カテゴリー Ⅲ 日本建築学会計画系論文集第 82 巻第 739 号, ,2017 年 9 月 J. Archit. Plann., AIJ, Vol. 82 No. 739, , Sep., 2017 DOI

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1 カテゴリー Ⅲ 日本建築学会計画系論文集第 82 巻第 739 号, ,2017 年 9 月 J. Archit. Plann., AIJ, Vol. 82 No. 739, , Sep., 2017 DOI ヴェネツィアのリドにおける 20 世紀前半の地域開発に関する考察ホテルの建設と住宅地開発を中心に A STUDY ON THE URBAN TRANSFORMATIONS OF LIDO OF VENICE IN THE EARLY 20 TH CENTURY Focused on the construction of hotels and housing development * 樋渡彩 Aya HIWATASHI The present paper aims to clarify the territorial transformations occurred during the first half of the 20th century at the Lido in Venice. In the aftermath of the collapse of the Venetian republic, with its economy shattered, the prospect of creating a modern tourist base at the Lido was well received. Its development became a symbol of regeneration and modernization of Venice. This study emphasizes the analysis of urban transformations occurred at the island during this period from a chronological point of view. Lido, a suburb of Venice, transformed into a touristic resort albeit preserving many of its natural features. In this respect, its development greatly differs from those of the Terraferma municipalities of Marghera and Mestre. Keywords : Venice, Lido, the early of the 20 th century, hotel, città-giardino 20, Lido di Venezia G Hotel Excelsior A Nicolò Spada M * 東京藝術大学美術学部建築科教育研究助手工博 Research Assoc., Dept. of Architecture, Faculty of Fine Arts, Tokyo University of the Arts, Dr. Eng. 2431

ࡓ ᮏᓥ ࠊ㒔ᕷᵓ㐀ࠊ㒔ᕷᶵ ኚ ᵝࠎ ࢨ ࢱ ࡁᙜ ࠊ ᾏ 㠃ࡋ ᘓタࡉ ࡓ どⅬ 㛵 ᐹࡍ ࡇ ࠊ20 ୡ ๓ 㸦Photo2㸧ࠋࡇ 㡭ࠊ18 ୡ ጞ ࢢ ᙳ㡪 ࠊ ࡀᢸࡗࡓᙺ ᚩ ᥥࡁࠊ ௦ ࡘ 19 ୡ ᘓタࡀὶ ࡋ ࡓࠋࡑ ὶ 㠃 ࡍ ࠋࡇ ࠊ 㒔ᕷ ࠊ ࠊ19 ୡ ᮎࠊ ᮏᓥ ࢢ ࡇ ὀ ࡉ ࡇ ࡗࡓ ௦ ᆅᇦ ㄽࡌ ࡔࡅ ἢ ࠊ ᆅ ࡋ ࡀᘓタࡉ ࠊࡇ ࡃࠊ ᮏᓥ 㛫 ᵓ ࡉ

ࡓࠋ㛤ᨺឤ ୪ᮌ㐨 ᅾ ᮏᓥ ᐟἩࡋࠊ ᪉ἲ ࡗ 㤿 ࡀ㥑ࡅᢤࡅ ࠊ ᮏᓥ ぢ Ὑ ࡉ ࡓ ࠊࡇ ฟ ࠊ㒔ᕷ ࡀ㐍 ࡗࡓ ࡓ ᡂࡉ ࡓὀ㸲ࠋࡇࡇ ࠊࡑ ḟ ẁ㝵 19 ୡ ゝ ࠋࡇ ࡋ ᾏỈᾎሙ ฟ ࡗ ࠊ ᐩ ᮎ ࡇ ἢࡗ ࡀᘓタࡉ ࠊ ᒙ ࡗ ሙᡤ ḟ ኚ ࡗ ࡃࡇ ὀ㸶ࠋ ᮏ᱁ 㛤 ࡀጞ 1910 ᖺ 㐣 ㄽࡎ ࠋ Ỉᾎ ࡇ ࡁࡍ ࢰ ᴗ ࢱ 㸦fig.

