58 漢學研究第 28 卷第 2 期 Suzanne Wright (2000. ): Suzanne Wright, Luoxuan biangu jianpu and Shizh

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1 BIBLID (2010)28:2 pp 漢學研究第 28 卷第 2 期 ( 民國 99 年 6 月 ) * metaphoric mode 關鍵詞 : *

2 58 漢學研究第 28 卷第 2 期 Suzanne Wright (2000. ): Suzanne Wright, Luoxuan biangu jianpu and Shizhuzhai jianpu: Two Late-Ming Catalogues of Letter Paper Designs, Artibus Asiae 63.1 (2003): Suzanne Wright, Visual Communication and Social Identity in Woodblock-Printed Letter Papers of the Late Ming Dynasty (Ph.D. diss., Stanford University, 1999). 6 Jan Tschichold, Chinese and Japanese Colour Wood-Block Printing, Leonardo 4.1 (Winter 1971): Robert T. Paine, Jr., The Ten Bamboo Studio, Bulletin of the Museum of Fine Arts ( ): 72-79; and The Ten Bamboo Studio: Its Early Editions, Pictures, and Artists, Archives of the Chinese Art Society of America 5 (1951): (1999.9):

5 Suzanne Wright, Visual Communication and Social Identity in Woodblock-Printed Letter Papers of the Late Ming Dynasty (Ph.D. diss., Stanford University, 1999).

3 蕭麗玲 / 隱喻型的生產模式十竹齋箋譜的編輯原則 metaphor

4 60 漢學研究第 28 卷第 2 期

5 蕭麗玲 / 隱喻型的生產模式十竹齋箋譜的編輯原則 61 visualize parallelism Stephen Little, Notes on Zou Zhilin, Artibus Asiae

6 62 漢學研究第 28 卷第 2 期 Suzanne Wright (1994): ; Ng So Kam, Ming Dynasty Fan Painting and Calligraphy by Zou Zhilin, Orientations 18.2 (1987.2): : Suzanne Wright Hu Zhengyan: Fashioning Biography, Ars Orientalis 35 (2005): Suzanne Wright, Luoxuan biangu jianpu and Shizhuzhai jianpu, note 32, pp

7 蕭麗玲 / 隱喻型的生產模式十竹齋箋譜的編輯原則

8 64 漢學研究第 28 卷第 2 期 (1981.7): 131

9 蕭麗玲 / 隱喻型的生產模式十竹齋箋譜的編輯原則 65 表一十竹齋箋譜各卷類名和箋名卷 1 卷 2 卷 3 卷 4 清供八種龍種九種蛥枡孺慕八種畊建義八種衮華石八種勝覽八種烟棣華八種博古八種入林十種應求八種廻畫詩八種無華八種閨則八種奇石十種鳳子八種敏學八種隱逸十種折贈八種極修八種羮壽徵八種靈瑞八種香雪八種韻叟八種寶素八種

10 66 漢學研究第 28 卷第 2 期烟寫生十種墨友十種雅玩八種如蘭八種尚志八種畊嵓偉度八種椀高標八種文佩八種襍稿十六種疎双

11 蕭麗玲 / 隱喻型的生產模式十竹齋箋譜的編輯原則

12 68 漢學研究第 28 卷第 2 期

13 蕭麗玲 / 隱喻型的生產模式十竹齋箋譜的編輯原則

14 70 漢學研究第 28 卷第 2 期

15 蕭麗玲 / 隱喻型的生產模式十竹齋箋譜的編輯原則

16 72 漢學研究第 28 卷第 2 期 7 paradox 2 as like

17 蕭麗玲 / 隱喻型的生產模式十竹齋箋譜的編輯原則 paradox manipulate a

18 74 漢學研究第 28 卷第 2 期

19 蕭麗玲 / 隱喻型的生產模式十竹齋箋譜的編輯原則帀 39 帀 b a

20 76 漢學研究第 28 卷第 2 期 Suzanne Wright 1 taste Wright Suzanne Wright, Visual Communication and Social Identity in Woodblock-Printed Letter Papers of the Late Ming Dynasty, p Suzanne Wright, Visual Communication and Social Identity in Woodblock-Printed Letter Papers of the Late Ming Dynasty, pp

Papers of the Late Ming Dynasty, p. 73. 41 Papers of the Late Ming Dynasty, pp.

