Microsoft Word 由「典故借喻與氛圍營造」探李商隱的無題詩

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1 Through Allusion Metonymy and Atmosphere Creation Probe The Untitled Poems of Lee Shang-yin 303

2 Wang Chiu Hsiang, Acandidate for doctor s degree, Department of Chinese Literature, National Sun Yat-Sen University Abstract Untitled poems by Lee Shang-yin embrace densely polysemy. They skilfully employ metonymy where subjects or allusion are taken as vehicles, but not tenors and connectives. Those blanks properly inspire readers perennially with a wide range of thoughts on interpretation. Polysemy is generated. Especially, the main characteristics of Lee Shang-yin s poetry are to cast words in a delicate arrangement with rich allusion to axioms. The reflections hidden in the poems extend the meanings and concepts to great depth. While the allusion is integrated with the whole of the poems, profound meanings as well as comprehensive associations, which polysemy is based on, are allowed to be built up and reinforced. Meanwhile, Lee is also famous for the magnificence of Palace-style poetry and its vivid rhythms. In the realm of her poetry, refined literary language rosy, sonorous, or bleary which is describe with smoke lightwater and dust. Implicitly, these veiling elements work together to create an art world of polysemy. Keyword: Polysemy, Allusion, Metonymy, Untitled Poems, Lee Shang-yin 304

Those blanks properly inspire readers perennially with a wide range of thoughts on interpretation. Polysemy is generated.

3 1 1. 七律八首 : 昨夜星辰昨夜風來是空言去絕踪長眉畫了綉簾開壽陽公主嫁時裝白道縈迴入暮 305

4 ( ) 4 5 (Roman (Ambiquity) Ingarden, 1893~1970) (William... Empson, 1906~1984) (Romon Jakobson, 1896~1982) (the metaphorical) (the metonymic) 6 (Hans Robert Jauss, 1920~) 7 (Wolfgang. Iser, 1926~) 306

.. 3 (Romon Jakobson, 1896~1982) (the metaphorical)

5 可解, 不必解若水月鏡花, 勿泥其迹可也丁福保輯 : 歷傳嚴羽滄浪詩話詩辨云 : 詩者, 吟咏情性也, 盛唐諸人惟在興趣, 羚羊挂角, 無迹可求, 故其妙處透徹玲瓏, 307

7 ( 台北 : 木鐸出版社,1983 年 ) 頁 399 宋范晞文 : 對牀 ( 台北 : 木鐸出版社,1983 年 ) 頁 399 宋范晞文 : 對牀傳者, 都是性靈, 不關堆垜惟李義山詩稍多典故, 然皆用傳者, 都是性靈, 不關堆垜惟李義山詩稍多典故, 然皆用 309

9 28 湘淚淺深滋竹色, 楚歌重叠怨蘭叢 27 藍田日暖玉生烟楚歌重叠怨蘭叢 311

10 隔坐送鈎春酒暖史記淳于髠傳 ()

11 蘇, 千絲鐵網, 綺密瓌妍, 要非適用, 范希文在

12 月幌夢飛沈, 古木含風久, 疎螢怯露深久, 疎螢怯露深人間始遙夜, 地迥更清砧於夜 ()

13 ()... 促漏遙鐘動靜聞, 報章重叠杳難分,

14 ()... 閬苑有書多附鶴, 女牀無樹不棲鸞,... 不辭鶗鳺妬年芳, 但惜流塵暗燭房,

15 44 流莺 ()

16 318

17 [15] ( 1983 ) [17] [1] ( ) [18] [2] ( 1977 ) ( 2003 ) [3] [19] [4] ( 1979 ) [20] [5] ( ( 1979 ) 2005 ) [6] ( 2003 ) ) [7] [22] ( 1972 ) ( 1982 ) [8] ( [23] ( 1977 ) 1936 [9] ( [24] ( 1981 ) 1983 [10] [25] ( ( 1977 ) 2000 ) [26] ( [11] ( 1989 ) 2006 ) [27] ( 2005 [12] ( 1985 [28] ( 1987 ) ) [10] ( 1983 [16] [21] ( 2001 [29] 1987 [30] [13] ( [31] ( [14] 1983 ) 10 4 [32] ( 319

1981 ) 1983 [10] [25] ( ( 1977 ) 2000 ) [26] ( [11] ( 1989 ) 2006 ) [27] ( 2005 [12] ( 1985 [28] ( 1987

18 1987 ) [45] ( [33] 1992 ) 1997 [46] ( [34] 1981 ) [47] 1975 ( [35] 2003 ) [48] 1973 ( [36] 2004 ) [49] [37] ( 2003 ) [50] [38] [51] 1998[13] [39] ( [52] ( 1981 ) 1999 ) [40] ( [53] ( 1984 ) 2007 ) [54] [41] 2006 ( [55] 2006 ) 2002 [42] ( [56] ( ) ) [43] [57] ( ( 2001 ) 2005 ) [44] ( [58] ( 1980)

77-107 [39] ( [52] ( 1981 ) 1999 ) [40] ( [53] ( 1984 ) 2007 ) [54] [41] 2006 ( [55]

明新學報第31期

明新學報第31期明新學報 31 期 pp.37-55 Volume 31, Ming Hsin Journal, October 2005 李商隱審美觀之形成及其理論初探陳靜芬明新科技大學通識教育部摘要唐代詩歌雲蒸霞蔚, 詩人各擅其場, 李商隱是晚唐詩壇最後的絕響, 在深美閎約的詩歌花