ᡂ㛗 ᮇᚅࡍ ࠋ ࢱ ࢨ ࢱᗈሙ ࡀ ᡂࡋࡓࡇ ㄞ ࡑ ࡍ ࡋ ࠊḟ ࡇ ࡀᣲࡆ ࠋ ࢯ ࡀࠊࡑ ἢ ᘓ ࡀ ࡇ ࡀ ࢪ ᕷ ဨ㸦consigliere comunale Ettore Sorger㸧ࡀほග 㸦fig.

2 ࡓ ᮏᓥ ࠊ㒔ᕷᵓ㐀ࠊ㒔ᕷᶵ ኚ ᵝࠎ ࢨ ࢱ ࡁᙜ ࠊ ᾏ 㠃ࡋ ᘓタࡉ ࡓ どⅬ 㛵 ᐹࡍ ࡇ ࠊ20 ୡ ๓ 㸦Photo2㸧ࠋࡇ 㡭ࠊ18 ୡ ጞ ࢢ ᙳ㡪 ࠊ ࡀᢸࡗࡓᙺ ᚩ ᥥࡁࠊ ௦ ࡘ 19 ୡ ᘓタࡀὶ ࡋ ࡓࠋࡑ ὶ 㠃 ࡍ ࠋࡇ ࠊ 㒔ᕷ ࠊ ࠊ19 ୡ ᮎࠊ ᮏᓥ ࢢ ࡇ ὀ ࡉ ࡇ ࡗࡓ ௦ ᆅᇦ ㄽࡌ ࡔࡅ ἢ ࠊ ᆅ ࡋ ࡀᘓタࡉ ࠊࡇ ࡃࠊ ᮏᓥ 㛫 ᵓ ࡉ ࡓᆅᇦᙧᡂ ゎㄞࡋ ᪘ 㑰Ꮿ ᨵ ࡋࡓ つᶍ ᅇ ᘓ ࡀ ሙࡋࡓࠋ ࡍ ࠋ ࡑ ࡃࡇ ὶ ࡅ ࠊ Ỉᾎ ࡁ ᐇ ࡋ ࠊ ฟࡋࡓ ὀ㸵ࠋ 㸰㸬 ୡ ᮎ㹼 ୡ 㢌 ᘓタ ࡀᘓタࡉ ࡓࡇ ࠊ19 ୡ ᮎ ᾏỈᾎሙ 㛤ᴗ ࡁࡗ ࡅ ࠊ ࡘ ᅬ ᗈࡀࡗ ࡓ 20 ୡ 㢌 ࡅ ࡃὶ ࡘࡃࡇ ࡀ ࡁࡓ ᅜෆእ ໃ ࡀᢲࡋᐤࡏ ሙᡤ ࠊࡉ 19 ୡ ᚋ ࠋ ࡓࡑ ௨๓ ࡀ ࡗࡓࡇ ࠊ㛗ᮇ 㛤 ໃ ࡅࠊ᪂ࡓ ௦ ࡓࠋ㛤ᨺឤ ୪ᮌ㐨 ᅾ ᮏᓥ ᐟἩࡋࠊ ᪉ἲ ࡗ 㤿 ࡀ㥑ࡅᢤࡅ ࠊ ᮏᓥ ぢ Ὑ ࡉ ࡓ ࠊࡇ ฟ ࠊ㒔ᕷ ࡀ㐍 ࡗࡓ ࡓ ᡂࡉ ࡓὀ㸲ࠋࡇࡇ ࠊࡑ ḟ ẁ㝵 19 ୡ ゝ ࠋࡇ ࡋ ᾏỈᾎሙ ฟ ࡗ ࠊ ᐩ ᮎ ࡇ ἢࡗ ࡀᘓタࡉ ࠊ ᒙ ࡗ ሙᡤ ḟ ኚ ࡗ ࡃࡇ ὀ㸶ࠋ ᮏ᱁ 㛤 ࡀጞ 1910 ᖺ 㐣 ㄽࡎ ࠋ Ỉᾎ ࡇ ࡁࡍ ࢰ ᴗ ࢱ 㸦fig.3㸧 ࡍ ᾏỈᾎሙ タ ᘬࡁ ὀ㸷 