21 蕭麗玲 / 隱喻型的生產模式十竹齋箋譜的編輯原則 77 1 Suzanne Wright ab

22 78 漢學研究第 28 卷第 2 期 47 Suzanne Wright Wright agenda 2 3 Suzanne Wright Wright

23 蕭麗玲 / 隱喻型的生產模式十竹齋箋譜的編輯原則 a

24 80 漢學研究第 28 卷第 2 期一傳統文獻

25 蕭麗玲 / 隱喻型的生產模式十竹齋箋譜的編輯原則

26 82 漢學研究第 28 卷第 2 期二近人論著 : (1981.7): (1999.9): (2000. ): Little, Stephen Notes on Zou Zhilin. Artibus Asiae : Ng, So Kam Ming Dynasty Fan Painting and Calligraphy by Zou Zhilin. Orientations 18.2: Paine, Robert T., Jr The Ten Bamboo Studio. Bulletin of the Museum of Fine Arts : Paine, Robert T., Jr The Ten Bamboo Studio: Its Early Editions, Pictures, and Artists. Archives of the Chinese Art Society of America 5: Tschichold, Jan Chinese and Japanese Colour Wood-Block Printing. Leonardo 4.1: Wright, Suzanne Visual Communication and Social Identity in Woodblock- Printed Letter Papers of the Late Ming Dynasty. Ph.D. diss., Stanford University. Wright, Suzanne Luoxuan biangu jianpu and Shizhuzhai jianpu: Two Late-Ming Catalogues of Letter Paper Designs. Artibus Asiae 63.1: Wright, Suzanne Hu Zhengyan: Fashioning Biography. Ars Orientalis 35:

27 蕭麗玲 / 隱喻型的生產模式十竹齋箋譜的編輯原則 83 圖 1 宋沈遼, 動止帖圖 2 鄒之麟, 草書尺牘圖 3 嘉禾箋

28 84 漢學研究第 28 卷第 2 期圖 4 歸莊, 雪竹 1647 Guan Lu Yuan Jonathan Chaves, The Chinese Painter as Poet (New York: China Institute, 2000), p. 17. 圖 5 清友箋 2 圖 6 清汪節庵製, 名花十友墨 10.7cm 4.4cm 1cm

29 蕭麗玲 / 隱喻型的生產模式十竹齋箋譜的編輯原則 85 圖 7 無華類第一箋 1 圖 8 明杜堇, 玩古圖 126.1cm 187cm

30 86 漢學研究第 28 卷第 2 期 The Metaphoric Mode of Production: The Editorial Policy of the Ten Bamboo Studio Letter Paper Catalogue Hsiao Li-ling * Abstract This paper explores the way in which Hu Zhengyan 胡正言 utilizes metaphor as a mode of production in the Ten Bamboo Studio Letter Paper Catalogue 十竹齋箋譜 published in 1644 and The color letter paper is designed exclusively for writing with the goal of communication; the images printed on these letter papers thus carry a deeper layer of metaphorical meanings. The carefully chosen image interacts with the words written on the letter, and thus becomes part of the intended message. Thus every communication on these printed papers necessarily involves metaphorical meanings that are beyond the written words and essential to the written communication. It is only natural for the production of paper designed for letter communication to adopt the same metaphorical mode of production. This paper thus focuses on investigating the metaphoric themes underlying the editorial policy of the Ten Bamboo Studio Letter Paper Catalogue. Keywords: Ten Bamboo Studio 十竹齋, letter paper catalogue, Hu Zhengyan 胡正言, metaphor, Ming dynasty * Hsiao Li-ling is an associate professor in the Department of Asian Studies at the University of North Carolina, Chapel Hill, U.S.A.

328 漢學研究第 28 卷第 2 期 1. 2. (1) (2) 1 2 1 1986 60 A 282-294 Valerie Hansen, Changing Gods in Medieval China, 1127-1276 (Princeton: Princeton Univer

328 漢學研究第 28 卷第 2 期 1. 2. (1) (2) 1 2 1 1986 60 A 282-294 Valerie Hansen, Changing Gods in Medieval China, 1127-1276 (Princeton: Princeton Univer BIBLID 0254-4466(2010)28:2 pp. 327-362 漢學研究第 28 卷第 2 期 ( 民國 99 年 6 月 ) ** * 關鍵詞 : 2009 1 5 2009 11 3 2010 5 6 * ** 2008.8.14-16 327 328 漢學研究第 28 卷第 2 期 1. 2. (1) (2) 1 2 1 1986 60 A 282-294

58 漢 學 研 究 第 28 卷 第 2 期 Suzanne Wright (2000. ): Suzanne Wright, Luoxuan biangu jianpu and Shizh

58 漢學研究第 28 卷第 2 期 Suzanne Wright (2000. ): Suzanne Wright, Luoxuan biangu jianpu and Shizh