zhuangzi, Journal of Chinese Religions 22 (1994): ; Harold D. Roth, Original Tao: Inward Training and the Foundations of Mysticism (New York: Columbia University Press, 1999); Sarah A. Queen, The Creation and Domestication of the Techniques of Lao-Zhuang: Anecdotal Narrative and Philosophical Argumentation in Huainanzi 12, Asia Major, third series, 21 (2008): ; William H. Baxter, Situating the Language of the Lao-tzu: The Probable Date of the Tao-te-ching, in Lao-tzu and the Tao-te-ching, ed. Livia Kohn and Michael LaFargue (Albany: State University of New York Press, 1998), ; Paul Fischer, Intertextuality in Early Chinese Masters-Texts: Shared Narratives in Shi Zi, Asia Major third ser (2009): 1-34; William G. Boltz, The Composite Nature of Early Chinese Texts, in Text and Ritual in Early China, ed. Martin Kern (Seattle: University of Washington Press, 2005), 50-78; Liu Xiaogan, Classifying the Zhuangzi Chapters, trans. William E. Savage (Ann Arbor: Center for Chinese Studies, The University of Michigan, 1994); Michael LaFargue, Tao and Method: A Reasoned Approach to the Tao Te Ching (Albany: State University of New York Press, 1994); Madison Morrison, The Poetic Element in Lao Tzu, Tamkang Review 11 (1981): John S. Major The Huainanzi: A Guide to the Theory and Practice of Government in Early Han China [New York: Columbia University Press, 2010] Graham, Disputers of the Tao: Philosophical Argument in Ancient China (LaSalle: Open Court, 1991), 214. Ernst H. Gombrich, The Sense of Order: A Study in the Psychology of Decorative Art (Ithaca: Cornell University Press, 1979)Robert W. Bagley, Meaning and Explanation, in The Problem of Meaning in Early Chinese Ritual Bronzes, ed. Roderick Whitfield (London: School of Oriental and African Studies, University of London, 1993), David Schaberg, A Patterned Past: Form and Thought in Early Chinese Historiography (Cambridge: Harvard University Asia Center, 2001), 21-56Schaberg W. Allyn Rickett, Guanzi: Political, Economic, and Philosophical Essays from Early China, Vol. 1 (Princeton: Princeton University Press, 1985), 3, 249, 412. Composition of Each Book Knoblock, vol. 1, Knoblock, vol. 1,

4 platitude persona) Boltz, The Composite Nature of Early Chinese Texts, in Text and Ritual in Early China, Quotation and the Confucian Canon in Early Chinese Manuscripts: The Case of Zi Yi (Black Robes), Asiatische Studien/études Asiatiques 59.1 (2005): Marc Kalinowski, Systèmes de croyances et de pensée du monde sinisé, Annuaire EPHE, Section des sciences religieuses 109 ( ), Knoblock, vol. 1, 124. CHANT CHANT (*N-sʕrum *srum *m-qʰr[a]m-s David Schaberg, Platitude and Persona: Junzi comments in the Zuozhuan and beyond, in Historical Truth, Historical Criticism, And Ideology: Chinese Historiography And Historical Culture From A New Comparative Perspective, ed. Helwig Schmidt-Glintzer et al. (Leiden: Brill, 2005), Wim De Reu, How to Throw a Pot: The Centrality of the Potter s Wheel in the Zhuangzi, Asian Philosophy 20.1 (2010): 32-36; John S. Major, Tool Metaphors in the Huainanzi and Other Early Texts, ed. Sarah A. Queen and Michael Puett, forthcoming 110

5 5 12 *-ə *-ək *-əp *-ək *-ə *-ək Robert H. Gassmann and Wolfgang Behr, Antikchinesisch Ein Lehrbuch in drei Teilen (Bern: Peter Lang, 2005), vol. 1, 96. Martin Kern and Michael Hunter, Quotation and Marked Speech in Early Manuscripts, in Early Chinese Manuscripts: Texts, Contexts, Methods, ed. Wolfgang Behr, Martin Kern, and Dirk Meyer (Leiden: Brill, forthcoming). CHANT Shi jing Songs as Performance Texts: A Case Study of Chu ci ( Thorny Caltrop ), Early China 25 (2000): X Y X Y 111

6 Baxter Situating the Language of the Lao-tzu, 237 Rituals of the Way, xi Situating the Language of the Lao-tzu, 240 Debon, Verborgene Spruchdichtung im Hsün-tzu. 112

7 4 *-ə A *-ə A *-ək B *-ək B *-uŋ x *-ak C *-iŋ x *-ak C *-o D *-ok D *-iŋ x *-o D *-it E *-aj F *-it E *-aj F *-eŋ x *-an x *-aj x 18 x William H. Baxter and Laurent Sagart, Baxter-Sagart Old Chinese Reconstruction (Version 1.00)

8 3 7 Knoblock, vol. 1, Composition of Each Book John Makeham, The Formation of Lunyu as a Book, Monumenta Serica 44 (1996): 1-24; Michael Hunter, Sayings of Confucius, Deselected, CHANT *s-roʔ *Cə-lut // Wolfgang Behr and Bernhard Führer, Einführende Notizen zum Lesen in China mit besonderer Berücksichtigung der Frühzeit, in Aspekte des Lesens in China in Vergangenheit und Gegenwart, ed. Bernhard Führer (Bochum: project verlag, 2005), 14-16, Kern and Hunter, Quotation and Marked Speech in Early Manuscripts. 114

9 *-ə *-ə *-ə (*təʔ)(*n-kək) Stephen Owen Liu Xie and the Discourse Machine, in A Chinese Literary Mind: Culture, Creativity, and Rhetoric in Wenxin Diaolong, ed. Zong-qi Cai (Stanford: Stanford University Press, 2001),

11 22 2/3 copia et varietas Composition of Each Book Knoblock, vol. 3, (22.2c-e)

12 AB 1/3 2/3 [] 8 A B B C 2/3 Knoblock, vol. 1, 175 (3.4). Knoblock, vol. 1, (5.1). Knoblock, vol. 3, 280. Paul Rakita Goldin, Confucianism (Berkeley: University of California Press, 2011), 72. Michel Foucault, What is an Author?, in Textual Strategies: Perspectives in Post-Structuralist Criticism, ed. Josué V. Harari (Ithaka: Cornell University Press, 1979),

13 119

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