ࠊࢧ ࢱ 㸰㸫㸯㸬ࢧ ࢱ ࢨ ࢱ 㛤 ࢨ ࢱ ୧➃ ᘓタࡋࡓࡇ ࠊ 1857 ᖺ ᾏỈᾎሙ 㛤ᴗ ᚋ ࠊ1858 ィ ᅗ ぢ Ỉᾎ ࡀࡇ ᖏ ༨ ࡋ ࡓࡇ ࡀ ࠋ ࠊ ᮶ࡍ ᱞᶫ ṇ㠃 ࢫ ࠊᅜෆእ ከࡃ 㝵 ᑟࡁࠊ ࡀ ࡇ ࡀ ࠋࡋ ࡋࠊ ᐟἩ ࡁ タぢ ࡅ ほගᴗ ᘬࡋ ࡁࡓ ゝ ࠋ ᙜࡓ ὀ㸳ࠋ1887 ᖺ ᆅᅗ ࠊࡇ Ⅼ ᾏỈᾎሙ ࢧ ࡑࡋ ࠊ ᕷ ᡂ㛗 ᮇᚅࡍ ࠋ ࢱ ࢨ ࢱᗈሙ ࡀ ᡂࡋࡓࡇ ㄞ ࡑ ࡍ ࡋ ࠊḟ ࡇ ࡀᣲࡆ ࠋ ࢯ ࡀࠊࡑ ἢ ᘓ ࡀ ࡇ ࡀ ࢪ ᕷ ဨ㸦consigliere comunale Ettore Sorger㸧ࡀほග 㸦fig.1㸧ࠋࡑࡋ ࠊ1903 ᖺ ࠊࢧ ࢱ ࢨ ᨻ 㛵ᚰ ᐤࡏࠊ ᗈሙࠊ㐨 ࠊ㐠Ἑ ഛ ࢱ ᚰ ᘓ ࡀቑ ࡇ ࡀᢕᥱ ࡁ ࠋ ࡇ ἢ ᆅ 㡰ぢ ࠊඛ㥑ࡅ ሙࡋࡓ ࡀࠊ1900 ᖺ Ỉᾎ ࡗ ᘓタࡉ ࡓࢢ 㸦Grand Hotel Lido㸧㸦Grand Hotel des Bains㸧 ὀ㸴ࠋࢢ ࠊࢧ ࢱ ࢨ ࢱᗈሙ 㠃ࡋ ᘓタࡉ ࠊ ࠕ 㢦 ࡋ ᓥ 㛵㣭ࡗࡓ㸦Photo1㸧ࠋ ᪉ࠊ ࢧ ࢱ ࢧ ࢱ ࢨ ࢱ ᾏ )LJ 0DS RI /LGR GL 9HQH]LD DQG,VWLWXWR JHRJUDILFR PLOLWDUH, * *LRUJLR H 3DWUL]LD 3HFRUDL Lido di Venezia, oggi e nella storia 9HQH]LD 3KRWR *UDQG +RWHO GHV %DLQV Ibid. ࢧ ࢱ ࢨ ࢱ ࢧ ࢱ ࢨ ࢱᗈሙ ࢢ 3KRWR *UDQG +RWHO /LGR

3 piani regolatori Società Anonima Lido Utilizzazione Terreni EdiliziS.A.L.U.T.E Nicolò Spada N. N N. Tilwa fig.1 N m400 N. Compagnia Alberghi Lido Rottigni-Marzotto 16N. 3,000 N. N N. N. Venezia della Banca Commerciale Italiana DirettoreGiuseppe Toeplitz 19G. N Giuseppe Volpi 21 Hotel DanieliGrand HotelThe Venice Hotels Limited 22 N. Compagnia Italiana Grandi Alberghi (C.I.G.A.) 23 C.I.G.A m 1907 fig Photo3 Holet Bauer-Grünwald Giovanni Sardi 2519 Photo41900 N. 26 Photo5 2433

ࢫ ὶࡉ ࡀ ࠊᾏ ởᰁཎᅉ ࡗࡓ ࠋᙜ ࠊ ࢲࡀࠊࢧ ࢥᗈሙ ࢪ ࡋࠊ ࢡࢭ ࢩ ᾏỈᾎࡋ ࡓ ࡎࠊᐇ ࠊỈ ࡑ ၥ㢟 ᆅ ィ ᥦ ࡍ ࠊD. ࢠ ࡀ ࡗࡓ ࠋࡑࡇ N. ࢫ ࢲ ࠊΎ ᾏỈ ᣦࡋ ࠊ ࡇ ィ ᢲࡋࡋࡓࠋ ࡓ D.

ࢫ ࢲ ࡗࡓ㛤 ༢ ࡃ㐪 ᪉ 㔜ࡁ ࡓࡇ Ẽ ࡃࠋࡇ ࠊᙜ ᘓタ ࠊ ᣐⅬ ᓥ య ഛ ࡓ ᡂ㛗 ࡗ ࠊ ᢞ㈨ࡀ 㔜せ ࡇ ࡀ ࠋ ࡗࡓ ド ࡋ ࠋ ࡓࠊ ࢱ 㒔ᕷ ぢ ࢡࢭ ࢩ ࠊᪧᕷ ᆅ ᪂ᕷ ᆅ ᥋ ࡍ ࠊ ᡂ ࡏ ࠊ 㠃㟁 ၥ㢟ゎỴ ࠋࡋ ࡋࠊ ゝ ࠊࡇ ᆅ 㐨ࡀᐇ ഛ ࠊ ࢢ ࡋ ࡗࡓࡇ ࠊỈ ࡋ ᡭẁ ࠊ බඹ ሙࡀタ ࡉ ᙉ ࡍ ࡇ ࡘ ࡀࡗࡓ ゝ ࠋ ࡋࡓ ὀ 27 ࠊ ഛࡉ

4 ᐃࡋ ࡇ ࠋ 㒔ᕷ ぢ ᕷቨ እ ᪂ᕷ ᆅ ඹ ࡍ ࠋ N. ࢫ ࢲ ࡇࡔ ࡇ ࡋࡓ ᕤኵ௨እ ぢ ࡇࡇ ᮏᓥ 㛫㛵ࡋ ࠊ ࠋࡇࡇ グࡋ ࡁࡓ ࡇ ࠊ ࠕᾏ 㠃 ࡋࡓ ࢪ ࢡ ᣲࡆ ࡃࠋ1911 ᖺࠊ ᕷᢏ ᒁ㛗 ࢲ Ⅼ ࠋ ᾏỈᾎࡀὶ ࡋ ࡓࡇ ௦ࠊᾏ㝿 ࢠ㸦Daniele Donghi㸧 ࠊ ࢫ ᆅ ࢧ タ ࡇ ࡗࡓࠋࡑ ࡋࡓ タ ởᰁỉ ᾏ ࡑ ᆶ 㛫 ᆅ 㐨 ᆅ 㕲 ᘓタィ ᥦ ࡋࡓࠋࡑ ᚋࠊN. ࢫ ὶࡉ ࡀ ࠊᾏ ởᰁཎᅉ ࡗࡓ ࠋᙜ ࠊ ࢲࡀࠊࢧ ࢥᗈሙ ࢪ ࡋࠊ ࢡࢭ ࢩ ᾏỈᾎࡋ ࡓ ࡎࠊᐇ ࠊỈ ࡑ ၥ㢟 ᆅ ィ ᥦ ࡍ ࠊD. ࢠ ࡀ ࡗࡓ ࠋࡑࡇ N. ࢫ ࢲ ࠊΎ ᾏỈ ᣦࡋ ࠊ ࡇ ィ ᢲࡋࡋࡓࠋ ࡓ D. ࢠ ෆ ᗑ Ỉ ウࡋࠊ ࢡ ࢱ ᆅᇦ ィ ࡋࡓࡀࠊࡇ ィ Ẹ㛫 ᴗ 㛵ᚰ ࡉ ࡗࡓࠋ ࡋࠊ Ỉ ࢢ ᪉ ὀࡄ ᕤኵࡋࡓࠋࡑ ᯝࠊ ࡇ ィ ࡀᐇ ࡋ ࡓ ࠊ㸱ศ㛫㛫 ๓㠃 ᗈࡀ ᾏỈ ࠊởỈ ษ 㞳ࡉ ࠊ ࡁ Ỉ ᐇ ࡀ ࡗ ࡓ ᣦ ࡉ ὀ 29ࠋ ࡋࠊ ࠕᜨ ࡓ ቃ ᾏỈᾎࡀ ࡁ ࠊ ᾏᓊࡔ ࡇ ክ ㄒィ ࠊ ᅾ ࢢ ቃಖㆤ ࠋࡇ N. ࢫ ࢲ ࡗࡓ㛤 ༢ ࡃ㐪 ᪉ 㔜ࡁ ࡓࡇ Ẽ ࡃࠋࡇ ࠊᙜ ᘓタ ࠊ ᣐⅬ ᓥ య ഛ ࡓ ᡂ㛗 ࡗ ࠊ ᢞ㈨ࡀ 㔜せ ࡇ ࡀ ࠋ ࡗࡓ ド ࡋ ࠋ ࡓࠊ ࢱ 㒔ᕷ ぢ ࢡࢭ ࢩ ࠊᪧᕷ ᆅ ᪂ᕷ ᆅ ᥋ ࡍ ࠊ ᡂ ࡏ ࠊ 㠃㟁 ၥ㢟ゎỴ ࠋࡋ ࡋࠊ ゝ ࠊࡇ ᆅ 㐨ࡀᐇ ഛ ࠊ ࢢ ࡋ ࡗࡓࡇ ࠊỈ ࡋ ᡭẁ ࠊ බඹ ሙࡀタ ࡉ ᙉ ࡍ ࡇ ࡘ ࡀࡗࡓ ゝ ࠋ ࡋࡓ ὀ 27 ࠊ ഛࡉ ࡓὀ 28ࠋ 㢼ᬒ ኚࡋࠊ ௦㒔ᕷࡀฟ᮶ ࡀࡗࡓࠋࡇ ࠊ ࢱ 㸱㸬㹼 ᖺ௦ ᅖ ࡓఫᏯᆅ㛤 3KRWR +RWHO ([FHOVLRU ' 5HVLQL D FXUD GL Tomaso Filippi fotografo: Venezia fra Ottocento e Novecento 9HQH]LD 1900 ᖺ ࢧ ࢱ ࢨ ࢱ ୧➃ ࡀᘓタࡉ ࠊࡑ ᖺᚋ ࠊࡇ ᚰ Ⲯ ࡀᘓタࡉ ࡗࡓὀ 30ࠋ1908 ᖺ ᆅᅗ ぢ ࠊࡇ 㛫 ᚰ ᘓ ࡀᘓタࡉ ࠊࡇ ᮇ ᘓタࡉ ࡓ Ⲯ ㉕ἑ 㛫 ồ ᐩ ᒙ ࡗ ᘓタࡉ ࡓ 㸦fig.2㸧ࠋࡑ ᚋࠊ1927 ᖺ ᆅᅗ ࢡࢭ ࢩ ༡ ᘓ ࡀ ᆅࡋ ࠊࡇ 20 ᖺ 㛫㞟 ࡋ ᘓタࡉ ࡓࡇ ࡀㄞ㸦fig.2㸧ࠋࡑࡇ ࠊḟ ࡇ 3KRWR +RWHO ([FHOVLRU RQ WKH VLGH RI VHD 3KRWR +RWHO ([FHOVLRU RQ WKH VLGH RI ODJRRQ 㛫 ࡓ ᕷ ఫᏯᨻ ࡘ ぢ ࡃࠋ ᖺ ࢫ ࢫ ᖺ 㕲㐨ဨ ఫᏯ ࢲ ࢲ ᖺ ᘓタ ఫᏯ ࢲ ࢲ ࢲ ἢ ᖺᘓタ Ⲯ㸦YLOOD㸧 )LJ 0DS RI /LGR GL 9HQH]LD DQG, *

5 città-giardino N. N Commissione per le case sane, economiche e popolari ( IACP) 36 C.I.G.A. 100 villino C.I.G.A E. N fig fig.2 19 Domus Nostra Cooperativa degli Impiegati dello Stato Photo6 Photo7 Cooperativa dei Ferrovieri Photo8, C.I.G.A. 41 villino Kresber 2435

Beltrami 42 1914 1904 S.A.L.U.T.E. 431908 1927 Fig.31927 19101920 44 N.

6 Beltrami S.A.L.U.T.E Fig N idrovolante Photo C.I.G.A. G Henry Ford G C.I.G.A G. 2436

1937 G. 52 16 20 1920 Evelina Didovich 53 1937 54 m 1937 55 1924 1930 Fig.4 56 57 N. 19101920 Fig.5- C.I.G.A.

5-1987 Giorgio Pecorai (a cura di), Lido di oggi, Lido di allora, Venezia: Edizioni Atiesse, 19872007

7 1937 G Evelina Didovich m Fig N Fig.5- C.I.G.A Fig.5- G. C.I.G.A Fig Fig Giorgio Pecorai (a cura di), Lido di oggi, Lido di allora, Venezia: Edizioni Atiesse, Giorgio e Patrizia Pecorai, Lido di Venezia, oggi e nella storia, Venezia, 2007 Achille Talenti, Come si crea una città: Il Lido di Venezia, Padova,

8 Massimiliano Savorra, La città balneare del Lido, Guido Zucconi (a cura di), La grande Venezia: Una metropoli incompiuta tra Otto e Novecento, Venezia: Marsilio Editori, osteriachiesacanonica Archivio Strico Comunale di Venezia A.S.C.V., , IX/10/6. Giorgio e Patrizia Pecorai, op.cit., p Società Bagni di Lido1872 Adolfo Genovesi 1970 M. Savorra, op.cit., p. 180.Fisola Giovanni Busetto1857 Nelli-Elena Vanzan Marchini, Venezia I piaceri dell'acqua, Venezia: Arsenale, 1997, pp A. Talenti, op.cit., p. 13 Ibid., pp S. Lazzaro degli Armeni Giannina Piamonte, Litorali ed Isole: Guida della LagunaVeneta, Venezia: Filippi editore, Giorgio e Patrizia Pecorai, op.cit., p. 62. M. Savorra, op.cit., p A. Talenti, op.cit., p Ibid., p. 44. M. Savorra, op.cit., p A. Talenti, op.cit., pp Amministrazione minlitare Francesco Ogliari, Achille Rastelli, Navi in città: Storia del trasporto urbano nella Laguna Veneta e nel circostante territorio, Milano : Cavallottieditori, 1988, p Amministratore DelegatoA. Talenti, op.cit., p. 70. Ibid Presidente di Confindustria 1900 The Venice Hotels Limited Beau Rivage et Pension Londra PalaceCittà di Roma ReginaVittoria Elena Pradella, Pianeta Venezia sette secoli per l'ospitalità, Venezia: Grafiche Veneziane, 1997, pp Giorgio e Patrizia Pecorai, op.cit., p Bagno popolare M. Savorra, op.cit., p Ibid., p N. Ibid. A. Talenti, op.cit., pp Sergio Barizza (a cura di), Il Casinò municipale di Venezia: Una storia degli anni 30, Venezia: Arsenale, M. Savorra, op.cit., p Villa Calzavara1903 Villa Stockhausen1903 C.I.G.A. Villa Regina Villa Monplaisir Villa Chiara Giorgio e Patrizia Pecorai, op.cit., pp Giorgio Bellavitis, Giandomenico Romanelli, Le città nella storia d Italia: Venezia, Bari: Laterza, p Magazzini Generali di Santa Marta M. Savorra, op.cit., pp pp M. Savorra, op.cit., p Ibid., p Ibid. Ing. Giovanni Bordiga, presidente del R. Istituto di Belle Arti di Venezia : arch. Manfredo Manfredi : Ugo Ometti : ing. Fulgenzio Setti, ing. Capo del Comune di Venezia : prof. Augusto Se zanne, pittore : avv. Ettore sorger : comm. Nicolò Spada. Giorgio e Patrizia Pecorai, op.cit., p Ibid., pp Ibid., p M. Savorra, op.cit., p Ibid. S.A.L.U.T.E. Ibid., pp Ibid., p petrolizzazione A. Talenti, op.cit., pp Michele Casarin, Giancarlo Scarpari, Piazzale Roma, Il Lido di Venezia, Padova: Il Poligrafo, 2005, p. 55. M. Casarin, G. Scarpari, op.cit., p. 56. A.S.C.V., Fondo Giacomelli, GN M. Casarin, G. Scarpari, op.cit., pp C.I.G.A. 25, Ibid., pp Ibid., p. 57. Giorgio e Patrizia Pecorai, op.cit., pp A.S.C.V., Fondo Giacomelli, GN004263, GN A.S.C.V., Fondo Giacomelli, GN pp

9 A STUDY ON THE URBAN TRANSFORMATIONS OF LIDO OF VENICE IN THE EARLY 20 TH CENTURY Focused on the construction of hotels and housing development Aya HIWATASHI * * Research Assoc., Dept. of Architecture, Faculty of Fine Arts, Tokyo University of the Arts, Dr. Eng. The present paper aims to clarify the territorial transformations occurred during the first half of the 20th century at the Lido in Venice. The Lido, island facing the Adriatic Sea, had preserved a rural atmosphere, to be altered gradually by the opening of the public sea baths on 1857 and the consequent touristic developments. The end of the 19th century saw paved roads, lodges, inns and villas occupy vast areas of the island. The creation of the international film festival on1932 further increased the number of both domestic and international visitors, consummating the transformation of the landscape. Still nowadays numerous film lovers and creators flock to the island by the end of August to attend the cinematic event. In the aftermath of the collapse of the Venetian republic, with its economy shattered, the prospect of creating a modern tourist base at the Lido was well received. Its development became a symbol of regeneration and modernization of Venice. This study emphasizes the analysis of urban transformations occurred at the island during this period from a chronological point of view. The Lido brimmed with new, modern life styles with the arrival of tourism. Wealthy patrons, during their long stays, thrived at majestic hotels lining up broad planted avenues. Initially the development efforts lied on private initiatives, without much public funding. It was thanks to the likes of Nicolò Spada and Società Bagni di Lido that the Lido saw its first big transformation. By the mid 1920's the government finally realized the potential of development in the Lido area and heavily invested in the promotion of cultural activities, essentially through close collaboration with Volpi and his C.I.G.A. Society. They were responsible of the consolidation of Venice as a major international touristic destination during the interwar period, sustaining the construction of the airport and the implementation of the vapporetto lines. Furthermore, the Commune and C.I.G.A. played a fundamental role in the accomplishment of the città-giardino, a new living environment. Lido, a suburb of Venice, transformed into a touristic resort albeit preserving many of its natural features. In this respect, its development greatly differs from those of the Terraferma municipalities of Marghera and Mestre. At a time in which expansion of rail network and economic prosperity after the war enhanced touristic developments all over Europe, Lido stood out as a very special place, due to its significant cultural value and its peculiar approach: visitors descended the train on the main island and could not but sail a boat through the Laguna in order to reach their final destination. (2016 年 9 月 17 日原稿受理,2017 年 6 月 7 日採用決定 ) 2439

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8018.pdf The Operation and Process of Transfer of Development Rights as the Historic Conservation Tool in Dadaocheng, Taipei - Focusing on the Impact on the Historical Environment in Volume Sending Sites - * *